The Flash (2023)

Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.

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BAD MOVIE MONDAY: Verotika (2019)

I’ve written at length about what makes a good bad movie, but what makes a BAD bad movie? This is what I’d like to talk about in today’s review because I think I found the perfect example. Here is a movie that is so bad, so incompetent, so mind-numbingly lazy, that I can’t just overlook its flaws and give it the benefit of the doubt like I normally would. This is a movie that is insultingly and aggressively terrible. Yes folks, I’m talking about VEROTIKA.
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Transformers: Rise of the Beasts (2023)

I’d like to believe that 2018’s “Bumblee” kind of rubbed off on the studios and it caused them to go in to another direction with their “Transformers” movie series. The “direction” being making their “Transformers” series watchable, entertaining, and coherent. Where as the previous films were all overlong, droning, loud, and obnoxious, “Rise of the Beasts” actually manages to be a very good time. And I say that as someone that’s been completely dismissing anything and everything about “Transformers” since the movies wound up being so god awful. “Bumblebee” being the exception, of course.

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Querelle (1982) [LA&M Film Fetish Forum]

Director Rainer Werner Fassbinder’s adaptation of “Querelle” is a divisive movie and has been for a long time. It’s a movie that originally split some critics and journalists, as it’s a movie that’s been explained as a film you’d have to be almost exclusively gay to watch. That’s not a criticism or chastising, but the popular opinion I’ve read seems to indicate that it’s mostly clicked with gay audiences. “Querelle” is very much tailored to gay audiences, as it’s a movie about self discovery and main character Querelle searching for a sense of identity.

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Flamin’ Hot (2023)

It’s pretty disheartening when a movie like “Flamin’ Hot” is released that offers a different take on the whole rags to riches story. Then you learn that none of it is even remotely true, and all you can really do is invest in a myth, or shut it off halfway. I decided to stick with it because, hey if you can’t be given a true story, maybe there’s an entertaining one to be found. But “Flamin’ Hot” is just another in a line of “Rah Rah Capitalism!” movies to be found on the market with movies like “Tetris,” “Blackberry,” and the obnoxious “Air.” I don’t know what the goal is behind making movies about the creation of various products, but I’m just not on board.

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Heroes of the Golden Mask (2023)

Inside “Heroes of the Golden Mask” there’s a great film desperate to bust out. It has a cool concept, some solid animation, and a neat mythology behind it. It’s just once you get down to the nit and grit of the narrative and some lingering plot holes, it never rises above being just average. It’s definitely a direct to video kind of animated movie better suited for basic cable, despite its best efforts. That’s not for lack of trying, though. Director Sean Patrick O’Reilly has a large career in producing budget animation. He and Arcana Studios have helped engineer titles such as “The Steam Engines of Oz,” and the mildly amusing “Howard Lovecraft and the Frozen Kingdom.”

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