Misty Mundae aka Erin DeWright aka Erin Brown is an underrated performer. I’m a little hesitant to call her an actress, but she is a competent performer worthy of some acclaim if she ever manages to break free from the softcore porn/exploitation genre and approach an actual acting career. If you saw her in the “Masters of Horror” episode “Sick Girl,” she capable of vulnerable sympathetic solid acting. But that’s not to say I don’t love her in what she does. I’ve seen “Playmate of the Apes” where she’s in full on comedy mode leading the charge with a bunch of fake apes going to war, and I enjoyed her in “Lord of the G-Strings” where she engaged in mild girl on girl and petting with some brutally hot fantasy nymphs, so “Spiderbabe” was naturally a treat for me as Mundae explores her comedic talent and her ability to be both grating and charming at the same time.
Monthly Archives: May 2010
Tombstone (1993)
I remember many years ago before Gene Siskel died where he and his co-host Roger Ebert were mulling the success of “Tombstone” and explained that originally “Tombstone” was not screened for critics. Usually when a movie is not screened early for critics it means the studios have no faith in their film. So what they did was not screen “Tombstone” while they screened “Wyatt Earp” pegging the latter for big success while the former they expected to come and go. The two films arrived in theaters in practically the same time. “Tombstone” became an instant Western classic while “Wyatt Earp” remained a not as widely accepted Western drama in spite of still being generally respected by movie critics around the world starring Oscar bait Kevin Costner. Let’s be honest here though, the reason why “Tombstone” is such a widely revered Western classic is because it’s a pretty stylized and embellished Western actioner.
How Do You Keep Getting Work?! The Ten Most Astounding Careers in Hollywood
I imagine this will be the most volatile bit of writing on the site in a while and I can see why. These are ten “actors” who have achieved incredible success in Hollywood, immense critical acclaim to some degree and yet we’d be much happier if they disappeared from filmmaking altogether and never starred in a movie ever again. From the grating, the obnoxious and the outright absurd, here are ten people with enormous amount of fame they really shouldn’t have at all. We were going to include Jessica Alba and Megan Fox to the fold, but that’d be as easy as pushing an amputee down the stairs. We expect no end of scrutiny and we welcome it.
The Girl Can’t Help It (1956)
If you’re willing to deal with the pre-requisite fifties camp that comes along with this hyper energetic romance musical, then “The Girl Can’t Help It” is pretty much the lightning in the bottle that is the ethereal beauty of Jayne Mansfield. A classic story of the underdog pushed in to becoming a star, “The Girl Can’t Help It” is a wonky romance comedy that stars the immortal Mansfield as the innocent Jerri Jordan, a long leggy, busty, pouty, soft spoken gal seeking only happiness. Pushed in to becoming a star by her dictator soon to be husband Fats Murdock, he insists she become a big music star so he can have something to like about her. Aside from the fact she’s sweet, endearing, intelligent, can cook, is faithful, and insanely beautiful, he just wants to turn her in to a music star and live vicariously through her.
The Heartbreak Kid (2007)
So this is how far Ben Stiller has come in his years. He went from rather ingenious comedy in his old FOX show now starring in remakes of romance comedies that try to break free from the doldrums with over the top sex comedy, and utterly flat improv with his father who plays (surprise, surprise!) a wacky outspoken senior citizen. And trying to break from the conventions, he also pretty much dives head first in to them with endless montages set to forgettable pop rock, and there’s even a prat fall with a bad stunt double that the Farrelly brothers rely on when everything Stiller does fails to draw even the slightest of chuckles.
Sex Drive (2008)
That’s the thing I love about teen sex comedies, the sheer fantasy element where in the main character’s environment is filled with busty, skinny, hot girls in every single place imaginable. I mean they practically live in the Amazon for Christ sake. This is a world where even the frumpy best friend who secretly likes our protagonist is very good looking in spite of the makeup artists best efforts to make them look very plain and unattractive (it doesn’t work, Amanda Crews is mind blowing). You never see seventy year olds or obese women walking the halls of the mall our hero Ian works in, so naturally “Sex Drive” was a fun little comedy to sit through, because it honestly doesn’t try to be anything more than a high energy time waster.
The Virgin's Promise: Writing Stories of Feminine Creative, Spiritual and Sexual Awakening
Through the respective teachings and psychology of Jung and Freud and many others, author Kim Hudson creates a rather astonishing look at the breakdown and dissection of the virgin role in popular fiction and how the role applies to the order of storytelling and screenplays. For those interested, this is strictly a book for the writers, primarily the screenwriter who would want a second glance and exploration in to the virginal figure of lore and myth that involves the female virgin that forms a quest of exploration through hardships.
While the male virgin is more based around realistic hardships that also lead to a similar quest of exploration. The way author Hudson masterfully breaks down the elements of the character and the models of archetypes and molds, she manages to explain just about every popular tale in pop culture where our virginal hero is one who is guided on a quest and led through a journey of awakening aided by the coward i.e. “Star Wars.”