Our Top 5 Animated Characters

5. Tie: Fred Flinstone/Snoopy
In the end, I really couldn’t decide who I loved more. They’ve both had a significant impact on my childhood, they’ve both managed to garner more than a few chuckles out of me over the years, and they’re also interesting creations who have garnered a long shelf life thanks to the innovation of their creators. Snoopy was the much needed edge in the “Charlie Brown” cartoons always giving the characters a run for their money, even during hard times.

And I don’t know a single person who didn’t like the Red Baron. From his interaction with Woodstock, to his battles with Peppermint Patty, Snoopy is an enduring icon. Fred originally began as a spoof of Ralph Kramden and thankfully gained his own individual cult status in one of the funniest cartoons ever created. Fred has that particular personality to him that warrants the same laughs as Kramden did, but also revealed a sweet center that showed on more than one occasion. Even at its absolute worst, “The Flintstones” strived thanks to the combined comedy of Fred and Barney.

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Cinema Crazed Animation Spectacular: Five Animated Characters We Hate

5. Casper
I have never had fun watching Casper and as a rule my mom made sure to play his series for my brother and I when we were bored out of our skulls. I never understood why because Casper always left us on the verge of tears; we never had a laugh watching Casper’s adventures because there was nothing funny about it. To be honest, I always avoided Casper because there’s simply nothing more traumatic than watching the spirit of a dead child who can not fit in to the human world, try to make friends only to be turned down and run away from. Why the hell does this character even exist?! Who in their right minds ever thought the spirit of a dead kid would serve as fun family fare? It really just wants to make you blow your brains out.

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Video Game Movies That Should Have Rocked, Part Two

Tomb Raider/Lara Croft Tomb Raider: The Cradle of Life
Format: Live Action
2001, 2003

WHY IT SUCKED:
I personally wanted a Tomb Raider movie that was an honest to goodness new wave adventure thriller with a woman who showed she was nothing like Indiana Jones in spite of the influences. Instead with “Tomb Raider” we were given a very cheap knock off of Indiana Jones with the style of a music video while “The Cradle of Life” was a cheap knock off of a James Bond Flick except… very, very boring! Hell, not even the manly manliness of Gerard Butler and his Scottish accent could help liven the tedious and utterly boring affair that was “The Cradle of Life.” Angelina Jolie just couldn’t seem to understand what made Lara Croft such an individual as well, thus Croft ended up just being a glamorized version of Jolie.

As for the much hyped “Tomb Raider,” the finished product is a huge disappointment opting, once again, for a comedic hint among all the proceedings on screen. Croft is given a comic relief sidekick, and even when she’s hanging from her ceiling shooting bad guys, you can’t help shake the feeling that director Simon West just isn’t taking this seriously; it’s hard to believe too, since he’s one of the forces behind the brilliant “Keen Eddie.” Take the finale in the tombs where Lara confronts those shambling statues, or when Lara is riding her dog sled without a sled, or the goofy cameo by dad Jon Voight. “The Cradle of Life” seemed to want to bore the audience in to a coma so as not to let on on how really awful it was, and surely enough, not even sending Croft globe trotting could make a sequel worth sitting through.

REBOOT?
Most definitely. With a better grasp on individuality and why the game was so beloved, as well as casting an actually British actress who has the bod and the skills, then I think the movie has definite reboot quality only if the studio realizes that the game was so epic because it was its own monster, not a lame “Indiana Jones” wannabe. The “Tomb Raider” series is filled with so much material to make Lara Croft a banner screen heroine.

House of the Dead
Format: Live Action
2003

WHY IT SUCKED:
Don’t ask me why, but when the trailer for “House of the Dead” first popped up on televisions around the US for a short time, we loved the way it looked. From the Bullet time scenes to the… other bullet time scenes, we dug the way it looked. Then we went to theaters to see it, seeking it out at the AMC here in Manhattan and boy, we were stunned at how awful it was. Not only was it an awful video game movie, but it was an awful movie, period. That was my first introduction to Uwe Boll, and my what a way to greet this here movie geek. Playing the original “House of the Dead” at my local theater, it wasn’t my bag, but it was awfully funny to sit through beat the zombies while wading through the paper thin story.

Boll on the other hand never featured a house in “House of the Dead,” brought together a large cast of really bad actors, while good actors like Clint Howard and Jurgen Prochnow were just given some of the worst material with no hope of ever salvaging these roles. Aside from the truly bad direction, there’s also Boll’s idea of humor that never pans out the way we think. Prochnow’s character is actually named Captain Kirk. No seriously. Howard wears an over sized yellow slicker the whole time on film. One character gets burned on his face and spends more time literally crying about his disfigured face than he does the walking dead outside their doors. You can’t make this stuff up and this was only the beginning of the terror train that is Uwe Boll, Hollywood’s Clown prince.

REBOOT?
Let sleeping corpses lie.

Resident Evil
Format: Live Action
2003

WHY IT SUCKED:
I’m pretty surprised that with the release of the movie there wasn’t a game adapted from the film to fit the mythos set by WS Anderson, because it’s been done with the likes of “Street Fighter.” But then, the “Resident Evil” games were never this stupid before. Though history has revised itself a bit, the reviews for the entire “Resident Evil” movie franchise has been considerably mixed but to me the “Resident Evil” movies are of varying quality. “Resident Evil” is sucky, “Apocalypse” is garbage, and “Extinction” is crap. Hey, I said varying quality, but extremely varying quality.

The trilogy as a whole has been nothing but a pastiche of scenes from different better horror films like “Aliens,” and Anderson has made a habit and ritual of stealing from Romero by blatantly copping scenes from “Day of the Dead” and “Dawn of the Dead.” All the while he insists on a hard R, but most of the violence is blurred, off screen, or left in the dark for us to imagine. “Land of the Dead” was frowned upon for leaving most of the gore in the shadows, and the “Resident Evil” movies are never any different. Then there’s Milla Jovovich who simply refuses to go beyond her shtick as the bastard child of Ellen Ripley and the Terminator while there’s never actually a Residence in the Resident Evil movies. I could go on and on but we have reviews on the site for “Apocalypse” and “Extinction” to fill you in.

REBOOT?
George Romero wrote a script that was pretty damn good. Sure, Chris was a Native American, but that was one of the few deviations from the source material and in the end I’d rather have a 90 percent faithful adaptation from George A. Romero, than a 40 percent faithful adaptation from Paul WS Anderson. I think there’s still potential in Romero’s script. I wouldn’t be surprised if ten years from now, we get a reboot. I can hope.

Doom
Format: Live Action
2005

WHY IT SUCKED:
This should have been a piece of cake. A guy is alone on Mars with a planet of demons and zombies due to hell’s portal opening up and killing his comrades. But that’s not what we got. Instead we were given a very boring, very dumb, and utterly sucky piece of MTV horror dribble that took its sweet time presenting forward motion in terms of plot and characterization. Instead “Doom” felt like a cheap retread of the “Resident Evil” movies with a plot involving scientists and monsters and walking stereotypes by the tune of “Aliens” walking in dark danky tunnels of water to confront a monster covered in darkness lacking any and all effect.

The only time we actually get the feeling that this is a “Doom” movie is when Karl Urban’s character awakens from consciousness and through a first person perspective walks through tunnels and halls firing at monsters and zombies jumping from all corners. Beyond that and the appearance of the BFG, “Doom” is a really tedious little quasi-horror film based around popularity of Dwayne Johnson who couldn’t save this lackluster effort if he tried.

REBOOT?
I think a reboot has definite possibilities. Stick it to the actual plot, give us a more obscure cast and you just may have a great horror actioner here.

Video Game Movies That Should Have Rocked

It’s a common rule of nature. Games based on movies always suck, while movies based on games, also always suck. But hey, we know where studios are coming from. If a game is making millions and becoming a pop culture smash, then it’s only fitting a movie would have to be made. The problem is there’s yet to be a good movie that’s been adapted from a great video game. Deny it all you want, but let’s be honest, even “Mortal Kombat,” while cool, just wasn’t faithful to the game. It was PG-13, Shang Tsung was a younger man, and the movie is very cheesy these days.

Like everything pop culture related, fans simply will not be able to agree on an idea for a movie, nor will they all enjoy what the adaptation is, even if by some miracle it happens to be a masterpiece of filmmaking, but these are the movies as they are, and all of them are really bad. In honor of the upcoming “Prince of Persia” and “Street Fighter” adaptations, we’re exploring the slew of bad video game movies, and what we wanted. Hey, we’re not going to pretend you’ve never seen this list before but we just had to get our licks in before the next big screen adaptations on film appears and possibly changes the way we think of video game movies. Hey it could happen. It’s got to happen sooner or later, doesn’t it? And hey, maybe you’ll see a choice here that just may steam you up some.

Let us know what you think and which movies we should have included.

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Our Favorite "Star Wars" Characters of All Time

star-wars-bannerIn honor of the upcoming “Clone Wars,” on August 15th, a movie we’re actually looking forward to we’re ashamed to admit, we’ve decided to think inside the box for a while. I mean, we just admitted we want to see “Clone Wars,” we think we should let you know where we stand as a Star Wars geeks, right? There’s really not much more damage George Lucas can inflict on his universe, after all. And animation is cost effective, a no lose medium. and there’s a ninety nine percent chance voice actors could do a better job than Hayden Christensen. Hell, a log can.

Whether we like it or not “The Clone Wars” is coming, not to mention the animated series, so we figured we’d just list our top ten Star Wars characters and have some fun with this impending release.

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Best Served Cold: Our Favorite Revenge Films

We all have that dark voice in us. That little spark that says punch the guy who called you a bitch right in his throat. Go scratch your name into his car. Get revenge. That, my friends, is why we enjoy movies about others seeking vengeance so much. We can sit down, watch the violent release and never have to worry about feeling guilty. The pompous directors in pure denial want to call them thrillers. Hell, they would prefer if we called them thrillers, and not revenge films, but we know what they are. Hell, strippers want to be called erotic dancers, but we all know it’s not going to happen. Strippers are strippers, and revenge films are revenge films.

And that’s just how we likes ’em. Suddenly, the revenge genre is big news in Hollywood, and those of us who love a good revenge tale are in hog heaven. In the last two years along we’ve have flicks like “Death Sentence” with Kevin Bacon, “Straightheads” with Julianne Moore, and “The Brave One” with Jodie Foster. So, in honor of this sudden resurgence, we wanted to pay respect to our absolute favorite revenge films. Be aware, we excluded some utter classics, but we felt these deserved a spot in the top ten in the end. Let the blood flow.

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Our Top 10 Minority Superheroes

Whether “Hancock” ends up as a fantastic attempt at creating a franchise around an original hero, or just a pure messy product of a big star known for hits like “Wild Wild West” and… ugh… “Men in Black” will be irrelevant in the end. Because even after the receipts have been counted, the message is loud and clear. “Hancock” is a try for a superhero that’s anything other than Caucasian. In a season of comic book movies where all the major men in tights are white, “Hancock” seems to be Will Smith’s own Superman. It’s his superhero.

And that inspired this new list. Our top 10 Minority Superheroes. Most of whom could make for some interesting movies. Oddly enough I had a tough time finding great minority superheroes, wouldn’t you know it? I could have opted for more Asian choices but they’re already quite prominent in comics and pop culture with the same glut of stereotypes, but with much more accessibility. Hispanic and African American Superheroes, though? The pot strains it thin, but I was up for the challenge.

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