“Duma” is basically the sort of film children can watch without damaging messages, and I’m all for that. These days it’s impossible to find watchable children’s films, but “Duma” treats its audience with consideration presenting heroes that are relatable, and an animal character that’s never goofy. “Duma” is an epic story about a father and son whom discover a baby Cheetah on the side of the road one night in their homeland. They take the baby back home with them and decide to raise it until its old enough to go on its own. But when young Xan’s father dies (Campbell Scott), Xan is forced to move back to the city with his mother along with Duma who can not adapt to his urban settings.
Tag Archives: Action
Spartan (2004)
Leave it up to David Mamet to write and direct what a true spy film should be and has to be. What starts off as a full procedural evolves in to a film in the spirit of “Three Days in the Condor”. As per usual Mamet, his film rapidly evolves from scene to scene, and what I thought would be a cold procedural film that would usually be a stupid show on CBS, quickly evolved into a very well characterized thriller. And films with Val Kilmer have, of late, left me skittish to enter it, but Kilmer really leads a truly well drawn thriller that I had fun with.
Journey of the Dead (2005)
Who do you call when rock star zombies (what’s the difference?) attack your house? Steve Perry. Seriously. A couple of “The Darkness” loving yuppies arrive home one day to find their home under siege by the living dead. Living Dead Rock Stars. It makes sense. You like “The Darkness”, you should be killed.
Spitting Bullets with Director Alex Ferrari
Fuck off Michael Bay, there’s someone better in town who has the potential to be an in-demand director, and his name is Alex Ferrari. I was first introduced to Alex when Cinema Crazed was in the early stages of accepting screeners for independent filmmakers. Alex sent along “Broken,” and we were interested to see what he had in store for us. And much to our surprise, “Broken” was absolutely great. Ferrari went onto acclaim for “Broken,” a film about a young girl kidnapped by a small group of hit men who assure her she’s not who she thinks she is. Later, Ferrari went on to send more of his features to us, and we were hooked. “Cyn” only proved that Ferrari has the bonafide chops to display good old fashioned film entertainment, without any of the clichés, and sheer idiocy big budget directors often drop into.
Ferrari directs films that look shockingly high budget, even though most of his films only have a budget of a little over a thousand bucks, and is one of the many indie directors providing a slow and steady revival of the Grind House genre, and he’s not stopping at mere low budget action fare. The man has big plans, and he’s getting there and bringing his fan base with him.
Team America: World Police (2004)
Trey Parker and Matt Stone once explained in an episode of Charlie Rose that they’d never reveal their religious or political affiliations, because they didn’t want to alienate their audience. But “Team America” is an indictment of literally every issue under the sun, from Hollywood, to the government, to Bruckheimer films, right down to crappy shows like RENT. “Team America” is at its best though when it spoofs not only Bruckheimer’s insanely over the top films, but when it spoofs blind patriotism.
Flightplan (2005)
These days I don’t expect masterpieces anymore. I just don’t. Film has progressed to the point where you just can’t expect greatness no matter how much you doubt yourself, and I rarely see films these days that I can say with all honesty was flawless. Of course, that’s almost impossible. With “Flightplan” I didn’t expect it to be a masterpiece, nor did I expect it to be a great film, but I wanted pretty damn good. And they couldn’t even serve me up that. Since when does ninety-three minutes of “Where’s my daughter?! I want to find my daughter!” qualify as a good movie these days? I want to know. Because, I can’t muster up the logic in the success of this film, this mediocre piece of crap.
It Waits (2005)
If you can believe Cerina Vincent is a park ranger, then the writers have won half the battle. Vincent plays the busty park ranger Danielle ala Russ Meyer, who is a whiney emo alcoholic mourning the loss of her friend, and seems like a well enough heroine forced to fight off a monster. Sure, she’s about as far-fetched as a park ranger as Denise Richards was a rocket scientist, but in the end I was willing to ignore the lapses in logic, and power on through. Cerina Vincent is gorgeous in a film that allows her to flaunt her curves while also playing the strong heroine battling a ferocious enigmatic beast from beyond. The concept for “It Waits” is simple. Busty park ranger fights monster in forest with her pet parrot. That’s the best way I can describe “It Waits” in one sentence.


