I will say for the record to avoid any and all spoilers about “The Invitation,” because Karyn Kusama’s film is a masterpiece that deserves an audience with the ability to soak in the full weight of the experience. Kusama’s “The Invitation” is one of the most competently made and mesmerizing horror thrillers I’ve seen so far this year. It’s a haunting and disturbing look at the unbearable pain of grief, and how so many are incapable of dealing with it that it allows for a predator to prey on them without fail.
Tag Archives: Arthouse
Sex Murder Art: The Films of Jörg Buttgereit [4 Blu-Ray/2 CD Collector’s Edition]
Now Available for fans of extreme horror and underground cinema, Cult Epics releases a four movie compilation of Jörg Buttgereit’s acclaimed genre films along with a near encyclopedic series of extras. Featured is “Nekromantik” the film that centers on a young man named Rob who collects body parts while disposing of corpses through his job. An avid necrophiliac, he ventures to steal a fully in tact corpse and brings it home to wife Betty, who is also a necrophiliac. Before Rob realizes, Betty gradually falls in love with the corpse, and leaves husband Rob for it. “Nekromantik” is still considered a volatile and controversial horror film even in the day and age where blood and grue are common place on mainstream television. Divisive and revolting, “Nekromantik” garners a large reputation both good and bad from horror fanatics.
We Like It Like That: The Story of Latin Boogaloo (2016)
Director Matthew Ramirez Warren’s “We Like it Like That” is a masterpiece of musical cinema. It’s a long overdue exploration at the beginning and unfortunate ending of Latin Boogaloo, a musical hybrid that helped to shape a generation and has also lived on in the hearts of younger generations. It’s clear by Ramirez Warren’s enthusiastic direction and approach that he love Latin Boogaloo, and he instills within the subject a unique and bold energy that will educate eclectic music lovers on one of the major influences in modern latin influenced pop and hip hop. As a guy who grew up in the Bronx, I spent many parties sitting alongside relatives that grew up with Boogaloo, and it was always a guarantee that music would be played before the night was up.
The Corpse of Anna Fritz (El Cadaver de Anna Fritz) (2016)
(Mild Spoilers)
Ivan and Javi stop by Pau’s work at the hospital morgue on their way to a party. Pau lets them in on a secret: actress Anna Fritz is lying in his morgue, dead. The trio decides to go see her; to see how she looks as Pay says she doesn’t even look dead. Once in the morgue, Ivan decides to touch her and from there gets it in his mind that a bit of necrophilia won’t hurt anyone. However, he soon finds out that is not the case.
Blackfish (2013)
The willful ignorance and glaring stupidity of the American public is ultimately was contributed to the fate of the poor sea life held hostage at Sea World. “Blackfish” is another instance of a major corporate entity lying boldfaced to their consumer and exploiting someone to make a profit. While it would be easy to completely blame Seaworld for being cruel and vicious captives of the Killer Whale species, its their customers and supporters own inability to distinguish between fact and fiction that contributed to the sheer cruelty and violence that has constantly plagued Seaworld since its inception. Seaworld has gone through decades of covering up the deaths of trainers that have fallen victim to the wrath of Orcas, all of whom have acted upon their natural predatory instinct. Seaworld also exploited the Orcas, convincing their paying public that these wild animals were capable of being tamed and transformed in to lovable beasts we can play with.
The Woods (2014)
Director Remington Smith’s “The Woods” is quite an accomplishment, mainly because it’s a film set in the middle of a snowy tundra implementing zero special effects. The centerpiece of “The Woods” is our character’s surroundings and how she has to adapt to the snowy wasteland of the woods. Apparently Smith and cinematographer Joshua Yates used mostly natural lighting for their film, resulting in a masterfully eerie and haunting short film set during a fight for survival. There’s so much conveyed in “The Woods” and yet there isn’t single word of dialogue spoken.
Dead Sharks (2015)
Nic Barker’s short film is an idea that could have easily translated in to a compelling romance drama. Barker practices the idea of mumblecore and it works beautifully to convey a foursome of relationships that have either reach their expiration date, or are about to very soon. “Dead Sharks” is more of an ensemble drama based around the Woody Allen quote about how relationships have to move forward like sharks or they die. These relationships are attempting to move forward, but it doesn’t take a genius to see they’re dead.