“Josie and the Pussycats” is kind of a “They Live” of its sub-genre, taking a cute premise and turning it on its head to show a decent rock trio and how they become consumed by corporations, merchandising, and the all consuming hunger of the fans that follow. Sadly in 2001, the world was inundated with endless boy bands and pop princesses, all of whom were Caucasian, very blond, and very young, and were always on MTV grinning and getting their fans to spend, spend, spend. So, “Josie and the Pussycats” sadly got lost in the shuffle considered something of a celebration of consumerism, when really it kind of mocked the whole idea.
Category Archives: Rock and Roll New Year
Rock & Rule (1983)
“Rock & Rule” is a wonky, surreal, and entertaining animated musical that feels like Ralph Bakshi, Don Bluth, and “Heavy Metal” magazine were combined in to such a frantic cult gem. The 1983 movie has gone through years of being an underground classic, and has finally been embraced for such an ahead of its time science fiction tale. The animation for “Rock & Rule” is completely out of the box, resembling rotoscoping in many aspects, and opting for character models you don’t often find anywhere else. “Rock & Rule” is a science fiction, punk rock, steam punk tale set many years in the future after world war III wiped man off the face of the Earth. The only surviving species are cats, dogs, and rats. They have evolved in to anthropomorphic mutants, all capable of thought and speech.
La Bamba (1987)
I admittedly have a lot of sentimental value and nostalgia attached to Luis Valdez’s “La Bamba” as it’s a film that not only was continuously played in my family, but the soundtrack on record was also constantly replayed. “La Bamba” itself is a solid bio pic of Ritchie Valens, an LA teenager and Chicano rock and roll star who skyrocketed to fame, and died in one of the most infamous plane crashes in world history. Valens’ life was cut short way before he could even reach his twenties, but director and writer Luis Valdez does his best to explore the life of Valens before he stepped on to the ill fated “American Pie” with Buddy Holly and the Big Bopper.
Tommy (1975)
Ken Russell’s adaptation of The Who’s rock opera “Tommy” is surreal, vivid, out of this world, and incredibly phantasmagorical. It’s everything you’d expect from Russell, and “Tommy” is every bit as unusual and mind blowing as the original rock opera is. What can you expect from a story about a young boy stricken deaf, dumb, and blind by his uncle Frank and mother Nora. With an irreversible disability, Tommy is left without the sensation to feel, or understand, or comprehend most things, so he’s a victim to everyone in his life, most of who are predators and sadistic monsters. Eventually Tommy becomes something of a deity when he gains the ability to sense certain elements of his environment, including the game of pinball.
Times Square (1980)
If anything, at least, “Times Square” is a remarkable time capsule of the titular New York block. In 1980 before Giuliani sold the city to the highest bidder to turn it in to Disney World, Times Square was a rough area with porn theaters and dark corners every which way. Director Moyle is able to film New York brilliantly, with a lot of great wide shots and dolly shots of the corners of New York and the setting for the film. In the film we meet Pamela, the mentally ill daughter of a local politician who is hell bent on cleaning up Times Square for the mayor. When she’s locked up in the hospital for mental evaluation, she meets street girl and musician Nicky, a rebellious and raucous punk rocker who is carried away by police after trashing a vehicle.
Amazing Journey: The Story of The Who (2007)
From their early days as The Detours, the friendship between Townshend and Daltrey, and their inevitable struggles along the way with Keith Moon, Paul Crowder’s “Amazing Journey” is the fantastic story of The Who and how they were formed into this opposite teaming of talented musicians. Like “The Kids are Alright,” Crowder examines the foursome as a more than human rock band whose music was only half of what made them so incredible on stage.
Detroit Rock City (1999)
Adam Rifkins’ “Detroit Rock City” is the movie in the vein of “Rock n Roll High School” that seeks to unabashedly pay tribute to the magic of KISS and how they inspire four guys to travel across the country and break the law for them. Because they’re so fucking awesome, you see. Hawk (Edward Furlong), Lex (Giuseppe Andrews), Trip (James DeBello), and “Jam” (Sam Huntington) are four of the most hardcore KISS fans alive and are preparing to travel to Detroit to see the band in concert. Sadly, Jam’s Conservative Christian mother discovers the tickets he and his friends bought, and burn them. Anxious to find more tickets, the foursome win a call in contest but are so excited they hang up on the DJ before they can give them their names, disqualifying them.