If you’re looking for a big hunk of eighties ham and cheese perfected by Michael Dudikoff with “American Ninja,” you have to look no further than the 2009 ham and cheese feast known as “Ninja”! From start to finish this movie is based around some of the hammiest acting I’ve ever seen and is centered on some truly cheesy storylines that have about as much originality as a Jean Claude Van Damme Movie. Hell, the little boy in me loved the whole ninja mysicism behind Scott Adkin’s starring vehicle matched with the blundering storyline that was about predictable as you can imagine if you have your eyes wide open throughout the first twenty minutes, but for all intents and purposes the Isaac Florentine actioner is not intent on being a masterpiece of action cinema.
A Mind Beside Itself (2011)
Director PJ Starks has managed to create something of a very gripping and heartbreaking short film that doesn’t exactly lead audiences where one would expect. All along I suspected director Starks was going for an exploitative horror twist, but in reality the gut wrenching turn that ensues is far from horror and more horrific. But while the center piece is the overall hook to the story, “A Mind Beside Itself” is a testament to the power of grief, and the endless nightmare that is regret and guilt. Regret that we didn’t appreciate our loved ones while we had them. And guilt that it’s much too late to do anything about it. Tristan is a man who has just met the love of his life and they’re experiencing an amazing romance that will define his life forever.
Secrets of Sex (1970) (DVD)
You either know it as the title “Secrets of Sex” or the more aptly titled “Bizarre,” as director Antony Balch’s sexploitation horror anthology is clearly a film that lives up to such a title. Synapse re-releases this seventies gem in the guise of a sexploitation movie, but don’t be fooled. It is very much a horror film of the truest nature that’s reliant on the appeal of sexuality to lower the audiences guards. “Secrets of Sex” is such an unusually surreal piece of genre work that uses sex and the awakening of our sexual natures as a tool for incomparable horror. And through that it tells various stories through the mouth of an inexplicably placed mummified corpse that has seen the battle of the sexes waged for too long.
Zombies! Zombies! Zombies! – Strippers vs. Zombies (2008)
A group of strippers, two hookers, a bouncer, and a pimp run in to a strip club after hours. The start of a funny joke? It’s the premise for “Zombies! Zombies! Zombies!” a surprisingly well made and entertaining horror comedy considering the miniscule budget that it works on from the minute one. Notice how the strip club is the same exterior as the ice rink from the prologue. But who cares? “Zombies! Zombies! Zombies!” is a classic grind house throwback that features a group of mismatched survivors and malcontents going up against an endless horde of the walking dead.
Aaah! Zombies!! (2007)
There’s something absolutely genius about director Matthew Kohnen’s horror comedy in which he concocts a formula that’s been done before, and yet feels absolutely brand new. We’ve seen it a thousand times: the government is devising a new toxin for war fare and before they realize it they’ve created a breeding fluid for zombified soldiers. Choosing instead to do away with it, they camouflage the chemical as baby formula and drive it off to a deserted locale. Thanks to inept truck drivers, a barrel falls off the truck and in to a local town behind a bowling alley.
Horno (2009)
Director Terrence Williams shows real promise on occasion, especially with films like “The Hood Has Eyez,” and with his newest film entitled “Horno,” he has an interesting concept but one that doesn’t pan out to an interesting movie. I wish I could have loved the shameless disgusting tripe that was doled out as something Troma angled, but in the end it’s just a good concept with a pretty faulty delivery. Williams has the right idea by inventing a concept within a concept, almost like a meta-movie, but the fact remains that hornos are a relatively established concept. Joe D’Amato infamously did it with films like “Sexy Erotic Nights of the Living Dead.”
The Octopus (2011)
On director Josh Hughes press website, he explains how “The Octopus” is a very personal film for him but intentionally cryptic. For many, it’s garnered a lot of definitions and dimensions. As well it’s also garnered some hidden meanings that Hughes is surprised to discover from his audience. No matter what you pull from his two and a half minute animated short, there’s not a single doubt that “The Octopus” is a truly powerful and startling animated short about a couple on the brink of destruction and the child that will inevitably pay for their pain.