Director Jordan Rosenbloom’s “The Spinning Man” is what I’d call “The Conversation” if it were set in the post apocalypse. It spotlights the less sensational side that’s never explored in post apocalypse fiction, and it’s the paranoia that comes from surviving and surviving in a world where resources are dwindling fast.
Author Archives: Felix Vasquez
The Thing That Ate the Birds (2021)
Director Dan Gitsham and Writer Sophie Mair’s horror short is a masterful creepy tale about dysfunction and what happens when your actions have dire consequences. I wasn’t sure what to expect with “The Thing that Ate the Birds,” but partners Mair and Gitsham deliver on all fronts as a complex and creepy genre entry.
Night of the Bastard (2023)
Erik Boccio’s horror survival thriller is a film that sets its foot firmly in the Satanic cult sub-genre. It’s “Straw Dogs” meets “Race with the Devil” but with none of the charm or creativity of the aforementioned. It’s not to say that “Night of the Bastard” isn’t a spirited effort, but the movie spends so much time propping up plot points that it never quite answers, and can also never quite get past the shaky performances and silly dialogue.
There’s Something Wrong With The Children (2023)
It’s not often anymore that we get horror movies about the horrors of domesticity. Films like “Rosemary’s Baby” and “Stepford Wives” turned the idea of domestic bliss in to an absolute nightmare, and “There’s Something Wrong with the Children” carries on that fine tradition. It’s a very creepy evil children flick that also works as a deeply embedded allegory for impending parenthood that sparks a slick sense of humor about itself. Director Roxanne Benjamin’s film is another one of the more intelligent horror entries of 2023 so far, as it uses the idea of impending parenthood as an absolute waking nightmare.
Sick (2023)
I think soon enough we’ll be at a point where the new generation of filmmakers will be making movies that reflect on the COVID pandemic and how it traumatized the world. The team of John Hyams, Kevin Williamson, and Katelyn Crab concoct what is easily one of the most clever slasher movies of the year, and yet another genre gem in what promises to be a year full of them. “Sick” is a movie that reflects on a COVID ravaged society that also explores ideas about self responsibility and how actions can have dire consequences.
Five Promised Sequels That Never Happened
One of the most controversial movie moments in 2022 involved the ending of the “Black Adam” movie where Black Adam is confronted by the government official Amanda Waller. She vows to stop him, and Black Adam challenges her prompting Superman to arrive and confront him face to face. This set off announcements of a potential Superman vs. Black Adam movie. However, excited fans were saddened (understatement of the century) when director James Gunn announced that not only wouldn’t that be happening, but that Henry Cavill who played Superman had been released from his role.
Of course, this isn’t the first time a sequel had been promised during a movie’s end credits. Cinema is filled with promises of sequels and big follow ups. Some films have gambled on their potential with fans, announcing sequels (“Buckaroo Banzai,” anyone?) and potential follow ups (Still crossing my fingers for “Kill Bill Vol. 3”) only for nothing to happen.
Here are five of the most infamous.
Five Great Legacy Sequels
2022 saw the release of the long awaited “Top Gun: Maverick,” a movie that worked as a legacy sequel to the classic action film “Top Gun.” Despite long delays in its release and some bad press, “Top Gun: Maverick” earned great reviews, and a banging box office making it one of the highest grossing movies of the year. With “Top Gun: Maverick” paving the way to be considered a classic soon enough, it’s a great example of a legacy sequel. Here are five other great legacy sequels that I loved.