This is an excellent movie, I must say. At first I was a bit hesitant to watch this, because the first five minutes drag on with slow moving dialogue and character development. This movie tries to make a clear point of the fact that she is indeed a lonely desperate character, and they use her vulnerability and desperation against the audience as we witness her injustices but can do nothing about it. Finny Taylor is top-notch at both directing and writing this great black comedy and gives us a minds eye view into this character. The character Zoe often hides herself and escapes into music throughout the movie, so much so she is well-known by a DJ at a local radio station.
Austin Powers in Goldmember (2002)
I am a huge fan of this series and love the first two sequels but unfortunately it seems Austin has lost his mojo. From the first five minutes of the movie I found myself un-amused and highly disappointed. The movie, though true to its efforts, attempts to bring about new life to the series with a brand-new villain named “Goldmember” which I found sad and very odd. The movie resorts to awful bathroom/gross-out humor to almost desperate measures. The most disgusting aspect of the movie was “Goldmember” who, due to his obsession with gold began to get diseased throughout the entire movie as his skin peeled constantly.
Signs (2002)
In director M. Night Shyamalan’s third directorial outing in the supernatural genre, he tells the story of Father Graham Hess (Mel Gibson), an ex-preacher whose lost his faith in god and quit the church, living in seclusion with his two kids and brother Merrill (Joaquin Phoenix) raising crops and living a generally quiet life. One fate-filled morning, Graham’s son Cole (Rory Culkin) discovers their crops in which they raise have been lowered into the forms of mysterious signs known as crop circles. What ensues is the psychological and emotional horror that will test Graham’s faith and devotion to god and his family. Are the crop circles signs from god, signals from aliens, or do they signal the coming of the apocalypse?
Reign of Fire (2002)
Director Rob Bowman gives us a very sleek and highly visual world of dragons and war. We get to see the cool looking dragons as they take over the world. Possibly, the best part of the movie, if any, is when the remaining survivors take on the King Dragon. A tried effort. I was looking forward to this when I first saw the trailer in the theatres; unfortunately, I was very disappointed. The movie gives us a promise we’ll enjoy this with a unique apocalyptic world, but it’s a big let down.
Vampires – Los Muertos (2002)
This is Executive produced by Carpenter and instead is Tommy Lee Wallace as director. Jon Bon Jovi wasn’t much of a turn off from this movie for me, because I love his music and he’s a great actor, so he was able to hold the fort as the lead man. He’s a surfer boy in this movie so he often gripes about how he’d rather be surfing than hunting vampires. In the original we saw hunters hunting because it was for the church, in here it’s assumed more as a workaday job. He has a lot of cool weapons including a surfboard that doubles as a case for his weapons. He has a great grimace every hero should have in these types of movies, and he wears it well, often facing off against vampires.
Sorority Boys (2002)
Three womanizing guys from K. O. K. are kicked out of the the fraternity after being accused of embezzling money from the house. They have proof that it wasn’t them by a surveillance tape, so they devise a plan. No, they don’t send a couple of girls in to get the tape for them, that would require brains, yet they dress up as women themselves to retrieve it, but soon learn it isn’t as easy as it looks. Homeless, they decide to pledge the sorority of D. O. G in desperate need of a place to stay, but learn a lesson in morals and discover what it feels like to be a woman.
Enough (2002)
“Enough” takes a serious and tragic topic like domestic abuse and exploits it, making idea of the crime something commercial with a very Hollywood narrative. I dare you to count the bruises and wounds inflicted on Lopez’s character and then add it to the years she suffered from the abuse, and it never quite adds up. Jennifer Lopez hams it up big time as protagonist and “heroine” Slim, attempting to depict the character as vulnerable, and even cuts her hair in a straight mop top to look like an average woman, when really it looks like a wig.