It’s not enough to just make a horror movie. Most times horror movies have to have mood, and tone, and aesthetic, and pacing. Some of the greatest horror movies have a distinctive style all their own and are helped by their cinematographer. Director Jed Hart’s “Daddy’s Girl” is a very good and very creepy short film, and his short is improved ten fold by the amazing cinematography by Craig Dean Devine. Continue reading
Director and Writer Sean Meehan’s drama is so well written and original I wouldn’t have minded watching three hours of the story of character Cori working her way through her unusual career. Cori Sweeney is an aspiring actress who works for the private company Total Performance. Personally hired, she works with clients to help them learn how to argue and deal with conflict that typically involves firings, and individuals breaking up with their significant others.
Alan Holly’s “Coda” is a remarkable and beautiful animated masterpiece. It’s rumination on the beauty of life and how senseless it can be. But Holly also observes that the beauty of life can be in how senseless and unpredictable it tends to be. Surely, people die for no reason, especially good people, but there’s a lot of amazing things that happen without prediction either. Often times some of the best moments of our lives happened spontaneously like fireworks from the darkness.
It’s very satisfying to see a director who understands Superman and gets the ideals and goals he strives for. Sure he’s a super man with god like abilities, but it’s not his place to bend humans to his will and make them follow his desires. At the end of the day, Superman understands the fragility of humanity, and he also comprehends that despite being a hero that’s taken on gods, and aliens, even the smaller problems count from time to time. Sarah is on her way out of the city set to venture out on her own and isn’t intent on going back home any time soon. While sitting in the park, she’s approached by a seemingly mundane bespectacled man in a blue suit who explains he’s a reporter.
She can’t understand why she’s so important, but the reporter is insistent and is abler to charm her enough to where she can open up to him for his “interview.” Director and writer Thomas spends the majority of the short film defining Superman and exploring common questions and themes that have alluded many people for decades about the character. Who else to understand Superman than Metropolis’ ace reporter Clark Kent? Soon enough, the pair are discussing the idea of beings with powers, humanity, and how we all matter in the scope of life, no matter how minute our problems may seem in the long run.
Erin Brown Thomas and John Nagle perform very well, providing fantastic chemistry and conveying the dynamic of wayward youth and wise hero well. John Nagle is the perfect Clark Kent and might even be a bang up Superman, presenting an excellent amount of humility and empathy to make him a noble crusader, even when he’s simply sitting around in a suit and tie. Thomas has a small budget to work with but aspires for larger than life storytelling, emulating the awe inspiring more misunderstood traits of Superman and conveying that it doesn’t take an actual superhero to change someone’s life and steer them in to promise and success. I hope we see more from Jake Thomas very soon. Hell, I’d even love to see him tackle Superman yet again.
Even without the hilarious small edits and cuts made by “Everything is Terrible!,” their film comprised of clips and long montages of bizarre footage from news reports is so funny and bizarre, it warrants watching twice, and heavy analyses. When we look back at the VHS generation, we can look back at “Everything is Terrible! The Movie” and either remember that the generation was not all peaches and cream, or was maybe even better than we remember. It’s tough to believe that so much of the unusual, silly, and over the top infomercials and instructional videos were paid for, and made for the utmost sincerity of selling us something or teaching us something.
Based on the comic strip by Fabio Coala, director Jacob Frey adds an almost Pixar twist to the famed strip about a boy and his dog, injecting so much more emotion and a touching final scene. If the original comic weren’t bittersweet enough, “The Present” realizes the concept for a full fledged animated short that deserves a feature film. Jake is a boy who spends most of his time in doors playing video games and avoiding the outside world. One day after work his mom comes home with a present, and Jake is elated to see it’s a puppy. Initially surprised, he’s disappointed when he notices the pup only has three legs.
“Madonna can go to hell as far as I’m concerned! She’s a dick!”
If aliens ever came down to Earth and wanted to know what the eighties were like, they could look no further than the time capsule that is “Heavy Metal Parking Lot.” It is, as many have described it, the viral video before viral videos existed. I’d love to see a documentary about this film some day, or perhaps an actual feature made around the events that occur in the fifteen minute documentary. It’s a hilarious and often absurd look at a certain time period where everyone wore mullets, walked around without shirts, bragged about doing drugs, and women were often very proud to admit they wanted to “fuck” certain band members’ “brains out.”