After sixteen whole years Eli Roth finally got around to taking his fake trailer from 2007’s “Grindhouse” and transforming it in to an actual feature length slasher film. We’re not bereft of holiday themed horror movies, but we’re about due for a slasher revival, and if you’re in the mood for “Thanksgiving” be sure to visit (or re-visit) these five horror titles that influenced “Thanksgivng.”
Token Taverns: An Arcade Bar Documentary (2023)
Before the video game age, arcades were one of the biggest social spots for mainly kids and teenagers to commute, compete, and share their passion. Once home video game became a mainstay allowing kids a more personal and intimate video gaming experience. This prompted the unfortunate collapse of the arcade industry for a very long time. That is until the last twenty years when many folks that fondly recall the arcade age and the joy it brought them sought to revive not just the arcade, but the social experience of the arcade.
Bad CGI Gator (2023)
See here’s my problem with “Bad CGI Gator.” It’s not that it takes a short coming and tries to turn it in to some kind of schlocky B movie element. It’s that the movie is only fifty eight minutes and it’s called “Bad CGI Gator.” And said Bad CGI Gator doesn’t make an appearance until at least seventeen minutes in to the movie. If you have only sixty minutes to work with, and your movie is called “Bad CGI Gator,” and you’re promising a Bad CGI Gator, I would think one would try to plaster the titular Bad CGI Gator on every frame as much as humanly possible.
Pig Killer (2022)
Based on the Pickton true crime case, that of a man who may or may not have killed multiple women and disposed of the bodies on his pig far, Pig Killer follows this killer, named Robert “Willy” Pickton here, as he looks for victims, kills them, deals with his family issues, and eventually gets caught. At the same time, the film follows one of his victims before she gets taken and after.
The Marvels (2023)
What hinders Nia DaCosta’s “The Marvels” is that it literally is all over the place. This feels like Marvel is trying to squeeze in so much in ninety minutes, and while often it succeeds in getting the idea across, it can also stumble here and there. Nonetheless, “The Marvels” still winds up being a bang up Marvel entry, one that’s packed with some excellent fight sequences, wonderful conflict, and a great trio of characters, all of whom present a common goal in spite of how they operate as superheroes. Carol Danvers, Monica Rambeua and Kamala Khan are all heroes in their own right approaching the ideas of the superhero in their own mind set.
Meg 2: The Trench (2023) [Blu-Ray/Digital]
I liked “The Meg” enough to consider it a fun bit of James Cameron-lite entertainment, but I wasn’t exactly clamoring for a sequel. With “The Meg 2,” director Ben Wheatley leans heavily in to more unique elements allowing Jason Statham to be more physically active this time around, while also embracing the Asian influence. You just know Statham requested at least one action sequence of him fighting bad guys, hence the re-introduction of Jonas Taylor. Taylor is still a brainy scientist, but he’s also an ecological activist who skirts the law by breaking on to ships and stealing information from criminals. While “The Meg” was basically “The Abyss” meets “Deep Blue Sea,” this time around director Ben Wheatley opts more for “Jurassic World” meets “The Deep.”
The Nun II (2023) [4K UHD/Digital]
2023 was abundant in religious based horror movies, and while many were an absolute bust, I have to say that I quite liked “The Nun II.” I am well aware that I am in the minority in this regard, as “The Nun II” proves to be as divisive as the original film. The original works fine but is still the highest grossing film from “The Conjuring” universe; the producers don’t really aim for a soft reboot, this time continuing the saga of young Sister Irene and her new friend and colleague Sister Debra.