I’ve always had this idea that the sequels to Tobe Hooper’s “Texas Chainsaw Massacre” were just glorified remakes of the first film. While it’s true they’re all very similar, filmmakers didn’t start to remake Hooper’s horror film until “The Next Generation.” The Hooper fueled sequel, and “Leatherface” are different films from the first film with finales that are in fact nearly identical to the end of the first film. It’s almost as if the writers never really know where to go once they’ve had their fun, and just go back to the whole dinner scene where the heroine screams bloody murder for thirty minutes. Wherein the second film in the series had poorly developed story, “Leatherface” really has little story.
Tag Archives: Action
Texas Chainsaw 3D (2013)
So, the sequel to Tobe Hooper’s “Texas Chainsaw” wasn’t the sequel. They were sequels, but perhaps there’s a parallel Sawyer family out there somewhere. Maybe there’s a Leatherface A and a Leatherface B? The stories from parts two, and three in the eighties that followed Tobe Hooper’s original “Texas Chainsaw” were all nonsense that–I’m presuming–were just Nam flashbacks told by a hippy or something. Maybe there were “What If?” storylines. Or perhaps they were scenarios about what became of the Sawyers after Sally managed to escape Leatherface’s clutches. In truth, it’s just hackey studio tinkering that works best if you ignore it. At this point the “Texas Chainsaw” series is more convoluted and confused than “Halloween” and “Nightmare on Elm Street.”
Hook (1991)
Say what you want about “Hook.” Many people do. And many movie fans love it because it’s been a part of their childhood. Those who didn’t have the fortune of watching “Hook” as a child consider the 1991 Peter Pan throwback to be a gaudy Spielberg misfire dripping with sap. By virtue of nostalgia, “Hook” is still great. But as a fan of JM Barrie’s “Peter Pan” novel, and the mythos in general, “Hook” is a solid effort, that still manages to pack in the entertainment at all corners. True, it’s by no means a mastepiece with cloying acting by most of the child stars, and some odd casting. I mean, bringing aboard Robin Williams as the dashing Neverland warrior is still poor casting, and while Williams does his best, the movie suffers with him on board.
Superman: Unbound (Blu-ray + DVD + Digital Copy + UltraViolet) (2013)
I never really read the graphic novel upon which “Superman Unbound” is based on, but I thankfully know of it, and what the new Brainiac is supposed to look like in the mini-series. With the adaptation, there really isn’t a lot to “Superman Unbound.” Brainiac wants to go to Earth to collect a city, Superman and Supergirl have to stop him. Fighting ensues. As an adaptation, it’s an entertaining animated film with some great action sequences, but not too much substance. The focus of “Superman Unbound” is mainly on Superman trying to live the human life, now that he and Lois are a relationship. Lois wants Superman/Clark to become the boyfriend she needs, the supportive and loving man who can give her a life. But Clark is hesitant to press his luck. Especially when she’s always in peril.
Defiance
Syfy really wants another “Battlestar Galactica,” since the series itself was one of the most compelling and unique pop culture landmarks in the 21st century. But with “Defiance” I really doubt they’ve caught lightning in a bottle twice. In face one of the main caveats of “Defiance” is that it’s so heavy handed in its pursuit to explore racism and prejudice, that it becomes the bases for the entire series. So far with a two hour pilot movie, and two one hour episodes, as well as a game, “Defiance” has proven to be a well produced, and beautifully constructed science fiction epic that when watched is just… okay. It’s by no means a lemon of a science fiction offering, but I’m not going to be following its mythos any time soon, either. In fact, I had a hard time remembering any of the characters’ names, even after three episodes.
They Live (Collector’s Edition) [Blu-ray]
Roddy Piper always seemed like an unusual choice for the role of Nada in John Carpenter’s “The Live” to me. Especially considering the film itself is less an action thriller, and more of a science fiction film that slowly elevates its horror when you consider how much this world reflects our own. The aliens themselves aren’t so much extra terrestrials, but are just us. They’re unrecognizable because they’ve submitted themselves to the decadence and subliminal commands of their overlords. The people that have chosen to act with them are akin to the Jews who chose to ally themselves with the Nazis. They’re slimy, but they’re acting on survival. The aliens have found a way to destroy society from the inside out, and we don’t actually realize it until we break the status quo and put on sunglasses.
My Bloody Valentine 3D (2009)
No one is more exhausted with the torrent of needless remakes than I am, but I was shocked that Patrick Lussier’s treatment of the modern “My Bloody Valentine” is not only clever, but very entertaining. I was never a big fan of the eighties slasher classic, so it was a welcome treat to see Lussier treat the concept with respect, and add his own twist to it. “My Bloody Valentine” acts more as a tribute to the original film with a continuation of the storyline rather than actually try to re-capture the dark comedy of the original. This time around, “My Bloody Valentine” revolves the latter day town of Harmony that lives by the legend of Harry Warden, the psychotic pick axe killer who mutilated many during Valentine’s Day.