Category Archives: Movie Reviews

Sharknado (2013): 10th Anniversary Edition

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The Pop Culture Phenomenon That Took The World By Storm Comes Back to 500+ Cinemas Nationwide, fully Remastered, for Two Nights Only On August 15th & 16th. Tickets are available for purchase.

Back in 2013 a lot of people gave The Asylum guff, and could not predict the kind of pop culture sensation they would eventually produce. “Sharknado” is that classic bit of pop culture camp lightning in a bottle like “Snakes on a Plane” or “Birdemic” where the public is just infatuated with the sheer absurdity of it all. “Sharknado” took a lot of the media by storm back in 2013, leaning heavily in to its ridiculous premise to produce what is—well, still just an okay bit of cult cinema. The Asylum with Anthony C. Ferrante knew what they were giving us, and it shows in every scene of their movie.

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In the Realm of the Senses (Ai no korîda) (1976) [LA&M Film Fetish Forum]

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Banned in many countries thanks to its immensely explicit depictions of sex and sexual acts, Nagisa Ōshima’s “In the Realm of the Senses” is an immense movie, and one that straddles the line between erotica and thriller. Although “In the Realm of the Senses” revels in the eroticism of sexuality and sex, it also delves deep in to the darkness of sexual obsession, control, and the appetite for sex (all of the sex scenes are un-simulated) that can consume our lives. I’ve never actually seen director and writer Nagisa Ōshima’s film before, so viewing it now was quite the surprise. The director fancies themselves in exploring the acts of sex along with the behavior between its core characters that result in lust that inevitably becomes deadly.

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King On Screen (2023)

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The best thing about “King on Screen” is the prologue by Daphne Baiwir which finds her walking in to a shop called the “Creepshop” where she hopes to show a painting she’d purchased. The setting, the characters, and the items in the shop are all subtle visual and verbal references to Stephen King and elements of Stephen King’s stories. It’s something that hooked me in right away and I quite loved the entire effects of Baiwir being savvy to King enough to deliver something of an ode to King. It compensates for “King on Screen” which, in its root, is another basic talking head documentary.

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The Tomb of Dracula (Yami no Teiō: Kyūketsuki Dorakyura) (1985)

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DRACULA WEEK

Also known as “Dracula Sovereign of the Damned,” and “The Emperor of Darkness: The Vampire Dracula,” Toei’s “Tomb of Dracula” is loosely adapted from the “The Tomb of Dracula” Marvel Book comic series published from 1972 to 1979. I like to think the Marvel comics are so much better than what Toei has offered fans, as they squeeze in all of those stories in to such a hastily made ninety minute movie. And you can tell there’s so much here added in a rush as the movie is so badly made.

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Dracula Untold (2014)

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DRACULA WEEK

It’s a damn shame that Universal just didn’t have enough confidence in Gary Shore’s treatment of Dracula to warrant it a follow up. “Dracula Untold” is a good enough movie all on its own, but it was also teeming with so much potential for a larger scale sequel that reversed all roles. Where as Dracula is the hero of “Untold” and Dominic Cooper the villain as Mehmed, the Turkish Sultan, it would have been fun to see the descendant of Mehmed, played by Cooper also, as now a law abiding police officer who engages in a new war with the modern version of Dracula. That’s just the writer in me building on head canon, but “Dracula Untold” is a very good interpretation of Bram Stoker’s novel.

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Dan Curtis’ Dracula (1974)

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DRACULA WEEK

Also known as “Dracula,” and “Bram Stoker’s Dracula,” Dan Curtis, the creator of “Dark Shadows” adapts (I use the term loosely) the bare essentials of Bram Stoker’s iconic novel. I say “the bare essentials” because for a movie written by Richard Matheson, there isn’t much that the movie strives for beside delivering a Dracula movie and nothing else. There’s no re-interpretation, or any kind of drastic changes to the narrative, save for Jonathan Harker’s fate, which is quite gruesome.

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