Yes, it’s happening. Very soon, the US will release its own version of “Pulse” and I have surprisingly high hopes. It looks like a very scary movie, so I decided to watch the original film, since originals are always better, and I finally did. “Kairo” is without a doubt one of the most bleak horror films I’ve seen in years, it’s a film that never really casts an optimistic brow, and it’s a horror film that reaches down to the core of human emotions and brings out the horrific implications of what we can do to ourselves that can spell the end of the world as we know it.
Tag Archives: Asian
Steamboy (Suchîmubôi) (2004)
Yes, I’ll be the first to admit it, and I’m not the only one to say it, but “Akira” stands as one of my favorite anime films of all time. Bar none. When it comes to my favorite “Vampire Hunter D” holds the top spot, but if you want quality, you just have to go to “Akira”. Rarely has a film been able to hold up against time. Katsuhiro Otomo’s film experienced many alterations that kept it from becoming a true classic, and I’m willing to get past all that because “Steamboy” ends up being a quality piece of filmmaking from Otomo. Though it’s not a masterpiece, it’s still a very good watch that deserves the benefit of the doubt in the end.
Whisper of the Heart (Mimi wo sumaseba) (1995)
“Whisper of the Heart” is the one and only film ever directed by Yoshifumi Kondo, a director who master Hayao Miyazaki intended to reign as his protégé. Miyazaki was going to retire from film and let Kondo take over from where he left off, however, Kondo sadly died at the age of forty-seven, and this was his only piece of art that was left by him. Obviously, Miyazaki never retired, but Kondo’s film does show traces of Miyazaki’s imagination and it’s clear why Miyazaki intended him as his successor.
Ringu (Ring) (1998)
Hideo Nakata influenced many a people, from the directors in Asia whom created all sorts of ghost films deriving from “Ringu’s” element with ghosts that are able to come in to our world through electronic devices, to what’s become the norm for Japanese ghosts: the pale girl with long damp black hair. I’m not as big a fan as others when it comes to Japanese horror, but I appreciate half of what we’re introduced to, and “Ringu” is one of those films I appreciate. I just had to see this, basically since I ended up really liking the remake, “The Ring”. Yes, I’m one of those few who enjoyed it. Either way, Nakata’s direction is something that I found to be the most impressive aspect of “Ringu” because the man knows how to mount tension and then alleviate it with a stunning shot to the arm that works.
Vampires: The Turning (2005)
Trilogies are perhaps the most unusual presence in filmmaking because there’s rarely ever a chance that all three films within the triangle will be good. Take for example the “Vampires” trilogy which I can imagine that the producers asked to add the moniker of “Vampires” to the film to make it a trilogy. But in any case it’s a trilogy and a sad one at that. “The Turning” ends up becoming more stupid than actually awful, and I’ve always thought series were supposed to lengthen the story, and not shy away from it. “Vampires” originally made by Carpenter was a very strong vampire film, then there was “Los Muertos” which was a really bad (A vampire munching on a man’s genitals? Please) but enjoyable bit of vampire fodder, and then there’s… this.
Kung Fu Hustle (2004)
After Stephen Chow’s hilarious “Shaolin Soccer”, he comes back with yet another very funny action-comedy that is part Chuck Jones, part Bruce Lee. The marriage of tense, engrossing martial arts action, and off the wall screwball antics that would make Tex Avery gleam with pride, is a task that wouldn’t be an easy one by any means, but director Stephen Chow balances the two accordingly, and as the climax becomes more action than comedy, there is still a sense of the goofy to it, a goofiness that some will love for its sheer originality, and some won’t for that same fact. Chow manages to create some of the most screwy comedy I’ve seen in a long time, while he manages to spoof much of his influences such as “The Shining” and “Thriller” as do all the directors whom have been impacted by pop culture.
A Tale of Two Sisters (Janghwa, Hongryeon) (2003)
I’m not sure what warranted the comparison, but “A Tale of Two Sisters” ultimately reminded me very much of “Hide and Seek”, the recent horror dud I had the misfortune of watching. Both films are very much similar in tone, theme, and concept, but make no mistake, they are not the same. In spite of its excellent cover, this isn’t entirely a horror film per se. This is more, in the sense, a supernatural drama that really manages to pinpoint the underlying themes of psychological trauma and childhood pain that, regardless of how much we try, can not ever come to grips with while telling one damn fine story. Such is the situation with this utterly beautiful masterpiece that paints itself as horror, but really ends up becoming an allegory for something completely different.