The Walking Dead Season Four, Episode Sixteen: A

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Is there such a thing as civility in the land of the dead? Will there ever be such a thing as civility and kindness and consideration? Do you really have to become a savage and evade all sense of morality to survive? Was Shane right? Was Shane prophetic? Would Shane have become Rick’s mentor in the apocalypse, eventually? One thing I loved about “A” beyond answering all questions, while still keeping us in the dark is that Rick finally comes to fruition as his comic book counterpart. One thing about Rick that’s always rung true in the comics is that Rick knows he’s a warrior, he knows he can survive if he thinks on his feet. What we see at the final scene of “A,” is that Rick finally knows the type of man he is. He knows he’s a warrior and he shalt not be fucked with. Most of all, don’t ever lay a hand on Carl.

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Last of the Living (2009)

What’s worse than a bad zombie movie? A bad zombie where the zombies are painfully easy to kill. How can you be terrified of zombies that can be killed by drum sticks and golf clubs? It’s also a lot of fun when the director can’t seem to decide if his zombies are shamblers or runners. Sometimes they run, sometimes they shamble around in a sleepy haze. Sometimes they bite relentlessly, but when lunging at our characters, they’re easier to fight than a toddler with a full diaper. Which is a shame, because nine times out of ten, the zombies look creepy as all hell, while director Logan McMillan manages to paint a pretty atmospheric apocalypse. For the first fifteen minutes, at least.

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George A. Romero’s Empire of the Dead

I’m just going to throw it out there without fearing a spoiler troll. So we find out in “Empire of the Dead” that doctor Penny Jones is indeed the little sister of Barbara and Johnny from “Night of the Living Dead.” So that would mean that they were named Barbara and Johnny Jones. And that the scenario that took place in 1968, really was present times. The world we gander upon in “Empire” is set in New York five years after the zombie apocalypse ensued, so, it’s 1973? Or is “Night” set in modern times? Which one is it? And what happened to Barbara after she survived Johnny dragging her away from the zombie horde? Do “Dawn of the Dead” and “Day of the Dead” just not count anymore? Does “Empire of the Dead” officially wipe them out of existence?

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Contracted (2013) (DVD)

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You can definitely look at director Eric England’s horror drama in two plains. You can either watch it as a gory tale of a woman rotting gradually in to something beyond herself, or you can look at it as a metaphorical tale of a woman rotting in to the ugly being she’s probably always been her entire life. When you cut it down, the character Samantha is the protagonist, but never really is an empathetic individual. She’s this lecherous, vapid, and utterly narrow minded being who does nothing but ride on people’s good will and expects big returns. That’s not to say she deserves what is coming to her, but who’s to say her final transformation isn’t what she’s been her entire life?

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Knights of Badassdom (2014) [Blu-Ray]

Hopefully someday we’ll be able to see the director’s cut of “Knights of Badassdom” as originally envisioned by Joe Lynch. Truth be told, he’s a very talented director, and I’d be more than willing to watch this again. Anything with Summer Glau gets a free pass by me. In its current state as the Producer’s Cut, “Knights of Badassdom” is still a great horror comedy that takes a bunch of LARPERs and drops them smack dab in the middle of a horrific situation involving a flesh eating demon with the face of a goddess.

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Magic Island (1995)

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1995’s “Magic Island” from Moonbeam Entertainment is one of the few Charles Band backed kids films I’ve never actually seen. Which is odd, considering I loved Full Moon as a kid, and Zachary Ty Bryan was on one of my favorite TV show of the nineties “Home Improvement.” Like many of the Moonbeam films, “Magic Island” is not a perfect film by any stretch, but you have to appreciate its ambition, flaws and all. A good mixture of “The Neverending Story” and “The Princess Bride,” Sam Irvin’s adventure film is a goofy kids film with enough innocence to warrant good B grade family fare.

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Dead Shadows (2012) [Blu-ray]

Director Dave Cholewa’s “Dead Shadows” is HP Lovecraft meets “Night of the Comet,” and while surely that sounds like the ingredients for an amazing horror film, in the end it’s just a serviceable post apocalyptic horror thriller. It’s by no means a waste of time, but it never delivers on a lot of its ideas and story themes. Much of the concepts and sub-plots feel very under developed and half baked, with “Dead Shadows” unfolding in a very inexplicable series of events. I tried my best to follow along, but Cholewa really offers horror audiences a convoluted narrative for a movie that boils down to shooting aliens and monsters in the dark.

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