In this French comedy, we meet Amelie (Audrey Toutou), a reclusive beautiful young girl who relies on her imagination to take her into her own magical worlds. When she discovers an old tin case in her wall containing relics of the past belonging to someone, she decides to make herself a deal: she finds the owner, if they are happy with discovering the relics, she will do nothing but good deeds from now on, if they aren’t happy, she will return to her reclusive life. Well, the owner loves the relics, and now decides to take her screwy life filled with screwball characters and do good deeds for them. This movie garnered tons of Oscar nods when it appeared on the scene, so when it came on, I was more than anxious to check it out.
In the academy-award winning biography picture, John Nash played by Russell Crowe is a shy college student who is considered somewhat of a genius by his peers and a bit of a odd man. He soon gets recruited by a secret government agent (Ed Harris) to encode secret documents and codes for the rival government. He then meets Alicia (Jennifer Connelly) who falls in love with him. But soon, John begins to discover that things in his life aren’t as they seem. Finally, that academy decided to award Ron Howard with the best director Oscar at the awards and did he ever deserve it. What struck me the most about this movie is the incredible style in which Howard directs.
It’s Rookie cop Jake Hoyt’s first day on the job and he must now meet up with a seasoned professional the charismatic cop Harris who takes a liking to him and decides to take him on a ride along to show him the ropes of the inner city, but what he has to show young Jake is beyond anything he ever learned in Police Academy. In probably Denzel Washington’s best performance in years, he is phenomenal as the dangerous and sly Harris.
