Tag Archives: Action

Aladdin (1992)

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Back in 1992, my family and I went to see “Aladdin” when it premiered in theaters. Many years ago, it was one of the best movie going experiences of my life, simply because as an experience, “Aladdin” succeeds in entertaining. As a movie it’s one of the sleekest and most memorable entries in the animated Disney library thanks to its wonderful voice acting and snappy musical numbers. Before “The Lion King” introduced us to Hakuna Matata, it was hard to think of an ear bug more memorable than “Friend Like Me” as sung by the Genie. Many years passed, “Aladdin” is still one of the more top notch efforts from Disney Animated studios, even if it does manage to show its wrinkles two decades later.

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Fireball (2009)

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firebalWhen I read the premise for this and discovered Ian Somerhalder was starring I was a little excited. I mean Ian Somerhalder as a bad ass fire throwing villain could be excellent, especially considering he has a knack for playing sharp villains. But then I learned that he’s merely the protagonist and we’re instead given a bulky bald muscle bound man who can throw fire, and I just settled on Somerhalder playing the hero. Fair enough. In spite of being derivative and feeling like a glorified television pilot, “Fireball” is a pretty solid action thriller that teams up genre actress Lexa Doig and television mainstay Ian Somerhalder as law officials who have to chase around a fire controlling maniac through the country and find a way to stop his madness.

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The Cabin in the Woods (2012)

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We’ve all seen it so many times that I kind of get angry when a filmmaker sends me their latest horror opus and it’s comprised of the same premise. A bunch of teenagers have commandeered a cabin in the woods for the weekend, and decide that they want to get away for a few days of beer drinking and misdeeds of the sexual nature. While there they discover that the cabin houses a bunch of secrets that could be their undoing. And it’s all being manipulated by a secret government lab hidden underneath the cabin, manipulating every single moment of their weekend like a game of chess. Ah, but that’s not the whole story.

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The Walking Dead: The Complete Second Season (Limited Edition) [Blu-Ray]

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SEASON TWO
Season two of AMC Network’s “The Walking Dead” is perhaps the most controversial and also the most daring. AMC made the dunderheaded decision of cutting the reins from show runner Frank Darabont and cutting the series’ budget in half right before the premiere of the high rated series that managed to break every cable record in the time of its premiere. Why AMC continues to handle the business in such a manner is baffling. The release of show runner and critically acclaimed director Frank Darabont from the series is one that continues to anger fans, but happens to be a blessing in disguise.

Fans complaining that the show detracted from the comic book source material were in store for much more in the way of detraction with Darabont’s intent on tailoring the series more toward his sensibilities and including wild card episodes at the start of every season. His vision of slow burn storytelling just didn’t sit well with AMC Network and fans either. Fans complain that the first half of “The Walking Dead” season two is sluggish and uneventful. While I disagree, the first half of the season that gets most criticism is that led by Frank Darabont. Season two is almost as flawless as season one, and is given much more room to fail than season one was.

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Outbreak (1995)

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It’s almost as if mid-way the writers and producers decided that a horrible virus eliminating an entire small town in a disturbing fever wasn’t good enough. So they inject a crusty scowling military man who has been given orders to destroy the whole town. It’s so rote and typical of Hollywood that it’s jarring to the tone of “Outbreak.” Wolfgang Peterson’s ensemble thriller can never really decide if it wants to be an action adventure thriller or a dramatic thriller. It wants to feature explosions and epic helicopter chases, but it also tries to inject explorations in to military policy, government corruption, and discussion about past events in history that were rationalized as a means to an end.

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The Zombie Combat Manual: A Guide to Fighting The Living Dead [Paperback]

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Comparisons to “The Zombie Survival Guide” are only inevitable. Max Brooks’ “The Zombie Survival Guide” is perhaps the most detailed examination of what to do and how to act during the conventional zombie apocalypse. Not just that, it poses as a good hand book for tips on what to do during a natural disaster. Such as filling containers with water until help arrives, and guarding your own domicile until help arrives. If it ever arrives. Mostly though it’s about how to survive during the zombie apocalypse of the Romero variety. “The Zombie Combat Manual” completely sets itself apart by being primarily about zombie combat and nothing more. Anything about where to hide, how to hide, where to retreat and how to store food is left for the Brooks novel.

“The Zombie Combat Manual” is strictly for the violence buff who wants to know how to battle the walking dead and look like a bad ass doing so. There are explorations in to various weapons, how they hold up in combat, and how to implement them. The newest treat for the book that the Brooks hand guide didn’t address pretty much in detail is the stench of the walking dead. In “The Zombie Combat Manual,” writer Roger Ma addresses that one of the best weapons in a zombie’s defense is the smell. Often times people can forget how badly they smell and become disoriented, allowing the zombies to gain the upper hand. It’s a new Easter egg in the zombie battle tactics that I enjoyed reading about.

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The Amazing Spider-Man (2012)

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ZwstoaTWhile deep down Sony engineered a reboot of “Spider-Man” in an effort to secure the rights, “The Amazing Spider-Man” uses the opportunity to correct the mistakes made by previous franchise runner Sam Raimi. Where Raimi opted for camp and schlock with his installments, “The Amazing Spider-Man” launches a more dramatic approach. Where Raimi opted for the traditional Spider-Man, Marc Webb constructs a more radical re-thinking of the Spider-Man mythos. And unlike Raimi, director Marc Webb opts to side step the camp flavor as much as humanly possible. This reboot is much more true to the Spider-Man we all know and love, and thankfully it’s a superior film that promises to age better than Sam Raimi’s films.

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