Director Josh Johnson pulls off an ingenious move with “Rewind This!” Truly, it’s about the age of VHS and recalls many of the fond memories of buying VHS and learning how to enjoy the spoils of the hunt for the perfect Friday night entertainment from your local mom and pop video store. But by the end of the documentary, director Johnson is wise to warn about how personal media and art is slowly becoming impersonal and is gradually breaking from our grasps.
Director Rob Bowman’s 1993 inline skating dramedy “Airborne” is the most nineties-est film of the entire decade, and damn it, I love it. It’s so 90’s, it automatically cancels out “Empire Records” and “Clueless,” combined. I suspect Warner and Bowman expected to begin a brand new nationwide rad inline skating craze with “Airborne,” by pandering to their love for all things extreme and edgy of the sport. Including long hair, surfing, flannel, hockey, and an extreme final race that’s so extreme it’s extra-eme.
Yet another take on “The Most Dangerous Game,” my favorite short story of all time, director Ryan Connolly pulls off an excellent feat in putting a twist on the classic story that works well as a short film, and could easily become a fantastic feature length genre entry. Starring Todd Bruno, “Proximity” is set in a not too distant future where men are being wrangled and set loose to be hunted.
It’s always some sort of karmic justice when a group of utterly inept killers get what’s coming to them, and director Ryuhei Kitamura delivers not only a comeuppance horror film, but a potentially excellent new horror icon with Luke Evans at the helm. “No One Lives” is that classic comeuppance about a band of moronic and bitter thieves that think they have everything about their operations in check, until their members begin to lose sight of their mission to make money and end up screwing themselves in the process.
You have to give it to Will Smith. For a man prone to taking the spotlight and eating it up like a gluttonous child, he really is comfortable playing second fiddle in “After Earth.” Clearly just nothing but a vanity project for Smith and his son, he literally passes the torch on to his son Jaden to take up the role of the action hero. Smith meanwhile stays in a space ship for the duration of the film as the Maguffin leading his son to the film’s second Maguffin. It’s all for naught though since Jaden Smith has no screen presence, zero charisma, and can’t act to save his life.
One thing about “Violet & Daisy” that bugged me most, was that it pretends to be about something. When really, it isn’t. We don’t get to meet or know Violet & Daisy long enough to understand their characters or motivation. With the writing and short run time, “Violet & Daisy” portrays the titular duo as two moronic teenagers that happen to be assassins for some kind of gang or mafia organization.
For a movie with the subtitle “An Unexpected Journey,” Bilbo Baggins really does get a huge notice ahead of time. In fact he has enough notice to run away from his home and let the dwarves wait at his door step. Director Peter Jackson really has his work cut out for him, as he has to adapt “The Hobbit” while also trying to remind the audience that this is connected in a large way to “Lord of the Rings.” So, he shoe horns in a cameo from Frodo Baggins, as played by Elijah Wood, and we then enter in to the rather long story afoot.