It’s fantastic what some filmmakers can do when they’re given only a certain amount of time. I’ve seen short films literally crash and burn under the weight of their time restraint, while some just end without much of an explanation. Director Drew Daywalt however manages to squeeze in a back story, exposition, a full narrative and horrifying scares in a little under five minutes, and god help me, “The Old Chair” works as a horror film.
Category Archives: A+ Indie
Red (2012)
There aren’t nearly enough animated independent films out there. And when there are, there aren’t nearly enough willing to experiment with the medium. “Red” is a fantastic short and sweet ditty that takes the Red Riding Hood fairy tale and adds another twist on the lore. Sure, we’ve seen the mythos of Red Riding Hood twisted and turned on its head providing allegories and symbolism for everything under the sun, but “Red” does something different.
I Spyders (2012)
Preparing to go in to festivals soon enough, I was able to get a hold of “I Spyders” through online means and I’m glad that I did. “I Spyders” is quite possibly one of the most skin crawling and yet unabashedly demented short films you’ll see in a while. This is one of the few short films that manages to have a spider wrangler on set, and when they can acquire an actual wrangler, you know the director is at least trying hard to get his point across. That’s called effort, filmmakers. That’s the word for this review. “I Spyders” isn’t so much a horror movie in the traditional sense, but its premise is very much horrific. Especially for anyone who is an avid arachnophobe.
Nailbiter (2013)
When I thought about it, “Nailbiter” was not a movie I expected from the looks of the set photos and general premise a few years ago. Director Patrick Rea has kept his film generally hush hush even from his closest confidants and as such “Nailbiter” has been something of a welcomed treat from the director. One of my favorite indie directors working today, Patrick Rea finally enters the feature length film arena with “Nailbiter,” a tense and spooky film that will grace many screens come Halloween. A perfect holiday film, “Nailbiter” tries to keep its promise of staying a white knuckle horror film all throughout with a premise reliant on survival and characters. Thankfully, “Nailbiter” has a strong character base to it, relying on the charms and personality of its core cast to sell what is a rather tense concept from minute one.
Familiar (2012)
Robert Nolan is perhaps one of my favorite indie film actors already and he’s only been in two films I’ve seen in over the course of three years. Richard Powell and Zach Green formerly cast Mr. Nolan is the dark disturbing short “Worm” about a teacher on the brink of a breakdown and they catch lightning in a bottle yet again with Mr. Nolan as a man on the verge of madness as he soaks in every aspect of his life that is both mundane and maddening. Clearly unfulfilled and trapped, Nolan plays Chris who is a husband and dad seething with anger and hatred so bile that he can barely contain himself from committing horrible crimes against his own family. He can predict every aspect of his life and despises that fact until one night his wife reveals that she is pregnant.
Project: S.E.R.A. (2012)
Project S.E.R.A. is yet another in a line of short films with feature length possibilities and Ben Howdeshell’s short action horror film has potential to be a small chapter in a larger story that invokes the likes of “Resident Evil” with a hint of “Mission Impossible.” Set in the beginning of a major zombie outbreak, a young girl struggles to face what has happened to her after investigating a top secret government toxin that they’re manufacturing. She’s caught along with her father who happens to be an agent himself, and both are tortured for information and leads. Of course none of them are aware what this enemy holds as they threaten to unleash this toxin on Jill’s father if she doesn’t speak.
Gut (2012)
It’s very rare that independent horror movies manage to make me turn away from the screen and cringe. Not even Tom Six’s “Human Centipede” accomplished that and those movies were desperate to be considered disturbing. “Gut” and its beauty is in what is not completely put in front of the screen. Director Elias has every chance to be gratuitous, gory, and absolutely grotesque, but “Gut” isn’t for the grue fans, so much as it is for folks who appreciate delving in to the disturbing corners of the mind. The corners that elicit arousal that would be otherwise deemed taboo by civilized human beings. We all have that darkness within our mind that find something somewhat enticing, and the same can be said for character Tom, whose friend and consistent hanger on Dan, shows him a special kind of erotic film that not only embeds itself in to their minds, but haunts Tom until he begins to re-assess his feelings for the film in general.