A group of strippers, two hookers, a bouncer, and a pimp run in to a strip club after hours. The start of a funny joke? It’s the premise for “Zombies! Zombies! Zombies!” a surprisingly well made and entertaining horror comedy considering the miniscule budget that it works on from the minute one. Notice how the strip club is the same exterior as the ice rink from the prologue. But who cares? “Zombies! Zombies! Zombies!” is a classic grind house throwback that features a group of mismatched survivors and malcontents going up against an endless horde of the walking dead.
Aaah! Zombies!! (2007)
There’s something absolutely genius about director Matthew Kohnen’s horror comedy in which he concocts a formula that’s been done before, and yet feels absolutely brand new. We’ve seen it a thousand times: the government is devising a new toxin for war fare and before they realize it they’ve created a breeding fluid for zombified soldiers. Choosing instead to do away with it, they camouflage the chemical as baby formula and drive it off to a deserted locale. Thanks to inept truck drivers, a barrel falls off the truck and in to a local town behind a bowling alley.
Horno (2009)
Director Terrence Williams shows real promise on occasion, especially with films like “The Hood Has Eyez,” and with his newest film entitled “Horno,” he has an interesting concept but one that doesn’t pan out to an interesting movie. I wish I could have loved the shameless disgusting tripe that was doled out as something Troma angled, but in the end it’s just a good concept with a pretty faulty delivery. Williams has the right idea by inventing a concept within a concept, almost like a meta-movie, but the fact remains that hornos are a relatively established concept. Joe D’Amato infamously did it with films like “Sexy Erotic Nights of the Living Dead.”
The Octopus (2011)
On director Josh Hughes press website, he explains how “The Octopus” is a very personal film for him but intentionally cryptic. For many, it’s garnered a lot of definitions and dimensions. As well it’s also garnered some hidden meanings that Hughes is surprised to discover from his audience. No matter what you pull from his two and a half minute animated short, there’s not a single doubt that “The Octopus” is a truly powerful and startling animated short about a couple on the brink of destruction and the child that will inevitably pay for their pain.
Vintage Erotica Anno 1960 (DVD)
With the release of “Vintage Erotica Anno 1960,” Cult Epics unleashes twelve underground 16mm short porn films that not only show the free wheeling fun loving of the early sixties but the evolution of the porno film before our very eyes. As the smut and taboo material of threesomes and orgies became ever more frequent in the underground smut circuit, we saw the beginnings of the classic porn formula where it was less about voyeurism and teasing the audience as it was about rough hardcore sex.
Jackass 3D (2010)
“That’s the story of Jackass there! Pissing in the wind!”
Sure, “Jack Ass” May have stumbled with the first film which was just so many layers of pure awful.
Knoxville (pictured) getting mauled. For fun!
But with the sequel, Johnny Knoxville and the guys sort of learned their lesson in spite of its success and turned their antics in to performance art of a sorts. They’ve taken the art of acting like morons and turned it in to a form or pre-orchestrated and carefully planned nihilism that is both very funny and always has something of a point to make.
Take for example the sheer ludicrousness of Knoxville dressed as an old man making out with his under aged (an obviously aged actress pretending to be a teen) grand daughter and no one at all reacting to the display of the two kissing and nearly dropping down to the floor humping. It’s insane how by now Knoxville has figured out that he’s never going to be anything but the man behind “Jackass” so he’s taken that and made it in to a form of art where it’s often a new kind of silent film.
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The Town (2010)
Ben Affleck impressed with his debut as director for “Gone Baby Gone,” a criminally underrated film. And he manages to impress yet again with “The Town,” a film about crime becoming a way of life, and death just another consequence for a profession. When is enough finally enough for someone? This is examined with Doug McRay, a man who has resorted to robbing banks for a living after a descent in to drugs. He’s mastered bank robbing down to a fine art, and one he specializes in that keeps him and his group of gun toting guns for hire constantly on the verge of being murdered on the job. As examined by the prologue, crime is often a way of life for folks in their city, and with Charlestown being the number one source for bank robbers, Doug only knows how to commit crimes, and is a veteran of such an common trade that he can barely remember what life was like before it.