42 Counts (2018) [Final Girls Berlin Film Festival]

“Obsessions” Shorts Block

With the accessibility and affordability of modern technology, it’s become all too easy to spy on people. With a simple click of a button it only takes basic know how to sneak up on a stranger and watch their every move. Director Jill Sixx Gevarzigian sets her horror short on an all too common occurrence. It’s a heinous, intrusive, and perverse crime that’s equivalent to rape or molestation.

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Real Artists (2017) [Final Girls Berlin Film Festival]

“Obsessions” Shorts Block

Director Cameo Wood, and co-writer Ken Liu’s “Real Artists” is a slick bit of satire that folks annoyed by the dominance of certain Hollywood studios might love. In fact, “Real Artists” is a great movie regardless, as it explores the idea of actual art, and what separates actual art from homogenized products for the masses. After her edit of a big studio’s animated movie goes viral, artist Sophia Baker is called in for an interview with a very popular and dominant animation studio.

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My Monster (2018) (Final Girls Berlin Film Festival)

“Tainted Love” Shorts Block

I love the whole plot twist that ensues in the middle of “My Monster,” a short film basically about finding the right mate, and them showing up when they least suspect it. Brea Grant is always a pleasure to see pop up in these genre pictures, and she’s great in Izzy Lee’s holiday set fractured love tale.

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United We Fan (2019)

I wasn’t aware of the idea of the fan campaign until 1999 when the quest to save the science fiction show “Farscape” made a ton of headlines. I soon realized that what happened wasn’t an isolated incident, especially as “Firefly” earned a ton of fan support. While fan campaigns like petitions and mail in campaigns have become common place on the internet, fan campaigns reach far back before even home computers were ever made available. “United We Fan” is an original and quite fantastic look at the birth of fan campaigns, how the entire concept represents the best of fandom and the fan community, and the destruction of stereotypes that’s followed the concept of fan campaigns for years.

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Mothering (2018) [Slamdance Film Festival 2019]

There are those short films that you go in to, and when they’re done, you wish they could have been so much longer. Lucy Bridger’s drama about a young girl name Mia (Sapphire Paine) who learns to live with a new foster family is subtle, sweet, touching, and actually quite excellent. I would have to see director Bridger adapt this in to a full length film someday very soon.

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Monday (2018)

Part of Robert Rodriguez’s “Rebel Without a Crew” TV docu series, Alejandro Montoya Marin was one of the five filmmakers chosen to make his first feature much in the way Rodriguez did with “El Mariachi.” With only seven thousand dollars, no crew, two weeks to film, “Monday” is a heavy task to complete and Alejandro Montoya Marin is up for the challenge. It’s hard to believe “Monday” has such a low budget, as it manages to build such a fun darkly comic crime thriller out of such limited resources.

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Shorts Round Up for the Week (12/8/18)

Most of the time we get such a backlog of short films and feature length indie films that we work hard to take them all on and review them before the year is up. In what we hope will become a new feature, “Shorts Round Up of the Week” is a column where we’ll be reviewing a round up of short films of varying quality.

If you’d like to submit your short film for review consideration, submissions are always opened to filmmakers and producers.

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