I’m honestly not sure why I’ve taken so long to sit down and watch “Watchmen” subsequent its lackluster theatrical release. I enjoyed the comic books for what they were as well as their fantastic literary class epilogues, I loved the characters (including Nite Owl and Rorschach), I enjoy Alan Moore as the eccentric mad genius that he is, and yet… I still never quite saw “Watchmen,” even with the “Director’s Cut” sitting on my pile. The Alan Moore groundbreaking graphic novel has been deemed completely unfilmable for decades after its release. But that didn’t stop Warner bros. from trying their damndest by bringing aboard acclaimed visualist director Zack Snyder to unfold the world of Rorschach and Night shade for the fan boys in full color and motion.
Tag Archives: Adaptation
Ramona and Beezus (2010)
It’s very rare that modern family films leave me feeling overwhelmed with emotions, but oddly enough this adaptation of the Walden media book managed to accomplish that very task by being a sweet family dramedy that doesn’t talk down to its audience. Sure, it’s whimsical and goofy and occasionally wholesome, but deep down there is a strong undercurrent of sadness and grief present among every character, all of whom are facing change in their lives that may decide who they become in the next few years and beyond. “Ramona and Beezus” is a remarkable dramedy about a small girl named Ramona Quimby a child large heart and an even larger imagination who uses her creativity and individuality to not only disconnect her from her world but cope with the massive and potentially traumatizing life altering changes happening around her.
Diary of a Wimpy Kid (2010)
When all is said and done, you really won’t miss much with “Diary of the Wimpy Kid.” It’s all a fairly forgettable and polarizing comedy that’s strictly targeted to the preteen boys of the audience, all of whom are convinced this is how middle school is and will be like. Unless you’re an absolutely die hard fan of Chloe Moretz or Steve Zahn, you really should not rush to see “Diary of a Wimpy Kid” in spite of the fact that it’s not at all the excruciating experience the trailers would have you believe. There is really some interesting bits and storytelling to be had here with some honest explorations in to these young characters.
Aiming at Nikita
So far this is the third variation of the Luc Besson spy thriller masterpiece “La Femme Nikita,” and the more variations we see of it, the more the actual point of the premise is loss. We had “Point of No Return” a remake with Bridget Fonda I think I’d rather forget if only for being a piss poor adaptation of Besson’s film and for becoming a relatively obscure nineties fixture that put some nails in to Fonda’s career coffin. Then there was the basic cable spy thriller starring Peta Wilson that I really never bothered to watch mainly because it felt like a version of “Mission: Impossible,” and now there’s “Nikita.”
Resident Evil: Afterlife (2010)
For the past four films, director Paul WS Anderson has taken what was once a very entertaining horror franchise and turned it in to a series of movies fetishizing his wife and doing nothing more than further his muse-like view on her. We nearly saw her naked in the first movie, she was a bad ass in the second, a goddess in the third movie, and in the fourth we’re given an army of Milla’s, presumably a concept Anderson got his jollies off of. That said “Afterlife” is a movie that continues to drag on this wasted concept and posit the question: Why is Umbrella continuing their research if about ninety-nine percent of the world consumed by hellfire and the walking dead? What do they further have to gain beyond being evil for the sake of being evil?
The Losers (2010)
I’ve never actually read the graphic novel “The Losers” is based on and sometimes that’s a good thing, since a film adaptation tends to garner its own flavor and narrative path from its source material and that can be said for the film adaptation of “The Losers” a movie that doesn’t try for Oscar gold or even legendary status but instead tries to make us laugh and cheer about as much as humanly possible in the ninety minutes it greets us with an array of bad asses, each with their own skill, who have a bone to pick with their government. Like “The A-Team,” this group of soldiers were all framed for a crime they didn’t commit, and deemed dead after a failed assassination attempt, disband and lose touch.
The A-Team (2010)
One of the benefits of “The A-Team” is that you can bask in the sheer idiocy of the story as most of the fans of the series did. Where in the original had four grown men in a black van storming through gates and beating people up, this one has a guy shooting from a tank dropping down to Earth and shooting down fighter planes. It also has a goofy 3D gag involving a truck that is pretty memorable. When all is said and done “The A-Team” doesn’t really want to re-invent the wheel, but instead just seeks to pay homage to the dumb original series that starred Mr. T and made him an eighties sensation.