I admit I wasn’t expecting much from “Slither”, basically because it looked so utterly cheesy, and in spite of Nathan Fillion’s presence, I just couldn’t find anything that could sell me on it. Surprisingly, I was wrong about it. A basic remake of “Night of the Creeps”, James Gunn’s “Slither” strives to be its own entity, and in many respects he succeeds in attempting such an endeavor. “Slither”, a throwback to fifties B movies with aliens, monsters, and zombies is stupid, and Gunn embraces the stupidity with scenes that are often ridiculous, but I was never bored. “Slither” in its stupidity is also pretty funny, and with the great cast it sports, I accepted the ridiculousness. And even from a Troma alumni like Gunn, I expected stupidity. It’s your usual B movie fodder.
Aftermath (2005)
Yet again, director Anthony Spaddacini smoothly tackles and assaults another common social topic concerning homosexuality in our modern age, and in many ways balances it to keep audiences from assuming this as a homosexual drama, and more just as a drama about people whom refuse to reveal secrets that could help them if not pulled out in the open. “Aftermath” is an immensely hard-edged and interesting drama that places its characters down in one room in the tradition of films like “The Big Chill” and has them force out these secrets.
Alfie (2004)
I wasn’t a big fan of the original 1966 film starring the great Michael Caine. About a year prior to the release of the remake, I decided to give “Alfie” a watch, and really wasn’t impressed. For all whom aren’t familiar with the original, “Alfie” takes place in London, and not in New York, and it’s much darker and colder than the remake. Though, as always, movie fans will be divided with both versions, I just had to pick the remake. Granted, neither of them are masterpieces, nor are the rip-offs, but the modern “Alfie” is much more enjoyable in the long run.
Pulse (Kairo) (2001)
Yes, it’s happening. Very soon, the US will release its own version of “Pulse” and I have surprisingly high hopes. It looks like a very scary movie, so I decided to watch the original film, since originals are always better, and I finally did. “Kairo” is without a doubt one of the most bleak horror films I’ve seen in years, it’s a film that never really casts an optimistic brow, and it’s a horror film that reaches down to the core of human emotions and brings out the horrific implications of what we can do to ourselves that can spell the end of the world as we know it.
Afro Promo: Black Cinema Trailers 1946-76 (DVD)
Afro Promo” is a textured and rich compendium of Black Cinema trailers that speaks more of the depictions of African Americans on film than any documentary can really try to. There are no real interviews here, just a collection of trailers involving black actors, or starring an all African American cast. And as you’d expect we see the progression from blacks with white lips and bulging eyes, to lecherous and despicable heathens, to blaxploitation films where they were more empowered and able to decide how they wanted to be seen (they settled on “Boss Nigger”?). And every now and then we see the great Sidney Poitier, and Richard Pryor, James Earl Jones, and Pam Grier respectively.
Lipstick & Dynamite, Piss & Vinegar: The First Ladies of Wrestling (2004)
In a world where feminism wasn’t yet discovered, these women basically were the precedent for such an ideal. And they didn’t even know it. All they wanted to do was compete, perform, and basically beat the crap out of each other, all to gain some fandom and fame, and they weren’t aware that they were basically the predecessors of feminism and female empowerment. Thankfully, the documentary doesn’t bog itself down in girl power junk, and instead focuses on the female wrestling industry, one of the more unknown facets in sports–like the WNBA. I kid them.
The Cooler (2003)
Ultimately, I love the underdog story, I love to see the little guy accomplish and conquer their goals and beat the odds, and “The Cooler” is the ultimate under dog story. William H. Macy, an actor who I always enjoy watching plays Bernie Lootz an always down on his luck sad sack who works everyday as a “Cooler” in the Las Vegas casinos under Shelly Kaplow’s dollar. His bad luck is a surefire repellent for winning and though he hates the job, he does it because he’s good at it. That is until he meets Natalie, a waitress at the casino. The two begin to hit it off and quickly his luck begins improving, and money begins getting lost.