The “Christmas with Carol” DVD from Time Life isn’t much of a visit to the show’s best comedy offerings, as it’s mainly a singing and dancing compilation, but it definitely puts on display why Carol Burnett is such a wonderful comedian with a humongous fan base. This compilation of two “Carol Burnett Show” Christmas specials, along with chosen holiday segments in the extras features really isn’t based around the comedy of the show, so much as the whimsy. Carol Burnett has a love for Christmas, and doesn’t partake in the classic segment comedy, but fills her two episodes with musical numbers and sweet comedy skits.
Tag Archives: Christmas
Merry Christmas, Splat…And More Winter Stories (DVD)
It’s very interesting how the “Merry Christmas, Splat” winter tales compilation clocks in at under forty minutes, but really provides a good time. It’s four very entertaining and somewhat calming children’s tales, all of which inspire wonder, excitement, and really celebrate both winter, and Christmas.
Kenny Rogers: Keep Christmas With You (DVD)
This hour long special I fondly recall sleeping through in the nineties thanks to a country music obsessed mom, is now available in all of its uncut glory. Truth be told, time has been kind to this special, and tapping Kenny Rogers’ popularity in the decade, we get to see him have a ball with a group of kids.
Stalled (2013)
Director Christian James’ “Stalled” is a very creative, and often clever horror comedy that takes the zombie movie to a new direction. It tries, at least. “Stalled” really seems to have a grasp on its premise for the first forty minutes, and then scrambles to keep monotony from setting in the rest of the way. In spite of that, “Stalled” is a creepy, interesting, and very unique zombie horror comedy that takes a few notes from “Shaun of the Dead.” It’s a horror movie about a perpetual loser who gets his life together in the wake of a bona fide zombie apocalypse. But it tries to add its own twists to the conventions, which make for a good experience.
The Children (2008)
As much as I wanted to love Thomas Shankland’s horror film “The Children,” it’s yet another genre entry that’s all build and no bang. In fact the first hour of the whole film is nothing but build-up and off screen chaos, and there’s almost no pay off to anything that occurs. Whenever Shankland has a chance to blast the audience with carnage and havoc, it’s all so abruptly ended. You assume a movie about a mysterious chemical that turns children in to rotten maniacs merciless in their pursuit to murder adults would be straight forward and frantic. In reality it’s very slow, and there’s nothing straight forward about anything here.
Silent Night (2012)
“Don’t put avocado on the burger!”
You just can’t take a movie like “Silent Night” all that seriously. It’s twisted, demented, and weird, and features a small town with a perverted priest, and a slew of gorgeous women sauntering about like it’s just another day. Jaime King is the sheriff, Ellen Wong is her secretary, single moms are attractive, and the slashing Santa spends most of his time murdering good looking women in the most sadistic ways imaginable. It’s a splatter film and an exploitation film first and foremost, so if you’re expecting high art with complex themes about Christmas, you should look elsewhere. Director Steven C. Miller knows exactly what kind of film he’s directing, and he never holds back from delivering the gore and the torture in all of the most convenient forms possible.
Uncle Buck (1989)
Even during his days on Second City, John Candy was one of the most restrained and brilliant comedy personalities of his time, a man who had genuine wit and charisma, and garnered laughs by his quick timing alone. Before Chris Farley presented the assumption that in order for a large man to be funny he had to take falls and be the butt of violent physical gags, John Candy had a class to his humor that showed the heavy guy didn’t have to always be the subject of vicious antics and mean spirited humor. Sure, in “Uncle Buck,” Candy does take his hits and falls, but the entire movie is based more around his charm, razor sharp wit, and ability to improvise at the drop of a hat. Not that Chris Farley wasn’t a laugh riot, but heavy men could do more than provide laughs for the more attractive people in the movies.