The League of Extraordinary Gentlemen (2003)

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Loosely based on the critically acclaimed comic book from critically acclaimed author Alan Moore, “LXG” tells the tale of Allan Quartmain, an aging adventurer in 1899 who is called upon by a mysterious man named M who enlists him and six other super-powered beings whose powers are parallel to legendry literary characters who must fight a warlord called “The Phantom” who plans to take over the world. Alan Moore presents an idea and concept so ingenious and brilliant, I was stunned upon hearing of it. Take some of the most famous heroes and villains in literary history and turn them into superheroes. What turns up as the end result is a guilty pleasure that kept me entertained all the way through.

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The Matrix Reloaded (2003)

I thought “The Matrix” was great and very innovative in its own right. The basic element from the original “Matrix” film is present in this; there’s your pretty dazzling opener with Trinity doing what she does best and we enter into the great story that serves a heaping help full for any “Matrix” fan to feast on. The Wachowski brothers manage to surprise and amaze with some stunning machine special effects and great scenes that truly dazzle the mind. The opening where we’re introduced to Zion is truly magnificent as we’re first shown the exterior’s of the almost too lifelike Zion guard robots then shown the entire city. Zion is a basic hybrid of modern machinery and old age homes that live among each other in a community.

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Winged Migration (Le Peuple Migrateur) (2003)

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Though heavily staged, “Winged Migration” gives us a rare and never before seen glimpse into nature and the life cycle and migratory patterns of birds seeking shelter and struggling to survive amidst the common enemy known as Man. Done in a period of four years, “Winged Migration” features a team of incredibly gifted and brilliant Cinematographers that so eloquently capture the essence of the landscapes presented within the hunting and scavenging of these incredible species that it becomes such a thrill to watch.

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Drumline (2002)

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What “Drumline” does is give the American audience a perspective into something entirely fresh and original to watch while focusing on a relatively obscure practice called band and succeeds in every way shape and form possible. Every character in the film takes this practice seriously and treats it as if it’s life or death, and we can see why. It’s evident that there’s no glamorizing or watering down of any kind in the film, what we’re watching is in fact reality with the facade of Hollywood and it pulled me in right from the opener. It’s a shame films of this ilk don’t make it into theaters often.

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Poison (2000)

poison-2000The story in the film and the script is a hefty mess and bears some incredibly wide plot holes that ruin the efficacy of the film. For example, It’s never fully or clearly explained as to why Traci does the things she does to get her mother’s attention. There’s some insinuation that she resents her, or maybe she’s psychotic, but there’s no verification. Even in the end which is somewhat blurry, we’re never truly sure as to her motives with killing all the people during the movie. Her actions during the film perceive her character to be more spoiled than psychotic and threatening, so in the end it remains hazy. Also, the climax of the film seems so rushed and tacked on it begins to feel awkward on the closing credits.

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The Mangler 2 (2002)

themangler2This is a pretty entertaining film, and reason enough for any B-movie horror lover to check out. It’s written by Michael Hamilton Wright who also directs and Stephen King (What in the hell?!) who is un-credited as second writer. When a strict school dean (Lance Henriksen) installs an advanced super-computer for school security, a rebellious young girl name Jo (Chelse Swain) injects a computer virus into the system and accidentally awakens an evil computer entity that traps her and a bunch of friends in school killing them off one by one. The plot, though incredibly contrived, doesn’t have the same plot the original does and actually becomes a lot more interesting in the process.

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The Curve (Dead Man's Curve) (1998)

l_39610_0123034_3c1cb618This film reminded me of my favorite Hitchcock movie of all time “Rope”. Two high class men decide to join together and murder to see if they can not only beat the system, but somehow gain some personal conquest in the process. The problem is I’ve seen so many movies like “The Curve”, it fails to even come close to comparing to “Rope”. What also becomes evident at the start of the film is that the plot is immensely far-fetched; I don’t know if what’s explained in the film is true, and I could care less, but it hardly seems like motivation for murdering someone, of course is there any sensible motivation?

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