As part of our Female Filmmaker Friday series, we will bring films by women to everyone’s attention each Friday.
Based on the life and crimes of female serial killer Aileen Wuornos, “Monster” is an acclaimed true crime biography starring Charlize Theron and Christina Ricci that garnered Oscar nods and plenty of awards.
Friday the 13th, the Shudder streaming service is hosting a twenty four hour horror movie marathon with the one and only Joe Bob Briggs. Explained as his alleged last marathon and time on television, Joe Bob will take us through his classic format of unfiltered opinions, jokes, one-liners, and Drive-In Totals. But this time we’ll be submitted to some great horror films unedited, uncut, and in all of their glory. I for one intend to get in as many movies as possible (I can’t stay up 24 hours anymore), and I hope you’ll join Joe Bob and his legion of mutants to ring in possibly the last marathon the main man will ever host.
Here are five fun ways you can prepare for “The Last Drive In.”
Digitally remastered for the first time on HD VOD, blaxploitation and Rudy Ray Moore classics from the stable of Xenon Pictures – including “Dolemite”– will be making their way to your finger tips on July 3rd. With Eddie Murphy starring as Rudy Ray Moore in a biopic at Netflix, Xenon Pictures is making a great deal of Ray Moore’s titles available to audiences to discover (and rediscover) for the first time.
With the unleashing of the cult classics in July, we’re going to take you through the list of movies from Rudy Ray Moore coming to On Demand.
A woman known as The Nurse runs an emergency room out of an old hotel where the criminal patients are referred to by their suite names. As riots escalate outside, something is brewing inside.
Albert Pyun’s “Cyborg” is a lot more famous for its back story and production woes than it is for the actual movie. There’s even the famous tale of how much of the sets and outfits for the characters were re-used from the cancelled “Spider-Man” movie, and sequel to “He-Man” that Golan Globus failed to finish. It’s a shame, because in the eighties when a whole sub-genre sprang from the success of “Mad Max,” we got a whole library of post apocalyptic action films with gritty warriors charged with saving mankind or something like a child or village. In a massive sub-genre of B grade copycats, “Cyborg” is one of the best.
If anything, “Gotti” will go down as one of the most infamous movies of 2018. It’s a movie was in development hell for years, snuck up on audiences, and garnered a ton of bad reviews. And it responded by insulting critics and talking down to its audience. Make no mistake though, “Gotti” is bad. It’s very bad. It’s pure Oscar bait, with a director who realty wants his film to be “Goodfellas,” and a leading star who is so completely out of his lane it’s kind of sad to watch. Here John Travolta doesn’t seem to be acting, so much as competing for an Oscar nod, and it’s an endurance test from beginning to end.
“Funko” is not a flash in the pan and it’s not a fad. It wants us to know that, and that it loves us, the fans. It’s been around for twenty years, manufacturing bobble heads and dolls in the background. Most recently it broke in to the mainstream consciousness with its series of Funko Pop Dolls, a long line of dolls with big heads, black eyes, and no mouths that have become humongous, coveted collector items far and wide. The Funko Pop craze has even managed to save some waning businesses with its broad line of dolls that range between anything from Batman, to The Sandlot, to The Golden Girls. “Making Fun” is a documentary by category, but in reality it’s a big promotional reel for stock holders of the company in the midst of its massive popularity.