One of the most interesting aspects of “Swelter” is that even though the film is basically animated and without dialogue, you can sense the character’s struggles and efforts to survive. There’s not a lot of extrapolation on why the world is suddenly a sweltering wasteland at record hot temperatures, but that doesn’t need a lot of focus. We meet a father and a son in the middle of a deserted tundra who seek the remains of a well where they’re able to sap water that’s fit for at least half a day.
Category Archives: A+ Indie
American Scary (2006)
One of the many classic devices of American television much of today’s youth will never get a chance to experience is the horror host. Though there are many talented performers keeping the tradition alive, we don’t have a glut of horror hosts as we once had. And it’s a shame because horror movies are ultimately an experience, and the horror host is the persona that keeps us watching and makes the viewing experience worthwhile in the end. “American Scary” is a brilliant and utterly fantastic tribute to the age of horror hosts, and really excels at informing audiences of a once American facet of television that no longer exists.
Apocalypse Pizza Video (2012)
As is the case with most short films these days, “Apocalypse Pizza Video” is only really existent as a pitch for a feature film. It’s a small glimpse in to a humongous world and massive narrative that promises to be wide in scope should it ever become a feature film. Or a series. I’m not sure which. Some information I’ve read claims this film is part one in a series, while other sources claim it’s a “trailer” for the feature film the producers are trying to get funding for to make in to a feature film. None of that matter as I’m a complete sucker for any form of fiction that concerns the apocalypse and the film from Je Suis Bien Content is one of the most creative piece of post-apocalyptic cinema I’ve seen in a while.
Archetype (2012)
These days in an effort to get movies off the ground, indie filmmakers are prone to creating short films that exposit the concept of their feature film for the audience allowing them a chance to expand upon it should they be offered a chance by studios. That’s the basic reasoning for “Archetype.” Made for a little money, “Archetype” is actually quite excellent for such a short film that works as a prologue for the premise of Aaron Sims’ film. What happens when artificial intelligence becomes so intelligent it’s convinced it led a past life? And what happens when the corporation that created the AI finds little ability to convince them otherwise?
Affliction (2011)
Director Amir Masud’s short supernatural thriller entitled “Affliction” gave me a lot of flashbacks to films like “Donnie Darko” and “Carrie” for the fact that we can never be sure what our main character Sara’s destiny is. Is she meant to be a messiah or a prophet? Is she the beginning of a new wave of holy warriors, or merely a fluke or pure evil masquerading as good? Nevertheless, “Affliction” manages to be a powerful and disturbing journey in to a mind of a mentally unbalanced girl whose own religious beliefs has managed to unlock something in her that she never knew she had.
Ruin (2011)
I was so giddy when the film ended on a “To Be Continued” note, because if Wes Ball plays it smart, he can have a series of amazing films on his hand that will tell a story piece by piece. I can definitely picture this series of short films garnering a massive cult following if Wes Ball were to pursue a series. But alas, I imagine what with the massive animation Bell and his company undertakes, we just have a short sequel coming up. And I can do with that.
Megaman X (2012)
My main weakness ever since I acquired the internet in 2000 is fan films. I can’t get enough of them, no matter how good or bad they are. The good thing about them is that if they’re good, they show us that some properties have potential to really shine as great movies. Director Olan Rogers proves that with his fantastic adaptation of “Megaman X.”