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Lon Chaney Speaks!

Lon Chaney was one of the most popular film stars of the 1920s, but he was also among the most mysterious due to his aversion to publicity. In this episode of “The Online Movie Show,” writer Kevin Scott Collier talks about his book “Lon Chaney: In His Own Words,” which collects all known interviews that Chaney did and pieces together the true personality of the Man of a Thousand Faces.

The episode can be heard here.

“The Online Movie Show” is produced at the Platinum Wolfe Studios.

An Interview with Gigi Saul Guerrero

Gigi, Co-Founder of Luchagore Productions, is a Mexican-Canadian dynamo-genius-horror maven with a bunch of shorts, feature anthology, and her most anticipated show “La Quinceañera” a Warner Brothers/Stage 13 mini-series under her belt as a director. She is also an actress, writer, editor, etc.  Recently has also worked in the video gaming industry and currently teaches film directing at VANCOUVER FILM SCHOOL in British Columbia, Canada.

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The Bootleg Files: The Mad, Mad, Mad Comedians

BOOTLEG FILES 632: “The Mad, Mad, Mad Comedians” (1970 Rankin/Bass animated television special).

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: Most likely due to a rights clearance issue.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.

During the 1960s, Rankin/Bass Productions enjoyed a skein of hit films and television specials, including “Rudolph the Red-Nosed Reindeer,” “Mad Monster Party?”, “The Little Drummer Boy” and “Frosty the Snowman.” In 1970, the studio put forth “The Mad, Mad, Mad Comedians,” which turned out to be their highest rated television show.
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Goodnight, Gracie (2017)

As a little girl reads in bed, she hears an ominous noise from outside her room. Going to investigate leads to a nasty surprise.

Written and directed by Stellan Kendrick, Goodnight, Gracie is a short film that clocks in under 5 minutes, giving itself just enough time to create a story and shock just a little bit, then leave a quick and effective impression. The film manages to attain its goals in that short period of time. The writing and direction show careful writing of the story and a good grasp of suspense and shock. The way this short is built gives its story maximum effect through the set-up discovery, and ending. It shows that sometimes less is indeed more and that not all stories need a two-hour runtime to be effective.

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Mexico Barbaro II (2017) [San Diego Latino Film Festival 2018]

                                                             In the second installment of the Mexico Barbaro anthologies, a series of short stories interconnect in a the world of Mexican fear. This second anthology is more connected through story and style through each of the filmmakers collaborating with the others. The different shorts within the anthology include 8 visions from 9 directors.

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