Beneath the surface of Todd Tucker’s, there’s a fantastic Halloween themed horror movie. “The Terror of Hallow’s Eve” is a movie with so much flab and filler that it ultimately loses sight of what it’s trying to accomplish, not to mention it distracts from the utterly fantastic special effects and supporting performances. You’ll have a hard time appreciating those elements since Zack Ward’s script’s pacing is so glacial. “The Terror of Hallow’s Eve” is a mix of “976-Evil,” “Halloween,” and “Cellar Dweller,” with a lot of spirit, but none of the sinister tone or deep rooted menace.
Tag Archives: Thriller
Five Favorite Monster Movies of the 1990’s
Thirty years later and “Tremors” has become one of the longest lasting horror comedy franchises out there. From its cult classic original to endless sequels, short lived series, and notable attempt to reboot it with original star Kevin Bacon, “Tremors” promises to keep powering through for a long time. This year Arrow Video unleashed a special edition of the 1990 monster movie classic on Blu-Ray and 4K Ultra HD, and it compelled me to list five of my favorite monster movies of the 1990’s.
Feel free to let us know what some of your favorites are below!
Vampires vs. The Bronx (2020)
While many of the influences for SNL are apparent, director-writer Oz Rodriguez has a great eye for unfolding some great horror that’s absolutely entertaining but also socially conscious (like his contemporary Jordan Peele). “Vampires vs. The Bronx” is a surefire amalgam of “The Lost Boys” and “Attack the Block.” It’s a creepy, fun, horror flick with an all Latinx and African American cast that’s also very clear cut condemnation of gentrification.
Get The Hell Out (2020)
Wang Yo-Wei works as a security guard at parliament and is regarded as a loser by others. One day during a Parliament session, as a fatal virus is spreading inside the parliament, the MPs are infected and become zombies. Strangely, Wang proves to be only one immune to the virus. Together with his girlfriend Xiong, they not only fight their way out but also save many lives.
“The Lost Boys” and the Allegory of the Male Role Model
1987’s “The Lost Boys” is often examined as a film with heavy overtones of homoeroticism, and the idea of embracing the vampire mythology in a broader scope. It somewhat re-invented vampires, and even influenced many a creator in modern vampire fare. One of the reasons why I absolutely adore “The Lost Boys,” among many others, is because of its commentary on male models and debasing the antiquated idea of the nuclear family. While “The Lost Boys” is a play on the term from “Peter Pan” about a group of boys that never age, the title is also a play on the recurring theme of male role models and lack thereof.
Candy Corn (2019)
The odd thing about Josh Hasty’s “Candy Corn” is that it feels like the first chapter in an anthology or movie series. I don’t know how far they’ll take this concept, but I’d love to see more Halloween based tales of revenge as coordinated by this traveling carnival and its vindictive ring master. I’m not going to say that “Candy Corn” is a masterpiece, but as far as Halloween movie treats, it’s a very good horror film soaked in the Halloween aesthetic.

