The Last of Us: Series Premiere

I’d be lying if I told you I ever played “The Last of Us.” I only know of it through various online game reviewers and understand the general gist of it. Going in blindly, I was able to completely separate myself from the source material and completely engulf myself in to this world. And I’m glad that I did because “The Last Of Us” thankfully works for gamers and the broader audience. “The Last Of Us” has a lot of information to dump on the audience to establish where it lies and what we’re playing with.

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Streaming Sundays: ‘Interview With The Vampire’ Is One Of The Best Retellings Of A Classic Tale

AMC+ released their new television adaptation of Interview with the Vampire, and it is a worthy addition to Anne Rice’s Vampire Chronicles canon.

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Saturday Morning Cartoons: Dogtanian and the Three Muskehounds (1981-82) 

On this week’s episode of Saturday Morning Cartoons, come with us and reminisce about the early 1980s, a time when we got cartoons about just about anything and everything, when Around the World in 80 Days, Tom Sawyer, and a few others were turned into dogs (and sometimes cats) stories. The focus of today is on one particular instance of this that spawned a few reboots and films: Dogtanian and the Three Muskehounds. Based on the book by Alexandre Dumas, Les Trois Mousquetaires (The Three Musketeers), something that has also been adapted by Disney with Mickey in the lead. Here, D’Artagnan is our lead, as usual, and he is now known as Dogtanian, because why not! 

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Everything Ends, and so should “The Oscars”

I’ve been an avid Oscar fan since I was five years old. I’ve watched every single show since I was a wee lad, and I’ve always had a good time with the energy and love for movies. Over the years the Oscars have tested my devotion to the entire process what with the politics and unusual decisions for its awards. It always took top priority when I was growing up, and now it’s rare that I watch the entire ceremony in one sitting. Now in 2022, “The Oscars” seems so antiquated, especially when they’re still refusing to acknowledge interesting, and unique filmmaking in favor of the same old stuff we’ve seen a thousand times already.

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With Enough Momentum “From” Could Be the Next Horror Classic

One thing is for sure, EPIX in America sure does love Stephen King. Even when they’re not airing shows based on his work, they’re offering up shows that feel very much inspired by his work. “From” is a series that thrives on being as mysterious and cryptic as possible. Compared left and right to “Lost,” the series from John Griffith and the Russo Brothers ends that analogy as a series about strangers stuck on a deserted plot of land that they have to survive in, and look for a way out of. Beyond that, a lot of “From” is a harrowing mystery that terrorizes its audience, while never quite explaining what it is unfolding around us.

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The Best Animated Movie Satire I’ve Ever Seen

Part of what made the Looney Tunes and Warner Bros. dynasty so great beyond its characters, was its limitless ability to mock and satirize Hollywood. At a time where Hollywood was adored and enamored by so many, Warner Bros. actually did a great job of taking the piss out of people like Humphrey Bogart and Clark Gable. In 1993, Fox Studios and Warner brought back the formula that they’d abandoned for decades with “The Animaniacs.” While the show was primarily a series filled with segments primarily aimed toward children, some of the segments brought back a lot of the classic Warner Bros. traditions, including satirizing modern Hollywood.

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