Star Wars Episode Two: Attack of the Clones (2002)

Jedi’s, and Sith’s, and Clones, oh my! In this chapter, we meet Obi-Wan (Ewan McGregor) and his young apprentice Anakin (Hayden Christensen) once again on a mission. There is a conspiracy in the republic; Someone is trying to kill the now Senator Amidala. They suspect a traitor within the force and they do not know who it is. Now, the republic assigns Obi-Wan and his defiant padawan Anakin to investigate. Unfortunately, Anakin and Amidala are falling in love, something that is strictly forbidden in the Jedi order. Ewan McGregor once again gives great merit to the role of Obi-Wan Kenobi by showing great humility in his role and giving Obi-Wan a warrior-esque look. Natalie Portman returns to the role of Amidala or Padme with more life to her role. Where as “Episode one” lacked life and structure, this one improves on it supremely.

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Max Keeble’s Big Move (2001)

In this far-fetched “kids movie,” Alex D. Linz plays Max Keeble, a local paperboy who goes about his business delivering papers and is in constant battle with the evil “Ice Cream Man” played aptly by Jamie Kennedy. He now enters a new phase in his life: Junior High School. Now he has a crush on the local neighborhood girl, is constantly terrorized by the school bullies and the crooked school principal played by Larry Miller. But a new event has developed. His father who works for an advertising company is now being relocated to Chicago to start a new campaign. Now Keeble wants to leave the town in style with the help of his two best friends.

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The Others (2001)

the_othersAlejandro Amenábar’s “The Others” is a surprise in a year filled with tepid, tripe we get over-hyped force-fed at the box-office. “The Others” is a very sophisticated anecdote of complex and well paced horror in a time where horror has plodded. The atmosphere and Gothic aesthetic feels like classic supernatural horror in the vein of Robert Wise’s “The Haunting,” with reliance on old school horror devices and unique elements of mystery and ambiguity rather than full CGI.

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Spider-Man (2002)

“With Great power, comes great responsibility.” – Uncle Ben

Superhero and American icon, Spider-man is born finally in the new box-office smash movie directed by acclaimed and cult director Sam Raimi (Evil Dead). In case you don’t know the famous story, Peter Parker, a geeky photographer at his school who is constantly bullied and has eyes for the neighborhood good girl Mary Jane, is bitten by a hybrid radioactive spider on a field trip to a science lab. The next day, the effects make him a superhuman giving him all sorts of spider powers. Meanwhile, a new evil is born. Multi-millionaire, Norman Osborne, while trying to explore a new experiment, gets hit with a split personality and becomes insane with power. Now Spider-man must stop this new menace before the Green Goblin hurts the people Peter holds so dear.

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A Walk to Remember (2001)

In a less predictable, commercial and more intelligent feature-film debut, pop-star Mandy Moore stars as Jamie Sullivan, the local preacher’s daughter and an impish reclusive bookworm who is constantly ostracized by her classmates. Shane West plays Landon Carter, the local ne’er do well (yes, I use that word, so I’m un-cool) who constantly gets into trouble with his friends. One night after nearly killing a friend, he is forced to star in the school play alongside Jamie. Soon, the two become friends and they fall deeply in love with one another despite the resistance of her father.

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The Fast and the Furious (2001)

fast-furious-2001“The Fast and the Furious” is a fun movie. The action and fast hot rods will get any viewer pumped up with very high adrenaline action scenes that are all excellent if a little farfetched. We get to see a lot of cool stunts performed with the great looking hot rods and they never fail to deliver with the engrossing hot rod action. One technique in this movie that I did enjoy was the way whenever a hot rod would rev up, we’d zoom through its engines to see it start. It was an unconventional plot element to bring us in to the moment, but very cool.

That said, “The Fast and the Furious” is a virtual “Point Break” Xerox copy replacing surfing with racing. We know the cop is going to fall in love with the girl, we know he’s going to get close to the leader of the gang, we know he’s going to find out, and we know in the end he’s going to let the leader get away. Star Paul Walker is also pretty stiff in his turn here. There’s also Vin Diesel who despite being a bit over the top at times is at least an intriguing villain and potential anti-hero. Diesel as character Dom is the coolest character in the entire film, and he steals a lot of scenes from co-star Walker.

Michelle Rodriguez who’s grossly underused but still manages to get her few moments in to the action and fights, and there’s Jordana Brewster who garners a shockingly compelling sub-plot with Diesel as his sister and potential love interest for Walker’s character. While I wasn’t terribly surprised or kept on the edge of my seat, “The Fast and the Furious” is at least good action fodder with it unabashed silliness at the surface of every racing scene and bit of dialogue. It’s a cheesy movie, but it’s a fun cheesy movie. Though flawed, “The Fast and the Furious” is a fun, dumb, action-packed piece of B grade genre fun.

Domestic Disturbance (2001)

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At a running time of simply an hour and twenty-one minutes “Domestic Disturbance” speeds through its narratiuve, and never leaves times for suspense, tension, or even logic. If the director Harold Becker had added a half hour more to pad the story and fill in the gaps, there likely would’ve been some great stuff. But that’s only really wishful thinking as “Domestic Disturbance” seems to ride on the fact that it’s hopelessly silly and lacking in thrills. In a movie that casts as Vince Vaugn as its primary psychotic villain, it becomes plainly obvious that the studios just aren’t even trying.

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