From Dusk Till Dawn 2: Texas Blood Money (1999)

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Let’s face it, someone took a shitty movie about vampire bank robbers and turned it in to a sequel to “From Dusk Till Dawn.” Except it’s nowhere near being a sequel. Even with an appearance from Danny Trejo as the vampire bartender Razor Eddie from the first film, this is a shitty vampire movie someone decided to make in to a sequel. It’s a goofy, campy, and ridiculous vampire movie filled with horrible performances, and a ridiculous premise that does nothing to reconcile itself with the first film. There’s not even a mention of Seth Gecko for crying out loud. Shit, at least re-cast Juliette Lewis’ role as Kate Fuller and follow her along on another vampire adventure, at least.

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From Dusk Till Dawn (1996)

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 Not surprisingly, when long time film making pals Quentin Tarantino and Robert Rodriguez teamed up to make a horror movie, in the end it felt like two different movies. For folks unaware of the duo’s style of writing and film making, the second half will completely blow away anyone entrenched in the crime drama that is the first half of the film. “From Dusk Till Dawn” begins like a hyper violent take off of “Reservoir Dogs.” Seth Gecko and his brother Richie have broken out of jail leaving a trail of bodies behind, and are now hiding out in a gas station. Just their luck a sheriff comes in to chat with the owner, and thanks to a series of mishaps, Seth and Richie leave the gas station and its workers dead in a hail of gunfire and flames.

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Hotel Transylvania (2012)

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Even with the great Genndy Tartakovsky behind the screen, I held out almost no hope for “Hotel Transylvania,” because even in an animated film for kids, Adam Sandler is never above casting his slew of pseudo talented friends as the supporting cast. Like most Sandler productions, “Hotel Transylvania” can occasionally be loud and silly, but when it reaches down for a heart, it manages to be a sweet bit of family fare.

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Blade (1998)

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Though the media often cites Bryan Singer for starting the comic book movie boom of the twenty first century with his adaptation of “X-Men,” most comic book fans argue that “Blade” really started it all. “Blade” was a scaled down production based on a popular comic book character and managed to present an epic story with a minimal budget. It’s ironic that the character that would restart the comic book movie boom was a kitschy seventies horror character known primarily for being one of the few minority superheroes in the Marvel Universe. The adaptation of the Marv Wolfman character manages to get the character just right.

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Interview with the Vampire (1994)

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Author Anne Rice has been accused of feminizing the vampire creature for a very long time. While Bram Stoker was one of the first authors to take a fear creature of its period and turn it in to an individual with feeling and romantic urges, Anne Rice gets the brunt of the blame for taking a horrifying creature and transforming it in to a romance novel element. I can safely say I’ve never read a single Rice novel, but I am always surprised when I find that “Interview with the Vampire” is an entertaining film. It’s probably the most erotic mainstream film of all time. It’s a glorified Jean Rollin vampire film that places sexual emphasis on blood sucking and vampirism that Jess Franco or Jean Rollin would have offered fans in the early seventies.

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Our Top Ten “Buffy the Vampire Slayer” Episodes Of All Time

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We’ve grown to love “Buffy” more and more over the years. Our appreciation for Joss Whedon has also grown, as he’s managed to deliver cult series’ that are immortal in spite of their short lived, and often under appreciated shelf lives on television. This October, we’re naming our Top Ten Buffy episodes of all time, and it wasn’t an easy decision. There were some really good episodes we left out of the equation, but in the end we were happy with this definitive list of ten episodes we just love to watch over and over.

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Dark Shadows (2012)

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Were people actually clamoring for a big screen adaptation of a soapy daytime horror melodrama from the fifties that only hardcore horror fans know? Did we really have to have a big screen adaptation of a Gothic soap opera? It’s no wonder director Tim Burton approaches the adaptation of “Dark Shadows” with a tongue in cheek often derisive attitude. The show is obscure among the broader audiences, and even when he fine tunes the film with goofy humor and testicle jokes, it’s still so niche that not even hardcore Burton apologists will enjoy what he has to offer. Like most recent Burton productions, “Dark Shadow” is gaudy, busy, and feels like Burton going through the motions without an inch of heart injected in to the narrative.

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