Legion (2010)

In the bible, Michael is the archangel of God, the loyal general of God’s armies who is the soldier to battle Satan and help hurl Satan and his followers in to the underworld. Michael is also the archangel to have been prophesized to defeat the Anti-Christ. Often depicted with a flaming sword, Michael is swift and loyal to his holy creator. As such he is one of my favorite characters of the bible. Michael in “Legion” is a gun toting, one-liner chucking, tattoo donning mother who speaks in a grumble and slur that feels as if star Paul Bettany is attempting to restrain his English accent, and is trying to channel a Southern drawl. Here we see Michael as one part The Punisher, one part Mr. Blonde, and two parts T-800, who stumbles around stomping and commanding his human drones to fight back against the hordes of angels, and whispering poetic diatribes about his allegiance to God.

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Year 4: Harry Potter and the Goblet of Fire Ultimate Edition (DVD)

While Mike Newell did in theory retain much of the mood and dread set by Alfonso Cuaron who injected his own individual flavor in to “Prisoner of Azkaban,” the fourth installment of the film series entitled “The Goblet of Fire” is no more entertaining than the aforementioned title. It’s even worse than the third one primarily because this series progresses more and more in to formulaic dribble and less in to adventurous and original fantasy doldrums that could stimulate the audience.

Director Newell’s installment is absolutely gorgeous to watch, but in the realm of story and characterization it brings very little to the table. Even with Ralph Fienne’s magnificent portrayal of the monstrous Lord Voldemort among the finale. The story this time delves in to Harry Potter’s dark side, and his capability to submerge himself to the dark side and become a pawn for Voldemort in the end.

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Year 3: Harry Potter and the Prisoner of Azkaban Ultimate Edition (DVD)

For folks currently switching over to Blu-Ray this Christmas, there is also the option for traditional DVD releases, and this year available for all of the Potter fans is the Year 3 Ultimate Edition of Alfonso Cuaron’s “Harry Potter and the Prisoner of Azkaban” one of the few very entertaining installments of the Harry Potter series that has a truly dark and grim tone to it appealing toward adults and children alike.

This is one of the few films of the series that convinces me Harry Potter is not just for six year olds with a library card, and Cuaron lends a distinction that makes his version of the book much more bleak and atmospheric with a horror film sensibility and grit he brought over from “Children of Men.” Granted, I’m not a fan of the Harry Potter franchise in spite of my trying in the early days of the first book. I can still fondly recall reading the first book and midway through the text, I had to put it down and try to stay awake.

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Family Guy Presents: It's a Trap! (2010)

WeHaveABadFeelingAboutThisPFifty five seconds in, I’m not kidding, fifty five seconds in, “Family Guy” manages to meet my expectations in the sense of laziness concerning the writers. Does this show still have writers? Are they just floating around in big pools compiling scripts on cocktail napkins now? Do they even care anymore? Within the first minute, “It’s A Trap!” squeezes in a joke about the nineties, before the Griffins experience another blackout. Just like “Blue Harvest.” Except with the aforementioned special, there was some set-up. Here the family groans at the black out and Stewie asks “We’re doing Jedi now, aren’t we?” to which Peter groans and declares “Let’s just get through this.” So… what’s the joke here? Were the writers obligated to finish off the trilogy? Are they making it heard to their fan base that they don’t even want to do this final installment? Are they echoing our thoughts on yet another “Star Wars” satire? Does the fan base even care that the writers aren’t even trying anymore?

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True Grit (2010)

true_gritWhen Mattie Ross first meets Rooster Cogburn, it’s behind the walls of a ramshackle outhouse behind a farm house where Rooster is attempting to ward off his young hire while pushing off the runs in his privacy. He holds no pretense about keeping his respect or dignity for her nor does he try to show her his face in the midst of his groans, he just continues with his acts showing her all of the regard he thinks she deserves. When Mattie Ross finally sees Rooster he is a man she is unprepared to confront and has no idea how to approach him. He has one eye, speaks in an unintelligible mumbling monotone of voice that would indicate he is half asleep and drunken during his trial, and his recollections of pursuing and killing criminals are foggy at best. He is a man of loose morals and zero ethics, but Mattie is ready to meet Rooster and woo him with dollar signs and enthusiasm, to which Rooster is neither impressed nor amused by.

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Centurion (2010)

08a04afb4d0d53326c091421a39Strong female characters in a Neil Marshall film are never in short supply, and with “Centurion” even thought it’s primarily a testosterone laden gladiator film of the highest order, Marshall stamps his trademark style on to it with sheer grit, a noticeable blue hue that makes even the gladiator action feel steeped in grindhouse, and of course he offers up a small array of female warriors in a world where men dominate and do battle in the woods. Marshall is up to the challenge to give his fans a rare entertaining gladiator film that’s not only very traditional in the way of “Spartacus” but features some of the most gruesome action sequences and dazzling performances in years.

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Jonah Hex (2010) (DVD)

jonah_hex_2010_movie-wideI love Westerns. I love great revenge films. I love good comic book adaptations. “Jonah Hex” is neither. In fact it almost aspires to not be a good movie at every single turn that seems almost calculated meticulously to suck the life out of its audience as much as humanly possible. From the casting of Megan Fox as a heroine, Will Arnett as a villain, and the conscious avoidance of the source material’s gritty and bleak Western tone, “Jonah Hex” is an abomination, a sheer testament to the waste of time, money, and resources comic book adaptations can be.

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