Rocky Ultimate Knockout Collection [4K Ultra HD/Digital]

Now Available from Warner Home Entertainment.

This isn’t the ultimate Rocky Collection. I’m sure Warner is planning a big deluxe set with all the bells and whistles somewhere down the line because, while it is a very good set, it doesn’t have every Rocky chapter. Despite being a spin off, the “Creed” movies are “Rocky” movies to their very soul and should be included in the library. I don’t know if they’re waiting for “Creed III” or some anniversary, but “Creed” deserves its spot in this massive library alongside “Rocky III” and “Rocky.” They’re both wonderful films the same as Stallone’s creations are. Stallone has also expressed big interest in re-cutting “Rocky V” for re-release over the last few years, so if that ever gets off the ground, there’s room for another set down the road.

Nevertheless, for fans that wanted another go at the “Rocky” series, Warner releases an interesting and more thorough (thorougher?) collection.

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Phantoms (1998) [4K UHD]

Now Available from Shout! Factory. The Novel is Also Available.

Believe it or not, in 1998 Ben Affleck wasn’t the biggest star in the world. He was still coming down from being pigeonholed as the “villain” actor, and was working to transition from supporting actor to leading man status. With “Phantoms” he is basically paying his dues for what is a pretty standard horror thriller. Affleck is very good in the role as a local sheriff whose ill fitted cowboy hat is almost a character in and of itself. Like the hat, “Phantoms” is a silly vehicle for a collective of pretty great up and comers including Nicky Katt, Liev Schreiber and Rose McGowan to name a few. There’s also the wildcard veteran a la Peter O’Toole for good measure.

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The Fall Guy (2024): Extended Edition [4K UHD/Blu-Ray/Digital]

Now Available from Universal Pictures.

If you told me that they were going to turn a somewhat memorable 1981 action series starring Lee Majors in to a big budget action comedy, I would have been very skeptical. Lo and behold there should have been a market for it, because “The Fall Guy” is all kinds of good Hollywood shenanigans. It’s loud, funny, and action packed, and stacks a respectable cast of big stars. This includes Ryan Gosling and Emily Blunt, both of whom are still riding the success of their huge movies from 2023. Sadly, that didn’t carry in to big numbers; that’s a shame since “The Fall Guy” has some big franchise potential.

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Beverly Hills Cop: Axel F (2024)

Now Streaming Exclusively on Netflix.

A lot of what counts for the success of “Axel F” is that it Keeps it all Simple. Axel Foley is no different the man he was when we first met him in 1984. That works for and against the character as while he’s still the huckster and con man that we love, it’s managed to make him someone who’s alienated a lot of the people in his life. But what makes Mark Molloy’s take on the character so very good is that it doesn’t aim for huge heights. It’s just another adventure with Axel Foley in Beverly Hills. Except this time he’s so much older and a wee bit slower.

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Beverly Hills Cop III (1994)

Now Available to Stream and on Physical Home Media.

Remember in “Live Free or Die Hard” when it became apparent that the every man we knew we John McClane was gone? In the first movie he was frumpy and nearly bleeding to death being forced to walk on broken glass. In “Live Free” he’s leaping out of exploding cars, and taking huge dives. This is Axel Foley’s ultimate undoing from the every man cop to the action figure superhero. In the first movie he’s using his wits and clever use of improv to sneak in to corners of the underworld.

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Beverly Hills Cop II (1987)

Now Available to Stream and on Physical Home Media.

The follow up to the massive Eddie Murphy star maker from 1984 is a much different film than the original. While Martin Brest had a lot more of his film tilted in to comedy action, Tony Scott tilts this sequel in favor more of action comedy. There’s the patent Axel Foley goofy comedy that we’ve seen before, but Scott also injects a lot of his own sensibilities that help his installment stand out. The usual orange and brown hazy lens are included unabashedly. There’s also a lot of Scott’s penchant for framing establishing scenes with wide shots of establishing settings.

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