We could have had Star Wars meets Conan the Barbarian. There’s monsters and machines aplenty in the “He-Man” mythos! There’s villains and demons and mystical storylines in the franchise. Except we’re given He-Man in the Hood! This is a man who comes from a civilization with unusual machines, and magic, and war weapons, and he can’t get over the fact that there’s a place that sells meat on bones for human consumption. There’s literally a scene where Teela, Man at Arms, and He-Man marvel at a bucket of chicken and ribs they found at the local restaurant. This is clearly not what we He-Man fans originally envisioned. Of course, that didn’t stop me from watching it at least a thousand times when I was a child, but “He-Man” deserved a space epic the size of “Star Wars” and instead we get so little of it. I’m not asking much from a franchise built solely around selling toys, but there is a lot of mythological potential for making a He-Man movie.
Tag Archives: Action
Ultraseven: The Complete Series (DVD)
Courtesy of Shout! Factory, Tsuburaya Productions iconic “Ultraseven” series from 1967 is available on DVD in a fully restored edition with all episodes present and accounted for. With subtitles options and a crisp picture and color scheme, “Ultraseven” is about as good as it’s ever been, a truly interesting and entertaining icarnation of Ultra Man that promises to keep audiences watching.
“Ultraseven” focuses on the Terrestrial Defense Force establishes the Ultra Guard, Earth’s six guardians who act as enforcers for the planet, protecting citizens from extra terrestrials and monsters with the use of high tech machinery and vehicles.
Red Cloud
From Red Cloud Comics comes the prologue to Sioux Cloud’s short indie drama thriller “Red Cloud: Deliverance.” Taking off from the short film’s original premise about an enigmatic man with a violent past who seeks peace in a rented room, this is the comic before his newest chapter. In case anyone who saw “Red Cloud: Deliverance” were wondering why the climax ended the way it did, this is the comic book that basically lays the ground work.
Red Cloud: Deliverance (2012)
Sioux Cloud and Hezues R’s short “Red Cloud” is a film very much in the vein of “The Professional” and “Gone Baby Gone,” a short dramatic thriller that has potential to be a wider more full length story, in the end. “Red Cloud: Deliverance” is a very powerful and engrossing exploration of a man escaping his past and his demons, and in the process is confronted by a young girl facing her own demons on a daily basis.
Apocalypse of the Dead (2009)

I don’t know why indie filmmakers are still under the delusion that referencing horror maestros in some form during your film is clever or cute. Granted, it worked to some effect in “Night of the Creeps,” and in a slight degree in “Final Destination,” but now every indie filmmaker who drudges up a zombie movie feels the need to reference George Romero or Tom Savini in some way. There is actually a character off-screen named Agent Savini. Come on, quit it. I’m surprised there wasn’t a Romero hospital by Fulci street and Nicotero Lane. Hey, that’s going in my screenplay! “Apocalypse of the Dead” basically combines “Assault on Precinct 13” with “Dawn of the Dead” and completely throws the shit in the fan.
Zombie Town (2007)
Someone, somewhere thought it’d be a good idea. Whether it was the choice of the filmmakers, the producers, or the distributor, someone thought it’d be a good idea to title this zombie flick “Night of the Creeps 2: Zombie Town.” I guess someone thought since this is a zombie film revolving around parasitic slugs that create the walking dead, therefore it should be considered a sequel.
Maybe someone loved the Fred Dekker cult classic and thought this would eventually be considered a sequel if they branded it as such. In any case, “Zombie Town” is about as much of a sequel to “Night of the Creeps” as those awful Taurus Entertainment sequels “Creepshow III” and “Day of the Dead: Contagium” are to their respective classic films.
Underworld: Awakening (2012)
What cruel irony that the latest subtitle for the mediocre “Underworld” series is called “Awakening” since for the most part I found myself incapable of staying awake through the majority of it. If you’re looking for a cure for insomnia and don’t want medication, put on “Underworld: Awakening” and you’ll definitely be out like a light within ten minutes. After writing off the series and expanding her horizons, Kate Beckinsale comes crawling back to her husband’s film series that made her a star and reprises the role of Selene. Still one of the most one-dimensional and cardboard action heroines of contemporary genre cinema, Selene is back yet again this time on the run from pretty much everyone. After years of the war between the vampires and the lycans (ugh), the human race has finally caught on.
