I sat on my couch at the end of the film, amazed at what I’d just seen… Adam Sandler can act. I thought to myself: Adam Sandler can act?! After watching him in comedic duds like “Water Boy”, “Billy Madison”, and one of his most recent “Mr. Deeds”, I was astonished to discover this man may actually have the ability to become one of the best actors in the biz, if only he’d stick to bittersweet dramedies like this. Only two of his films are watchable: “Happy Gilmore”, and “Big Daddy”, two movies which show Sandler’s knack for comedy and quality, two films that show the child that Sandler is so famous for invoking. “Punch Drunk Love” has prompted me to wonder if I was wrong all along about him. Sure, most of his movies are terrible, but “Punch Drunk Love” begs to differ and makes people think that maybe he’s just as much as star as everyone says he is.
In the Bedroom (2001)
Matt Fowler (Tom Wilkinson) is a doctor in Maine whose son Frank (Nick Stahl) is home for the summer. While home, he falls for a single mother Natalie (Marisa Tomei). While the two have a lurid affair, the parents don’t approve, especially mom Ruth (Sissy Spacek). But soon a tragedy ensues that will test each of their own spirit and breaking points. The movie has a very calm and unperturbed environment to its story telling devices and never gives the feel of a thriller because it stays grounded down into reality. There’s a feeling of unrest during the film, a feeling almost like a bubble that could be burst in any moment during the story.
Femme Fatale (2002)
When a heist goes awry, Laure Ash poses as a woman, stealing her identity and sets out to live a straight life while attempting to dodge two of her ex-partners out for vengeance and a photographer who wants her picture for the tabloids. I was literally stunned by DePalma’s (Carrie, Blowout) visually engrossing direction that so eloquently depicts every action of the story he is trying to tell. He is the master of the split screen which he uses to emphasize character motive and personality. At times, there were scenes so incredible, I just had to rewind and see it all over again. He pays attention to every small and seemingly adequate detail from the largest of street settings to confined spaces such as hotel rooms. One of my favorite scenes is where the character Bardo sits along his balcony top watching Ash from across the street; though he doesn’t know what he’s in for yet, he’s oddly intrigued, and another of the best scenes where Bardo fights off an aggressive pursuer of Ash where Bardo steps in begins to fight him. DePalma doesn’t show the fight except relies on sound and imagination as we watch the silhouettes of Bardo fighting off the attacker while he slowly closes in on Ashe’s face who is reacting to the entire scene like a snake watching her prey fight over her.
The Recruit (2003)
There are those films with big stars that you know are because the actors love the part, then there are the films that actors are in, and you know it’s for simply money. There can be no other explanation for actors such as Al Pacino and Colin Farrell to star in this other than that simple reason. There’s a mood director Roger Donaldson is going for desperately but fails with every leap trudging through the plot with a tried attempt. He attempts to go for the Tom Clancy mood and motif with the murky and sometimes sharp cinematography, but little does he know that the script is the ultimate down fall to this film. There’s nothing to like about this movie from its plot holes to immense lapses in logic; for instance, how is it that Clayton goes from a top computer programmer, to a moon lighting bartender right into the CIA without any training beforehand?
The Grey Zone (2001)
“If you understand what happened in the camps, you have a much better understanding of what we’re all about as human beings” says Tim Blake Nelson, director and writer of “The Grey Zone”. But will we ever be able to understand the holocaust? Will we ever be able to understand why we as humans would destroy others like us? Why we would kill Children, and elderly people who were treated like worthless animals? Why one man ordered the destruction of the Jewish race nearly wiping out the entire population of Polish Jews? Based on the play by Tim Blake Nelson and Miklos Nyiszli’s book “Auschwitz: a Doctor’s Eyewitness Account”, “The Grey Zone” dares to explore that question but never gives an answer. There is no answer good enough to explain why the holocaust even happened in the first place.
Tape (2001)
One of my favorite, and possibly one of the most under rated directors of our time Richard Linklater continues to top himself. There’s not many directors these days that show they have both style (ala Dazed and Confused, School of Rock), and substance (Waking Life) at their disposal. Linklater can dispense both these traits in either film he chooses and often times it successful. He released this right off of the tail coats of “Waking Life” which was equally as brilliant. Based on the play by Stephen Belber, the film instantly begins with a very authentic and realistic disposition. The film and story relies heavily, and almost completely on human characteristics and mannerisms.
My First Mister (2001)
I realized while watching this film that I enjoyed it a lot more when it was called “Ghost World”; Leelee Sobieski is a talented actor, as is Albert Brooks, but when the story is summed up as a whole it’s just a batch of clichés from many other better films meshed into one entire mess. Sobieski as talented an actress as she is fails to strike a chord with her character and actually comes off as a terrible actress, which is not true when analyzing many of her past films. She attempts to pull off the Goth, annoyed teen angst persona with much desperation, which is evident while watching her try with the material she’s given, but it’s hard to enjoy her when her character is so unlikable and detestable. I would have preferred to sympathize with her character’s personality but its hard to when we see her living situation.