Zone Troopers (1985)

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One thing I can say about “Zone Troopers,” is that it definitely wasn’t what I expected. Judging from the film’s poster, you’d probably go in thinking you’re going to see another “Bad Taste.” In reality, “Zone Troopers” is very much like “ET” except with soldiers in place of children. And it’s also directed like a television mini-series, with goofy fade outs, very limited violence, and colorful characters that paint this PG rated story about a group of American soldiers that befriend an abandoned alien.

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KnightRiders (1981) [Blu-Ray]

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It’s obscene how underrated “KnightRiders” is. For a Romero movie, it’s such a departure from the norm that his fans are accustomed to, but it’s also very much a George Romero film. Not only does “KnightRider” garner much of the tropes that Romero is fond of, including the biker aesthetic, journeymen characters anti-heroes, commentaries on the monotony of domestic life, and a meshing of various races, but you can also make a great game out of spotting cast members that have been in Romero films, or will eventually be in one. Hey, there’s Joe Pilato! Look! Scott Reiniger! Patricia Tallman!

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The Hunger Games: Catching Fire (2013)

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Director Francis Lawrence’s “Catching Fire” is set directly after the events of the first serviceable installment of “The Hunger Games,” and sadly Katniss has not emerged victorious. After her attempt to end her life with Peeta, incapable of fighting to the death, the pair became celebrities. Rather than be wounded by their violation of the rules of the Hunger games, the Capital took advantage of this moment. Katniss and Peeta are now a celebrity couple and the world wide sensation, and the capital has done everything they can to exploit this opportunity. Katniss and Peeta started a revolution when they agreed to a suicide pact, and now they have to once again maintain their image.

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Zatoichi: The Blind Swordsman (Criterion Collection) (1962)

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If you’re like me, you’re a fan of “Zatoichi” and know all too well how expensive the movie series can be to purchase. Zatoichi garners almost thirty films in his movie series, two of which are released separately. The first twenty five are, of course, often released in box set form and are sold at terribly expensive prices, and immediately go out of print. If you want to collect all of the movies individually online through a purchase, good luck finding an online seller that won’t charge an arm and a leg. Back in the early aughts I attempted to buy as many “Zatoichi” films as I could, and only ended up finding four. I never could bear to buy the rare box sets at almost five hundred bucks. Thankfully, Criterion comes to the rescue, offering a deluxe box set of one of my favorite action movie series of all time, “Zatoichi.”

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The Hunger Games (2012)

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I guess at the end of the day, you could find worse entertainment than “The Hunger Games.” Most of the concept has been nothing but hype that leads in to narrative that’s entertaining in its own right, but is nowhere near being a masterpiece. I wouldn’t even call it a great movie, when pressed. It’s been touted as violent and disturbing for a PG-13 film, but when the centerpiece of the film involving teens and preteens slaughtering one another at the start of the Hunger Games approaches, it’s all so tame. It’s off-screen blood splatter, and suggestive brutality, all softened by a dizzying shaky cam that renders it impossible to make any of the chaos coherent for the viewer.

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The World’s End (2013)

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Director Edgar Wright finishes his “Cornetto Trilogy” (the first two being “Shaun of the Dead,” and “Hot Fuzz”) finally with “The World’s End,” a film very much in the tradition of the first two installments. Wright and co. dwell on the prevalent themes that have fueled the first two stories. They’re tales about xenophobia, alienation, conformity, coming of age, the fear of progress, and the dangers of nostalgia. Much in the way Woody Allen did with “Midnight in Paris,” director Wright warns about nostalgia and how our memories can lie to us and become a crutch, preventing us from growing up and moving on with our lives.

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You’re Next (2013)

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It’s always funny when you consider studios are spending millions on remaking slasher films, when people like Adam Wingard are literally re-inventing the slasher film. And making it look damn easy, too. Director Adam Wingard’s “You’re Next” is a sick, scary, and exciting amalgam of “Fortress,” and “Straw Dogs,” with a hint of Richard Connell’s “The Most Dangerous Game.” It’s clear director Wingard is heavily influenced by late seventies and eighties survival horror films, and he shows off his innate talent for style and suspense with one of the most entertaining horror films of the year.

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