Firebreather (2010)

51_duncankaiju2Sure, at the end of the day this computer animated movie about a fire breathing teenager is really solely geared to preteens of the male persuasion. With a male character who looks like an anime character who is geeky and has superpowers, this is a movie that will really grab a hold of the young crowds. And sure, like all cable movies, this is a potential series, but I am a complete sucker for superhero movies. And in the same vein I am a sucker for underdog tales. I vaguely remember seeing an ad for the original comic book online a few years ago, so it was surprising to see a movie pop up that was based on a comic series I’ve yet to read or even fully be aware of. Researching the series, it’s story where the villain is taken on by Firebreather and Image characters like Invincible, Shadowhawk, and many more respective properties.

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127 Hours (2010)

Director Danny Boyle’s dramatic thriller chronicles the hours of Aron Ralston and his battle with a lodged rock that sealed his fate and brought Aron down to Earth to come to grips with his own life and mortality. Much like “In to the Wild,” director Boyle takes what was something of an already interesting story and turns it in to much than an experience by altering it in to a surreal and somewhat spiritual look back at a young man whose life has been filled with excitement and adventure that he used as a form of coping with his inability to allow people to connect to him as he connected to nature and the wilderness. And much like Sean Penn accomplished with “In to the Wild,” he manages to take an accident and uses it as a form of expressing the ideas of fate, coincidence, and the afterlife and a person communing with and ultimately becoming one with the environment around him.

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Let Me In (2010)

let-me-in-uk-quad-movie-posI think “Let Me In” will be deemed as a respectable companion piece to the infinitely superior “Let The Right One In” if only because Matt Reeves directs this version with his eye on convention more than edge. The original was already so gruesome and complex and filled with subtext and undertones that Reeves opts instead for simple and superficial and it will rely on the audiences preference if they want a movie about a vampire and a boy falling in love, or if they want a story about a boy and a girl falling in love, one of whom mutilates people and drinks their blood.

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Black Swan (2010)

Black-Swan-posterDirector Darren Aronofsky has always had a talent for delving in to the human psyche and offering us deeper more complex looks in to our souls and perceptions of reality. “Requiem for a Dream” was a film constantly teetering between a life of misery and woe distorted by our own desires for something better, while “The Fountain” destroyed all of our notions of time and infinity in a world not bound by simple quantities of hours and days. His master opus is a work of art that transforms the world of Nina Sayers in to something of a personal hell where she is incapable of escaping and is seeking a perfection that she may never be able to obtain. “Black Swan” is a masterpiece, a classic trail of perceived normality in to madness, a world of light consumed by shadows, and our very own minds becoming the key to our unraveling of consciousness and reality.

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Alice in Wonderland (2010)

What Disney studios have done is completely remade their take of “Alice in Wonderland” except they’ve given director Tim Burton carte blanche to completely re-think the lore and Burtonize it to the fullest extent. These days though, Burtonize is akin to doing basically nothing to completely re-work a formula. “Alice in Wonderland” is Tim Burton basically just riding on his name recognition even more by offering up a re-telling of “Alice in Wonderland” except now with a darker tone, surreal imagery, the usual suspects in terms of supporting characters, and a cliché story about a person destined to save a land and become a warrior who will save them from evil.

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Avalon High (2010)

avalonhighSo why am I reviewing a movie adapted from a teen book I’ve never read in to a film on a channel meant for preteens starring a bunch of actors I’ve never heard of before? Well, because admittedly, “Avalon High” really peaked my interest while changing the channel (and uh… staying on… “Wizards of Waverly Place for a half hour, don’t judge me) and I really had to see what kind of movie “Avalon High” was. As a kid in middle school I was absolutely enamored with the legend of King Arthur and always found the myths and folklore to be absolutely amazing. From the lady in the lake, Excalibur, Merlin, the round table, Mordrid. Camelot, the love triangle of Arthur, his best friend Lancelot, and Guinevere, it’s all rather entertaining and compelling to research, and watching “Avalon High” I realized if I was thirteen this movie would have been watched by me thirty times a day.

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Assassin's Creed: Ascendance (2010)

As I suspected going in to this originally, “Ascendance” is really just something of a sample of the upcoming game to whet the appetite’s of fans and isn’t really about telling a story as it is setting up the potential for the main arc of the new “Assassin’s Creed” game. There is a lot of foreshadowing, a lot of storytelling and dialogue that’s meant to reflect on events in the game, teases to events about to occur, and even a cameo by a major influential historical figure in the final scene. Admittedly I’ve never played the game nor am I familiar with much the particulars so “Acsendance” is a short film that will be polarizing to just about anyone who hasn’t played the actual game and are unaware of the sequel and its specifics.

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