Our Top Ten Bugs Bunny Cartoons!

Mel Blanc was a genius, and with the driving force of his multi-faceted voice work for Warner Bros. on the Looney Tunes library, he managed to pack a lot of power and life in to some of the most iconic cartoon characters of all time. From Porky Pig, Daffy Duck, Foghorn Leghorn, and Tweety, to Sylvester, Elmer Fudd, and yes, Bugs Bunny, he gave them personality, idiosyncrasies, and quirks that made them feel alive, even though they were animated.

Originally a wacky ne’er do well, Bugs Bunny turned in to a sly and quick witted under dog hero whose humility and charm was contradicted by his sharp wit, and ability to out match any villain mentally. Except for that damn tortoise. But that’s another story for another day. Bugs Bunny is easily the best cartoon character of all time, and he’s managed to pack more laughs than most iconic cartoon characters combined. Paying tribute to ol’ Bugsy in the new year, we count down our top ten Bugs Bunny toons of all time!

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The Babymakers (2012) [Blu-Ray]

91mazGCWovL._SL1500_If anything, what makes “The Babymakers” such a tolerable bad movie is that Olivia Munn is gorgeous. Granted, she’s yet another “I’m hot but I’m edgy and funny, too!” actress in Hollywood, but in “The Babymakers” she mostly plays it straight. Munn is a beautiful and often sexy woman who glows in this film, and she serves her purpose as the woman character Tommy Mackland is desperate to please. Hey, if I were married to character Audrey, I’d be dipping my testicles on a pot of stew, too. Munn is mainly a straight man for the comedy, who spends most of the movie longing for a baby of her own, and tries to remain faithful to Tommy, who is a well meaning and mild mannered man with a lot to offer. Sure, he’s another comedy loser, but he has a good job, and a lot of courage when it comes to standing his ground. He’s a man you can respect, and somewhat pity. Because I guess pity is funny and respect is not.

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Cheeky! (Trasgredire) (2000) [Blu-Ray]

Dear lord is Yuliya Mayarchuk a goddess. A being of sexual ferocity, she’s emanates sensual daring, and innocence that make her the perfect woman to head up this rather entertaining sex dramedy. Every director seems to have a fixation on some part of a woman’s body, particularly directors of erotica. Director Tinto Brass places great emphases on the woman’s behind, often preferring to show the woman’s cleverly framed rump beyond all else.

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Rise of the Guardians (2012)

Such a simple premise should have delivered a bland and somewhat forgettable animated film, but what Dreamworks manages to pull together is not only impressive, but surely one of the best films of 2012. “Rise of the Guardians” is a testament to the magic of folklore and the strength of belief. Though it’s not an outright declaration of theism, “Rise of the Guardians” places a lot of power on the strength of belief on sentient beings and what they can do for those that place importance in them. “Rise of the Guardians” is a film that all audiences will truly enjoy that manages to unite some of the most iconic magical beings to form the ultimate super team.

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Uncle Buck (1989)

unclebuck12049Even during his days on Second City, John Candy was one of the most restrained and brilliant comedy personalities of his time, a man who had genuine wit and charisma, and garnered laughs by his quick timing alone. Before Chris Farley presented the assumption that in order for a large man to be funny he had to take falls and be the butt of violent physical gags, John Candy had a class to his humor that showed the heavy guy didn’t have to always be the subject of vicious antics and mean spirited humor. Sure, in “Uncle Buck,” Candy does take his hits and falls, but the entire movie is based more around his charm, razor sharp wit, and ability to improvise at the drop of a hat. Not that Chris Farley wasn’t a laugh riot, but heavy men could do more than provide laughs for the more attractive people in the movies.

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Ghost Rider: Spirit of Vengeance (2012)

Ghost-Rider_SoVIf this sequel had any balls, they’d take the reins of Johnny Blaze and hand the character over to someone talented like Idris Elba. At least then there’d be an interesting angle to this wretched sequel to a painfully mediocre movie that barely anyone remembers. Nicolas Cage once again proves he has no business being in film, reclaiming the role of Johnny Blaze, the balding mid-fifties biker who was cursed as Ghost Rider after making a deal with the devil. In case you didn’t know that, there’s five minutes of bad exposition along with Cage narration explaining the entire mythology of the Rider and what he does in particular, cue terrible animation. Most of the time during the opening animation, Cage sounds like even he doesn’t take this garbage seriously, and spend most of it making light of what is supposed to be a terrifying and mystifying character in the comic book universe.

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The Lord of the G-Strings: The Femaleship of the String (2003)

gstringsI still don’t quite understand the appeal of Seduction Cinema. Hell, even I find the movies they release to be entertaining and appealing. The women are hot, sure, but this is the age of the internet where pictures and videos of hot women are at your finger tips in seconds. And surely there are more hardcore films out there with hotter women. Surely, it can’t be the sex scenes since all of the sequences involve light kissing and mild petting. Watching a movie from Seduction Cinema is akin to getting your crotch rubbed over thick pants.

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