I remember when I first read that “Dungeons & Dragons” was about to come to theaters in cinematic form. At the time of the film’s release I was obsessed with fantasy, and dragons and wouldn’t you know it? Zoe McLellan was co-starring. To fans of obscure science fiction, she co-starred as a gorgeous nerd in the TV series “Invisible Man.” If you want to know what that is, look it up. It’s a long story. I digress. McLellan would go on to play a gorgeous nerdy librarian in “Dungeons & Dragons” who really didn’t do much in the film. But she looked fetching the entire time. What makes “Dungeons & Dragons” such an astonishing film, is that it was released by New Line Cinema in the year 2000. As stated by other movie critics, “Lord of the Rings: The Fellowship of the Ring” would be released a year later around December of the same time.
Judge Dredd (1995)
Before the comic book movie revival of the twenty first century, the nineties didn’t have that many notable comic book movies to brag about. There was the awful “Tank Girl,” and the even worse “Barb Wire.” There was “Spawn,” and “Generation X,” and “Nick Fury: Agent of SHIELD,” “STEEL,” and “Batman and Robin.” And like those aforementioned titles, Hollywood adapted these titles completely missing why readers actually flocked to them in the first place. Never content with laying waste to more underground comic books, Hollywood eventually got its hands on Judge Dredd and turned it in to a Hollywood schlock fest that was so desperate for an audience it cast Rob Schneider in a major role.
Firefly: Ten Years Later
Back in 2005 I remember going to the movie theaters to see “Land of the Dead” with my mom an equally rabid horror fanatic, and sitting down to watch the previews. I remember fondly sitting in front of the screen watching the trailer for the upcoming movie “Serenity” and marveled at how interesting it looked. It wasn’t love at first sight, it wasn’t immense curiosity, but just a mild interest that made me think about it and push it in to the back of my mind for a good while.
Months later prior to the unleashing of “Serenity” in to theaters, the Science Fiction channel in America aired a marathon of the entire “Firefly” and when I sat down to watch it from beginning to end it dawned upon me why “Firefly” was cancelled and taken off television so quickly many people didn’t even know it was on. “Firefly,” during the marathon, often began every episode with a brief prologue from Nathan Fillion explaining the basic premise of the series. And then it kind of saddened me that the producers or network simply didn’t have confidence in the show. And worse, they didn’t have confidence that the audience could play catch up.
Roseanne: The Complete Fifth Season (DVD)
With the rising star status of Roseanne from acclaimed female comedian to basic household name, Roseanne completely changed in season five from a light hearted show about a poor family trying to get by, to a darker but still very funny series revolving around family dysfunction, the pain family can inflict on us, and the struggles of women more than anything. Men became more evil and oafish as the series continued in to season five, and the lovable but hard working Dan Conner turned in to the lovable and somewhat moronic Dan Conner who still had good intentions. The shift is gradual but noticeable. And most of the season’s storylines revolve around the pain men can inflict, and how weak women can be around men they love.
Roseanne: The Complete Sixth Season (DVD)
One of the many things “Roseanne” Season Six has going for it is the casting of Michael O’Keefe as Jackie’s love interest Fred, who is the often mild mannered and funny boyfriend who is mostly played to react off of the dysfunction and lunacy of the Conners most times. It’s a shame O’Keefe was never brought on to be a permanent cast member like Johnny Galecki or Glenn Quinn, since the character’s mild temperament makes for some instant laughs. This season is much more a shift as the series continues its glimpse in to dysfunction and family pain while also shifting the cast yet again.
Titanic (1997)
It’s not a surprise why “Titanic” ended up becoming one of the highest grossing movies of all time and was later de-throned by “Avatar” by the very same director that brought us the aforementioned movie. Both films are so utterly broadly written and vague in their mass appeal that they’re pretty much guaranteed to be massive hits. With his hand on the button of the latest special effects, and a script that can be as ho hum and derivative as possible without a single complaint from his audience, “Titanic” is one of the two major blockbusters from director James Cameron. And like his future massive hit “Avatar,” it is an immense crowd pleaser because it doesn’t challenge or push its audience to think. It merely offers up vague characters, hackneyed archetypes, and a bang up special effects presentation that is still the small highlight in a giant disappointment.
Airplane! (1980)
Is there a comedy more perfect than “Airplane!”? I ask you. It’s in the list of the five perfect comedies ever made, and is definitely one of my top ten comedy films of all time, as well as one of my favorite movies of all time. It’s a film that appeals to folks who appreciate subtle comedy, raunchy comedy, silly comedy, and comedy that doesn’t require any thought at all. There are sight gags, puns, word plays, double entendres, and gratuitous nudity. There’s action, romance, suspense, stunts, and two jive talking passengers no one understands. There’s Kareem Abdul Jabar being Kareem Abdul Jabar, Peter Graves being a lunatic, Leslie Nielsen delivering the most genius deadpan comedic performance of his career, Lloyd Bridges who has an unusual history with recreational substances, and Ethel Merman for some reason.