“The Mother” is another one of those many profound films about reaching the peak of your life and suddenly having nothing to look forward to. The two characters we see at the beginning, May and Toots are a couple who basically are not really sure what to do with themselves. We’re not told, nor is it spelled out for us, but the first ten minutes we see them, it’s pretty clear. And it becomes sadly clear that life has pretty much moved on without them, especially their children who greet them with less than emotional sentiment when they pay them a visit which Toots is against. “The Mother” breaks free from the formula of what I mentioned, but is still in the tradition of great films like “Harry and Tonto.” It’s pretty clear they’ve lost their place in their own family, but when May’s husband suddenly dies from a very expected heart attack, suddenly she finds she all on her own.
Category Archives: Movie Reviews
Godsend (2004)
“Godsend” starts off well enough. It begins with a concept so controversial that used to be the fodder for science fiction but now has become a startling reality: cloning. It’s an issue that has become the topic of heated debate for the modern age and this film has the ability and chance to comment on such a topic. “Godsend” starts off just right, but it quickly becomes a really awful film with such a ridiculous concept, it’s doesn’t even achieve the status of being laughably bad. It’s god-awful, as the joke goes. Every character is so dumb, and every aspect so derivative, that it’s just a mess from beginning to end.
Baadasssss! (2003)
What “Baadasssss!” does is show that creative process and the journey in getting it shown to the audience you want. This is not a film about a black man getting a movie about a black man made, this is the story about an artist getting his artistic vision realized, while the powers that be (the studios) did everything possible to halt the production, and it’s a topic any artist can relate to. Whether you’re writer, painter, or film director this is a film with a story and message that will speak to everyone in the creative field and convey some sense of hope in the story of Melvin Van Peeble’s torturous attempt to get a movie made.
White Noise (2005)
What a disappointment this was. This had its occasional highs and lows, and when it went low, it went down low to the ground with such an atmosphere of a TV movie when it shouldn’t have been. It constantly shuffles back and forth between sleek horror to watered down thriller again and again and I just lost patience with it, especially with its slow pacing which was just so frustrating. Nothing really goes on for quite a while pretty often and this never manages to keep our attention to what is happening and gets very boring in certain scenes. With such an original concept, its sad to see that very little originality is present.
America's Heart and Soul (2004)
To say this is not a politically charged film is to ignore the elephant in the room. Disney, a strongly conservative company refused to release “Fahrenheit 911” and once that film went to another company and raked in the big bucks there was immense controversy over Moore’s views (big surprise) and then came this. To anyone who denies this is a rebuttal to Moore’s documentary, they obviously can’t read between the lines. Disney stated publicly this was a positive portrait (so to speak) in response to Moore’s documentary plain and simple and wanted to portray America as a positive place aside from Moore’s more truthful portrait. After watching this in the two longest hours of my life, I wasn’t sure whether to put this under documentary or comedy, because if the makers of this film think this is what America is like, well then they’re grossly mis-informed and completely ignorant, and if they expect American audiences to believe this fairytale, then they’re grossly under-estimating the intelligence of American audiences.
A Cinderella Story (2004)
While it calls itself a variation of “Cinderella”, it’s really just yet another of the million versions of “Pretty in Pink”, because If I don’t recall Cinderella wasn’t as dumb as a brick, and Prince Charming wasn’t old enough to be her uncle. But when you get down to it and cut through all the bullshit, this is another of Duff’s tepid vehicles with the score comprised totally of her “music”, along with a main character that deifies her as someone she isn’t. I don’t understand what her appeal is except to assume that she’s getting roles for being blonde, white, and pretty.
High Tension (Switchblade Romance) (2005)
I love slasher films, I go ape shit for them, and when I read about “Haute Tension” I went nuts especially after watching the trailer when I went to see “Saw” in theaters last year. Modern slasher films have been incredibly watered down with very little gore, and just nonsensical casting, hiring young hip actors to portray the victims. I always say that these days the best films are the foreign films, and the best horror films are indeed the foreign ones, and “Haute Tension” is no exception. This is a great film that was just so reminiscent of Argento’s gory style, with a killer that is awfully scary.

