Brain Damage (1988)

Say what you want about Frank Henenlotter, but even when he makes a bad movie, it’s a guarantee you won’t see another movie like it ever again. I am by no means a fan of “Basketcase” but I still have yet to see another movie like it. “Brain Damage” is another movie so far ahead of its time and so surreal that it didn’t stand a chance at being recognized in 1988. It’s too bad too, since the eighties embraced a lot of interesting premises, so “Brain Damage” should have caught on. Thankfully it later garnered a following in the VHS rental market, and it’s a horror comedy that deserves to be embraced by the horror community. It’s short, and simple but absolutely gruesome, and a unique spin on the theme of drug addiction and substance abuse.

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Dinosaurs vs. Apes: Hollywood Goes Ape! (1994)

Don Glut is a lover of the golden age of monster movies, and his 1994 documentary explores Hollywood’s fascination with apes. Though “King Kong” popularized the giant ape in film, the idea of giant apes have been around for quite a while and even showed up every so often in silent films. Even by 1994 standards, “Hollywood Goes Ape!” isn’t the most polished documentary, but it does offer a no frills exploration in to ape cinema of all kinds. There are looks at giant ape films like “King Kong” and “Konga,” and odd ball ape movies like “The Ape Man,” and “Superman vs. The Gorilla Gang.”

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The Bootleg Files: So This is Harris

BOOTLEG FILES 579: “So This is Harris” (1933 Oscar-winning short starring Phil Harris).

LAST SEEN: An unauthorized video dupe is on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: One of those films that just fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

In 1933, RKO Radio Pictures decided to take a chance on Phil Harris, a brash and fun-loving singer and bandleader whose star was on the rise. The studio initially cast him as the lead in the B-grade feature “Melody Cruise,” and then decided to make him the center of attention in a two-reeler.

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What Happened in Vegas (2017) [Cinequest 2017]

Las Vegas has long been a city of many mysteries, of gambling, sins, even murder.  Throughout seasons upon seasons of television shows set in the city have shown police brutality and corruption, this film shows that it may very well be closer to the truth than fiction.  What Happened in Vegas explores cases where all signs point to police execution or over reach of power that lead to deaths and subsequent framing of the victim as bad, evil people.

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We Just Want to Play (2013)

I really like where James Cappadoro and writer Frank De Rosa’s heads are with “We Just Want to Play.” There is always someone who is trying to hand us a new kind of college classic like “Animal House” or “Revenge of the Nerds,” and director Cappadoro’s short film has an infectious energy that made it a blast to sit through. The one downfall behind it all is that the movie is only about sixteen minutes in length. Chalk it up to budget or whatnot, but “We Just Want to Play” looks like it has material for at least a ninety minute movie. That said, the current short is fine as it is and works as a very entertaining and fun tribute to classic college comedies about underdogs fighting the alpha males and corrupt deans.

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Mighty Joe Young (1998)

It’s really hard to stack up to the original “Mighty Joe Young” which itself was kind of a simpler take on the giant ape tale. While the original remains untouched, it’s really hard not to enjoy the 1998 remake by Disney and director Ron Underwood. While it can occasionally be silly, it’s still a strong new take on the original film with a great cast, great direction and still very good special effects. This new version from director Ron Underwood strays from the original which was kind of a “King Kong” riff, and transforms it more in to a tale of a woman who watches over a humongous ape named Joe. The writers aim to tackle themes about poaching and wildlife preservation within the fun adventure tale, and most times it allows for an engaging tale of friendship and love.

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Cauliflower (2017)

Director-Writer Phoebe Torres’ short “Cauliflower” plays out like a skit from a comedy show, and that’s not at all meant to be a slight since it’s a damn funny short film, that also conveys a full narrative in under five minutes. It’s weird how much the fear of looking ignorant can often turn us in to clowns nevertheless, but Torres has a great sense of capturing how sometimes we’d rather feign knowledge no matter how stupid we look, than not admit to ignorance.

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