I’m a sucker for rebellious non-traditional older hot chicks. Star Asia Argento has appeal both as a heroine and as a tragic figure in this film, B. Monkey, a jewel thief who can get in anywhere, and she’s a fascinating character. She’s like a wildcat who domesticates herself because she declares that she doesn’t like the life of a criminal anymore, and she goes whole hog once she decides to go straight, but much like any situation, it’s hard to tame a wild animal. Argento manages to convey both the hardcore lust for life criminal, and the tragic vulnerable woman whose just anxious to find a way out of her previous life, and the story shows that no matter what, some people just can’t change themselves and their nature no matter how hard they try to. Asia presents the unbridled rage and laissez faire attitude needed for the character and she’s very believable… and did I mention hot?
Tag Archives: B
Baadasssss! (2003)
What “Baadasssss!” does is show that creative process and the journey in getting it shown to the audience you want. This is not a film about a black man getting a movie about a black man made, this is the story about an artist getting his artistic vision realized, while the powers that be (the studios) did everything possible to halt the production, and it’s a topic any artist can relate to. Whether you’re writer, painter, or film director this is a film with a story and message that will speak to everyone in the creative field and convey some sense of hope in the story of Melvin Van Peeble’s torturous attempt to get a movie made.
Blade: Trinity (2004)
This review is being written at a good time for me, not only because I dug the last two Blade films, but because of the lawsuit Wesley Snipes has just waged on the studios about this movie. Snipes is a known diva, if you’ve read the past issues of “Fangoria” and “Starlog”, though his co-stars and director Goyer don’t openly admit it, Snipes is known for being a diva, and now he seeks retribution for a movie he claims he didn’t want to make, for starring along side people he didn’t want to star with being directed by a director who he says was forced on him. Regardless, I didn’t think “Blade 3” would live up to the first two. People often say there’s hardly any sequels that are as good as the first film, but I have something better for you. How many second sequels are better than the first film?
Barbershop 2: Back in Business (2004)
“Barbershop 2” is really disappointing with the gloss of a bigger budget and less heart, less character emphasis, and a plot that is so hokey, I could barely get over how I would have rather been watching the first film than this. Like right out of an old fashioned sitcom, Calvin’s barbershop is met with new competition from Nappy Cutz, a larger chain of barbershops that just moved in from across the street. Now, the writers could have gone for the more conventional and cliche and have them compete with the beauty shop, but then that would be a battle of the sexes and we wouldn’t want to get all predictable, now would we? Now as you can guess, Nappy Cutz is a better barbershop with a fancier design and Calvin is looking for a way to compete with their growing number of customers.
Bad Santa (2003)
“Bad Santa” is crude, disgusting, violent, graphic, and has a lot of unsuitable content I wouldn’t recommend for a family out on Christmas, but it’s a great piece of comedy filmmaking by director Terry Zwigoff. There is a lot to like in this excellent character study, especially the two main characters Thurman and Willie, both of whom are opposites in every form of the word. Though their dichotomous relationship becomes something to watch with the highest regard allowing for comedy and warm moments.
Big Fish (2004)
John Ford once said, “If you have to choose between the fact or the legend, choose the legend”, and our hero of the tale, Edward Bloom, seemingly prefers legend over his own life. Perhaps it’s to cover his own boring, uneventful, or miserable existence, perhaps it’s to continue invoking imagination like a child until he dies, or maybe… it all really happened. Who knows, really? And I say, “Who Cares?” Because, Big Fish succeeds in one truly grand thing, it stirs the imagination rather well in the Capra-esque sense, something I take great joy in, not only as a person who loves to have his imagination stimulated, but also as a storyteller and aspiring writer. I take pride in attempting to tell good stories, and “Big Fish” is a damn good story of epic proportions.
Bulletproof Monk (2003)
I never read an issue of the actual comic this was based on, but judging by this often times ridiculous and stupid piece of popcorn numb skullery, the comic can’t be that good. This is the type of stuff that would appeal to a fourteen year old boy, the type of film that unfortunately plays more like a “Power Rangers” episode than an actual comic book movie with an awful fight sequence in the opening amidst a backdrop of a bad CGI forest in which Chow Yun Fat, our hero, and his master fight along a bridge as a young boy looks on. The young boy, by the way, is shown quite often, but disappears later on in the movie to play no role whatsoever, but I digress. This is one of those films with one of those odd realities in which everyone, everyone knows Kung Fu! Even the German soldier villains. I don’t know it. I can handle myself well, but I don’t know kung fu, but alas, if I lived in this reality I’d know it automatically. If only, eh?