I’m shocked at how great “Tales from the Apocalypse” was, and I say that as someone that loves a good apocalyptic yarn here and there. While I wouldn’t be quick to compare it to “Trick r Treat” as the premise has explained, it manages to stand on its own two feet as great anthology filled with five great science fiction shorts obvious influenced by the likes of Ray Bradbury, Rod Serling, and Richard Matheson. I’m also glad a lot of the shorts picked for this film aren’t the usual tired tropes, but aim for something so much more meaningful and thought provoking.
My Favorite Pulp Superhero Movies of All Time
The 1990’s were weird when it came to superhero movies. Studios weren’t willing to invest in actual movies starring mainstream characters from Marvel or DC Comics. And in 1989 after the success of Tim Burton’s “Batman” movie, studios left the financial success with the wrong idea. Rather than opting to take a shot on other big line superhero movies, they chose to instead aim for the pulpy nostalgia that the film brought audiences. So they mined the comic book world and began adaptation pulp superheroes from the 1930’s and 1940’s, all of whom were very popular in their time.
Only a few them took off, while sadly many failed to translate in to humongous success. That said, the pulp superhero movie era of the 1990’s was a great time for fans like me that just adored pulp superheroes. I don’t care. I loved pretty much all of it, and I still do. In celebration of the upcoming “Indiana Jones and the Dial of Destiny,” I compiled a list of my absolute favorite pulp movies of all time.
Indiana Jones and the Dial of Destiny (2023)
“The Dial of Destiny” is significant not only in that it’s a movie primarily about time, but about wanting to go back in time and fix mistakes. The Indiana Jones we see here is not the Indiana Jones we saw in “Raiders of the Lost Ark” or even “The Last Crusade.” He’s older, he’s war torn, and he’s grappling with so much regret that he’s lost his passion for adventuring. When we see Indiana Jones he’s a man who has lived two full lives and he’s thrust back in to what is arguably his final adventure and it’s bittersweet.
Open Secret (1948)
Newlyweds Paul (John Ireland) and Nancy (Jane Randolph) Lester are on their honeymoon when they decide to stop by to see Paul’s army buddy, Ed Stevens. The problem is when they arrive at his apartment, Ed is missing. His mail has been taken and someone has broken into the apartment looking for something. Something important.
Western Wednesdays: The Texan (1932)
SYNPOSIS:
Buffalo Bill, Jr. [Jay Wilsey] is on the run from authorities for a crime he did not commit and flees to Trona County. He bears witness to Buck Townsley [Jack Mower] training for a big race and decides he wants a piece of the action. Knowing that Bill is a wanted man, Jim [Lafe McKee] and his cohorts blackmail Bill in to throwing the race so they can recoup the money made from the townsfolk who have bet on Bill to win.
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You Hurt My Feelings (2023)
Director and writer Nicole Holofcener’s film is usually something I turn my nose up at if only because I’m not a fan of affluent people complaining about their lives for ninety minutes. However, I really did respond to “You Hurt My Feelings” mainly because despite the setting, Holofcener reaches down deep to tell a movie not just about the struggles with impostor syndrome in writers, but also about the concept of confrontations and the sense of grief and pain that follows when we’re subject to an uneasy truth or revelation.
Asteroid City (2023)
I confess that I’m just not a Wes Anderson fan. I’ve tried very hard to be over the years, but so many of his movies have left me cold, indifferent, and just downright bored. With “Asteroid City” it feels like Wes Anderson is appealing to his hardcore fans more than trying to create something that’s accessible to new fans. With his sense of framing and shooting scenes that feel like bad A.I. jpegs, and his multi-layered, somewhat confusing narrative, “Asteroid City” will score with folks that loved the likes of “The Grand Budapest Hotel” or “The Aquatic Life.” As for me, I entered it hopeful and left generally indifferent by the whole affair. Not even the obscenely talented ensemble cast could win me over, I’m disappointed to admit.