There are those films with big stars that you know are because the actors love the part, then there are the films that actors are in, and you know it’s for simply money. There can be no other explanation for actors such as Al Pacino and Colin Farrell to star in this other than that simple reason. There’s a mood director Roger Donaldson is going for desperately but fails with every leap trudging through the plot with a tried attempt. He attempts to go for the Tom Clancy mood and motif with the murky and sometimes sharp cinematography, but little does he know that the script is the ultimate down fall to this film. There’s nothing to like about this movie from its plot holes to immense lapses in logic; for instance, how is it that Clayton goes from a top computer programmer, to a moon lighting bartender right into the CIA without any training beforehand?
Category Archives: Movie Reviews
The Grey Zone (2001)
“If you understand what happened in the camps, you have a much better understanding of what we’re all about as human beings” says Tim Blake Nelson, director and writer of “The Grey Zone”. But will we ever be able to understand the holocaust? Will we ever be able to understand why we as humans would destroy others like us? Why we would kill Children, and elderly people who were treated like worthless animals? Why one man ordered the destruction of the Jewish race nearly wiping out the entire population of Polish Jews? Based on the play by Tim Blake Nelson and Miklos Nyiszli’s book “Auschwitz: a Doctor’s Eyewitness Account”, “The Grey Zone” dares to explore that question but never gives an answer. There is no answer good enough to explain why the holocaust even happened in the first place.
Tape (2001)
One of my favorite, and possibly one of the most under rated directors of our time Richard Linklater continues to top himself. There’s not many directors these days that show they have both style (ala Dazed and Confused, School of Rock), and substance (Waking Life) at their disposal. Linklater can dispense both these traits in either film he chooses and often times it successful. He released this right off of the tail coats of “Waking Life” which was equally as brilliant. Based on the play by Stephen Belber, the film instantly begins with a very authentic and realistic disposition. The film and story relies heavily, and almost completely on human characteristics and mannerisms.
My First Mister (2001)
I realized while watching this film that I enjoyed it a lot more when it was called “Ghost World”; Leelee Sobieski is a talented actor, as is Albert Brooks, but when the story is summed up as a whole it’s just a batch of clichés from many other better films meshed into one entire mess. Sobieski as talented an actress as she is fails to strike a chord with her character and actually comes off as a terrible actress, which is not true when analyzing many of her past films. She attempts to pull off the Goth, annoyed teen angst persona with much desperation, which is evident while watching her try with the material she’s given, but it’s hard to enjoy her when her character is so unlikable and detestable. I would have preferred to sympathize with her character’s personality but its hard to when we see her living situation.
White Oleander (2002)
It’s a shame Alison Lohman has never done a lot of work for Hollywood over the years. While she has remained consistent through television and film roles, she hasn’t really ever broken out as a highly publicized cinematic artist. Like Sarah Polley and Vera Farmiga, she’s always remained on the fringe, but never quite broke out as someone overly saturated. Perhaps that’s a good thiing. Whenever Alison Lohman decides to commit to a film she’s a force to be reckoned with. One of the better dramatic suspense films of 2002 that came out at a time where other films were stealing its thunder was indeed “White Oleander.”
The Hot Chick (2002)
What makes Rob Schneider’s movies so bad, (among many other million defects) is that Schneider is basically unlikable and incredibly obnoxious, and when he pretends to be a girl stuck in a man’s body, it’s just plain creepy. Not only that, but he’s such a horrible actor in both comedic form and dramatic form; much of that can be seen when he pretends to be the female Jessica played by Rachel McAdams and pretty much makes no effort in copying her exact mannerisms or body characteristics. In “Face/Off”, Travolta and Cage studied each other’s facial expressions, mannerisms, and even their modes of speech which made the film mostly tolerable, but in this Schneider simply acts homosexual more than a woman.
The Italian Job (2003)
Not exactly a remake per se, but based on the concept of the original 1969 film starring Michael Caine, “The Italian Job” is a fun popcorn action flick. The filmmakers play it smart by comprising an all-star cast of actors that play their roles well; there’s a round up of charismatic and memorable actors who all play some great characters. Mark Wahlberg leads the cast as Charlie the gifted thief and leader of the group, Charlize Theron is Stella, the daughter of John who is a legitimate safe cracker for the police. Edward Norton plays the slimy and sneaky Steve.