What do you do when you’re the only person that can signal something truly dire looming in the darkness? How do you handle information that you can’t possibly comprehend? Would you rather not know what evil is coming forth, or do you put the information to good use? Director Colin MacDonald’s short horror film is teeming with foreshadowing and excellent dread that promises a great dose of terror and atmosphere fans will get behind.
Cat People (1942)
Director Jacques Tourneur’s horror thriller is probably one of the most unique and menacing thrillers about a woman’s inherent ferocity and rage ever made. “Cat People” is filled to the brim with metaphor and symbolism, from the parallels of Simone Simon’s character Irena’s to a black panther stuck in a cage, right down to a kitten confined in a small paper box by Irena’s husband to be Oliver. After surprising her with the pet as a gift, the cat discovers that it hates Irena, and she it. More suitably though, the two aren’t kindly to being tied down and given to domestic masters.
Cat People (1982): Collector’s Edition [Blu-Ray]
When Val Lewton and Jacques Tourneaur conceived “Cat People,” the budget was low for anything truly spectacular, thus allowing them to get creative. Director Paul Schrader definitely has a larger budget and wider scope to deal with, resulting in a fairly forgettable remake. If you can call it a remake, mind you. All the mythology is lost in favor of a hyper sexual retelling that keeps the cat people and removes everything else. “Cat People” definitely fits the nostalgia bill for people who find Nastassja Kinski especially sexy, as Schrader soaks the film in a palette of neon colors and bold bright pastels while Giorgio Moroder’s score blares non-stop.
Mike Case in: The Big Kiss Off (2013)
Director Justin Baird’s “The Big Kiss Off” is a very charming movie with a lot of good intent behind it. Often times good intentions count for much, but they don’t always turn around a good movie. The good news is that “The Big Kiss Off” strives to be a new age PI crime comedy, and works because it really does present within it a tight narrative that is interesting, even when it falters every now and then.
What It Means to be Incredible
One thing that’s immediately noticeable is that no one says anything is “cool” anymore. I understand that you will hear people say “that’s cool,” which would appear to contradict what I just said in the previous sentence, but you’re paying attention now and that’s good.
Coolness is a complex and elusive concept. People are commonly aware of the designations of “cool” versus “uncool,” but are not always certain how exactly to apply these distinctions. Is Justin Bieber cool? Lots of girls want to bang him; he drives flashy, expensive cars (and gets pulled over for speeding!); he vandalizes public and private property; and he’s overtly disrespectful to authority figures. He meets several qualifications for coolness, but saying Justin Bieber is cool is kind of like saying McDonald’s salads are healthy.
We Are What We Are (2013) (DVD)
It’s probably a good thing that I didn’t see the original “We Are What We Are” before Jim Mickle’s remake. I typically find time to pick up the original article, but time didn’t allow the convenience, so Jim Mickle’s remake of the Mexican horror film is what I had to base my entire opinion on. And that’s something of an advantage, since on its own it’s a fairly mediocre but interesting tale about cannibalism of the body, and the eternal cannibalism of the family unit.
Short Term 12 (2013)
Brie Larson has remained one of the most subtle and hard working character actors in modern film, sometimes taking seemingly missed turns in great indies (The Spectacular Now), and often blowing people away with supporting performances (Scott Pilgrim vs. The World). In “Short Term 12,” Larson proves she’s capable of being a lead and should often play the leading character in films that can show she’s a performer of beauty and immense vulnerability.