Boobs! Big Boobs! Big beautiful breasteses! Now that that’s out of my system, “Heavy Metal 2000” is primarily a sequel to pay tribute to the walking Amazonian that is Julie Strain. While it is adapted from a “Heavy Metal” novel like its superior animated entry, this is a film very much of its decade that is hell bent on convincing you that Julie Strain is a goddess. Not that it takes much convincing, mind you, but Strain succeeds in pull off a heroine who is very sexy but also tough as nails, and doesn’t mind getting her hands dirty; especially when her equally sexy sister is taken hostage.
Tag Archives: Action
Heavy Metal (1981)
There was always something about a rotoscope animated astronaut driving a top down corvette convertible from space to Earth that always screamed the eighties to me, and surprisingly it still works in encapsulating the surrealism of “Heavy Metal.” If you can accept the film for what it is, which is basically a man’s wet dream filled with misogyny, sex, big breasts, and mild exploitation, “Heavy Metal” is a solid animated anthology with some damn good music to accompany its epic sprawling tale. After the astronaut Grimaldi brings home mysterious green orb from space for his daughter, he’s melted and his daughter is shown by the sentient sphere named Loc-Nar, the extent of its power and influence through time and space.
Stewardess School (1986)
In 1984, “Police Academy” stormed in to theaters and helped define comedy for the eighties. Suddenly every profession in America was some kind of madcap misadventure, including being a stewardess, for some reason. “Stewardess School” is another take on the formula, this time with a group of misfits doing their damndest to train to become stewardesses, all the while getting naked, doing drugs, and experiencing some of the best stereotypes you can imagine. Filled with only the best C list TV stars, “Stewardess School” is passable entertainment if you keep in mind it’s trying its best to launch a series on the “Police Academy” formula.
5 Controversial “Star Wars” Developments We Don’t Hate
For years I wrote off “Star Wars” as another typical classic film I had zero interest in watching until 1998 when sheer boredom gave way to curiosity. Managing to borrow the original trilogy on VHS from my aunt, I watched it in one entire sitting and loved every minute of it. Since then it’s been a very hectic relationship with the series packed with a lot of love, and a lot of bile. In 2015 “Star Wars Rebels” made me realize I still love the series after a self inflicted hiatus, and “Star Wars: The Force Awakens” finally confirmed I wasn’t quite ready to abandon this series just yet. Like any other “Star Wars” geek I have controversial ideas about the series I love and hate, and these are five of the controversial aspects from the whole shebang I don’t hate.
Pan (2015) [Blu-Ray/DVD/Digital]
Another in a line of 2015 films I really wanted to love, “Pan” left me bored, and asking did we really need a prequel? Did we really need to end the movie on Peter and Captain Hook giving one another uncomfortable glances knowing soon they’d become deadly nemeses? Why is Captain Hook called Hook if he doesn’t even have a Hook? Why is Tiger Lily played by a Lily White Actress? Hey, at least Hollywood keeps giving consistently flat Rooney Mara jobs, and turns Tiger Lily in to the heroine of a movie that’s supposed to be about Peter Pan. Or is he Peter who is a Pan? Or is he a Pan Warrior Named Peter?
Star Wars: The Force Awakens (2015)
After many years of the “Star Wars” franchise remaining stagnant and relatively convoluted, “The Force Awakens” has come to simplify and completely re-think the movie series. JJ Abrams introduction to his bold new vision for “Star Wars” is a one hundred percent faithful visit to a galaxy far, far away that functions as a platform for a new series, a sequel, and a love letter to the simpler, episodic days of “Star Wars” where every film was an ode to the classic movie serials of the golden age of cinema. This time around “The Force Awakens” actively works in fixing many of the mistakes made in the original six films, by actively casting a wide array of heroes and villains to present a more humanistic environment we can dive in to. And I’m not speaking about a wider array of aliens, but racially diverse characters, all of whom have something to contribute.
Ghost Warrior (1984)
It’s mostly known as “Ghost Warrior,” but I think I prefer the alternate title “Swordkill.” While “Ghost Warrior” is given an insightful and meaningful definition during the narrative, “Swordkill” just makes the movie sound cheap and silly. I’d love to know who thought the title “Swordkill” was a proper summary of what is a dramatic fish out of water film. J. Larry Carroll’s “Ghost Warrior” is a surprisingly straight faced tale of a warrior placed out of his time, who finds that living in mid eighties Los Angeles kind of sucks. The movie is admittedly thin on narrative, but works for the most part as a series of unfortunate events Yoshimitsu experiences. Life sure does suck for the master samurai.







