Hard to Die (1990)

hardtodie1990What Jim Wynorski’s “Hard to Die” has in common with “Die Hard” is that it features a high rise. And that’s about it. But I don’t blame it for being so shameless in exploiting the aforementioned action film, when “Hard to Die” is purposely exploitative and shameless to begin with. 1990’s “Hard to Die” also known as “Tower of Terror” and “Sorority House Massacre 3” is seventy minutes (Well if you cut out the montage from “Slumber Party Massacre,” the film is a cool hour) of goofy ridiculous fun intended to mock the horror genre at every turn. It’s a horror movie, a comedy, a slasher, a demon possession film, and a softcore porn romp all in one. And damn it, it’s still a lot of fun.

There’s really not much to say about “Hard to Die” except that its narrative is nothing but a hodge podge of plot elements mashed together for the sole purpose of featuring our buxom cast run around in lingerie. A group of gorgeous busty women working in a lingerie shop have to pull an all nighter sorting out stock for their sleazy boss. They’re also easily startled by the building janitor Orville, as played by Peter Spellos. He survived the previous confrontations from the past “Sorority House Massacre” movies and is still suspected of murdering the poor girls. Deciding to pass the time, they put on lingerie and scamper around, all the while taking showers together, bouncing and jiggling and making pretty funny jokes that reference previous scenes.

When a pizza delivery girl is called up to the building through the elevator, the mysterious killer of the movie sets her ablaze. Cut to one of the characters moaning “Where’s the girl with the food already? It’ll be char broiled when she gets here.” Yes, it’s that kind of movie. While “Hard to Die” is a loose sequel it’s also very much a horror comedy that spoofs all of the eighties film tropes, right down to the action flicks. Suffice it to say if that isn’t enough, the girls accidentally receive a package in the form of a locked box that unleashes a demonic spirit. When released, the murdering begins as someone is knocking off the buxom troop. Could it be Orville? Or could it be someone entirely unexpected?

For a movie that doesn’t require much in the way of acting ability, the cast of gorgeous women pull off their performances well, and Peter Spellos is very good as the enigmatic Orville. “Hard to Die” has a narrative that’s just absolute nonsense, but I enjoy how it seems aware of that, and uses it to deliver a hilarious and entertaining horror comedy. When the girls happen upon a gun store in their high rise, and one of the characters justifies being able to inexplicably handle a machine gun like a pro by declaring “My dad was a marine!” you just have to laugh and enjoy the ride.

Frankenstein’s Army (2013)

frankensteinsarmyI’ve never gone in to a movie wanting to love it so much and come out of it feeling so utterly disappointed. Except maybe “Cabin Fever.” In either case, I wanted to love “Frankenstein’s Army” if only for its interesting tale of a Russian squad going in to battle and finding a madman scientist using soldiers to form his own army of decrepit freaks. Normally I’m a big fan of the found footage sub-genre as well, but once I realized “Frankenstein’s Army” was found footage, it threw me out of the narrative almost immediately. I can see the found footage formula working in the age of digital camera, and digital camcorders, and cell phone videos. I can even see it working in the nineties with VHS camcorders, but to have us believe there’s a found footage movie set during World War II is immensely absurd, and just downright desperate.

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Mary Shelley’s Frankenstein (1994)

Frankenstein1994

It’s surprising how quickly “Mary Shelley’s Frankenstein” becomes a vanity project for director Kenneth Branagh. Rather than a tale of a monster wreaking havoc on his master, the film feels more like Jane Austen co-starring the monster who is kind of a nuisance and then becomes a threat to his creator. I’ve rarely seen Frankenstein movies where the creature is the third banana, but lo and behold Branagh pulls it off in what is more a film about Victor Frankenstein having a lover’s spat with his wife, who discovers her husband has committed some evil selfish acts. To his credit though, Victor Frankenstein is no hero. He’s selfish, self-centered, and has a God complex, but Branagh is very obsessed with chewing the scenery. So much so that he even manages to outdo Robert DeNiro.

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V/H/S: Viral (2014)

VHSviral

I think “V/H/S/ Viral” might prove to be a little too cynical for horror fans that love their anthology horror movies chaotic and somewhat over the top. “VHS 2” was a hard act to follow, and “V/H/S/ Viral” thankfully doesn’t try to top the previous films, so much as accompany it with a magnificent social commentary that tops off a pretty excellent trilogy, all things considered. If “V/H/S/ Viral” is the last in the Collective’s indie anthology horror film then it’s a marvel to end on, as “V/H/S/ Viral” is a sick and demented film about society’s unquenchable thirst for instant fame in a world where everything can be accessed with a button and a massive online world. “V/H/S/ Viral” is cryptic and often very confusing, but all roads converge in to the theme of fame.

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Mary Shelley’s Frankenstein (1994)

msfrankensteinIt’s surprising how quickly “Mary Shelley’s Frankenstein” becomes a vanity project for director Kenneth Branagh. Rather than a tale of a monster wreaking havoc on his master, the film feels more like Jane Austen co-starring the monster who is kind of a nuisance and then becomes a threat to his creator. I’ve rarely seen Frankenstein movies where the creature is the third banana, but lo and behold Branagh pulls it off in what is more a film about Victor Frankenstein having a lover’s spat with his wife, who discovers her husband has committed some evil selfish acts. To his credit though, Victor Frankenstein is no hero. He’s selfish, self-centered, and has a God complex, but Branagh is very obsessed with chewing the scenery. So much so that he even manages to outdo Robert DeNiro.

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Arachnophobia (1990)

arachnophobiaIf you’re going to name your movie “Arachnophobia,” your movie should embrace its title wholesale, and surely enough Frank Marshall‘s film does a hundred times over. “Arachnophobia” garners a creepy story, interesting characters, a very scary dilemma, but mostly it’s an endurance test on how much you can stand to watch poisonous spiders creep in and out of every nook and cranny without keeling over in fright. “Arachnophobia,” in any other decade, would be a B monster movie focusing on the frights of the lurking arachnids that are dominating this small town, and director Frank Marshall plays them up well, closing in on the predators as they steam roll through innocent individuals.

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Brainscan (1994)

brainscan-1994

Is it any wonder we don’t have a “Brainscan” movie series by now? Twenty years later, and John Flynn’s horror mystery is still just ninety minutes of absolutely nothing. It’s bereft of scares, tension, and suspense, lacks any kind of interesting characterization, the villainous trickster is a bland pandering horror character that can barely muster up a shiver, and in the end the entire movie is hell bent on demonizing video games and video gamers. If you love killing in video games, odds are you’ll love killing in reality? I had to sit through just endless nonsensical crap for such sanctimonious finger wagging to the audience?

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