So what the hell do both of these shows have to do with each other? Well, simply put: they flash back to a time that would lead to something big eventually, and both could either deliver to the audience what we want, or can drag on and on and on until the gimmicks are so tired, we beg for it to be cancelled. But surprisingly, one gimmick works better than the other. Sometimes flashback shows work (“Wonder Years”, My Beloved “American Dreams”), and sometimes they don’t (“Do Over”, “That Was Then”), and both shows rely on this gimmick to spawn an entire series. With “How I Met Your Mother”, we see an old man telling his two children how he met their mom, and it’s safe to say this show has a big gimmick that will only tell how long this show will last. I mean how long will these kids sit to listen to this story? More importantly how long will the audience?
Cube Zero (2004)
Just so we know where we stand, I disliked Cube, and hated Cube 2: Hypercube, both films that made the basic horror/science fiction fan cream their pants. Though the concepts were original, the writers and creators did very little with it and thus we were given much repetition in both. One is about a bunch of people in a cube maze with death traps, Cube 2 was just basically a lot more of the same thing, and it seems to me the creators figured out that they needed to change it or else continue repeating the same old stuff, so they created this prequel/semi-sequel called “Cube Zero”.
Cursed (2005)
This is “Scream” werewolf style, with red herrings, a hip cast, endless pop culture references, jump scares and a leading lady who can actually act being forced in to a situation. She even has a spazoid sidekick. Plus there’s that “Scream” style ending with everyone running back and forth and the “Maybe it’s him, maybe it’s her, but no it’s this person!” gimmick. But more characteristically, “Cursed” is a jumbled mess filled with moments that will surely have you repeatedly declaring “That would have been a great sequence”, and I was doing the same thing. Werewolves in the mirror room? Would have been great. Changing in to a werewolf in a public bathroom? Would have been great. Silencing barking neighborhood dogs with a howl? Could have been great. But alas, none of it really is.
Assault on Precinct 13 (2005)
Hidalgo (2004)
“Hidalgo” is often times a very fun and exciting throwback to old time serials, with a guiltless innocence that is family fun through and through without the taint of colorful characters. And it is a lot of fun from beginning to end with a great story that everyone can really become involved in. Based on the supposedly and debatably true accounts of Frank Hopkins, an adventurer who risked tooth and nail during an epic race across the desert. Though it can be debated if the events depicted here ever really happened, what we see on-screen most of the time is a lot of fun as post-Aragorn Viggo Mortensen takes the reins of adventure hero this time and really packs a punch as the anti-hero Frank who is haunted by the slaughter of his people, and is in a bitter battle with his conscience over his heritage as a Native American.
Troy (2004)
“Troy” is ultimately the prime example of how such an immense concept ripe with possibilities and potential can be so botched in the wrong hands. While an achievement in visuals, “Troy” fails in every other aspect including its writing and storytelling. Peterson excels at creating a half hour too long epic with just no point in sight. The film has so much going for it, but quickly blows it as we drudge on and on for three hours without any real substance nor do we take anything away from this demanding experience. As they say, if a film is great, three hours can fly by, but with a poor film, three hours can drag on, and this did indeed drag on with melodrama, romantic sub-plots and everything that drags this down. I love the legend of Helen of Troy and the face that launched a thousand ships, but this is not what I was hoping for, and it doesn’t pay homage to its true storyteller.
Raise Your Voice (2004)
What’s more fun than this movie? Picking your nose, eating glass, listening to a Hillary Duff song, hell even watching a Paris Hilton movie. What is so incredibly laughable is that the director is so intent on giving Duff a respectable boost, he forgets that the truly sensible audience will just laugh it off. There’s a hilarious quotation from Beethoven before the movie begins that is extremely presumptuous paying too much homage for what we are about to see, and what we’re about to see is more horrific than anything we’ve seen in horror films in the past ten years. It’s not so much that “Raise your Voice” is an awful film, but it’s more that this is so insanely, brutally melodramatic and manipulative it would make the writers for day time soaps cringe. As always we watch Duff in every single frame of this god forsaking movie, and she doesn’t help this film at all.