And it ends not with a bang, but with a thud. “The Dead Pool” is a truly anti-climactic end for a man who has spent all of his five films running around and blasting assholes with his hand cannon without remorse and finally finds that he’s really not chasing much of an enemy in the end. “The Dead Pool” has some considerable mystery to it but the villain that is supplied for Harry Callahan’s last romp is not only boring, but doesn’t have much to do for the entirety of the film.
Green Lantern: Animated Series – Series One, Part One (DVD)
Apparently now there are multiple colors of the Lantern and multiple sources of emotions that can fuel power. And none of it has to do with merchandising. That bit if cynicism aside, Green Lantern gets his much overdue animated series from the Cartoon Network here in America and leads what is a pretty entertaining action science fiction series overall. It’s not as sophisticated as “Batman” or “Justice League” and rarely exciting as “Batman Beyond,” but as a Bruce Timm byproduct it serves its purpose as entertaining science fiction fodder that thankfully pretends the movie never existed.
Sudden Impact (1983)
You can almost sense the series winding down as the writers almost seem to be running out of villains for Dirty Harry Callahan to face down. “Sudden Impact” is probably the weakest of the Dirty Harry series not because it suffers from a lack of villains but because it has too much going on. There are so many sub-plots thrown our way that it’s almost too much to keep up with at times. Dirty Harry is considered a dinosaur among a new generation of officers who don’t believe in excessive force as a means of justice and Harry almost always faces consequences for his rash violent behavior. It’s almost comical in “Sudden Impact” where Harry does something and the next scene involves some police official chewing Harry out.
The Enforcer (1976)
Another day, another dead partner. By now Dirty Harry Callahan has learned that anyone and everyone who bothers to get remotely close to him will eventually turn up dead. And their deaths will be pretty painful. Harry is not a man concerned with self-pity and remorse as he spends most of the movie concerned with trying to stop an evil environmental terrorist organization rather than sulking about his latest partner who is brutally stabbed during a botched arrest of the vicious hippy terrorists. The villains in this piece aren’t as menacing as Scorpio of the vigilante cops in the first two films, and their presences are mainly forgettable for the most part. The real draw is watching Harry trying to find a lead in to the organization’s secret base. When they kidnap the mayor of the city and hold him for ransom, Harry finds he must step up his investigation.
Rise of the Planet of the Apes (2011)
Pardon the cynical thought process but I imagine “Rise of the Planet of the Apes” is only the first in what Hollywood will soon turn in to a series of three, maybe four films. Which is a shame, because ideally I wish “Rise of the Planet of the Apes” would be a single entry prequel in a classic science fiction film series. I say that not because it’s a bad film but because the writing wraps the entire film in to one clever self-contained little cinematic entry that it’s just too good to see ruined with a follow-up. While “Rise” is essentially about the emergence of a primitive ruler in a cruel world, there are so many Easter eggs included within the narrative that includes foreshadowing, winks to the audience, and a pretty great nod to the original “Planet of the Apes,” all of which are so subtle only the most eagle eyed genre geek will catch on to what the film is leading in to.
Thelma & Louise (1991)
I can fondly recall in 1991 when “Thelma and Louise” stormed theaters how beloved the film initially was and how influential it’s been ever since its release. As a film it’s one of the templates for many rip-offs and wannabes to come years after it won over mostly female audiences. After watching it finally after so many years of hype and unbridled love, I’m still pretty horrified to see “Thelma & Louise” as such a violent and disturbing film that defines the notion of double standards in popular culture.
Predator 2 (1990)
Bafflingly, the sequel to the classic action science fiction film opts out of following our man Dutch in his further adventures against this alien hunter menace and chooses instead to focus on a brand new series of characters. And rather than continue its trek in to the jungles of Central America, it zeroes in on the city. The inner city. The crime ridden inner city. The crime ridden gang infested inner city. The concrete jungle if you will. If you don’t get the symbolism, don’t worry, “Predator 2” clubs you over the head with the clunky message that this is a new kind of jungle. A concrete jungle. “Predator 2” is sadly a loud, ugly, and irritating film that doesn’t do much to set itself apart from other films of its ilk.